An in-depth view of the way popular female stereotypes were reflected in—and were shaped by—the portrayal of women in Disney’s animated features. In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form—the heroine of the animated film—that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found. “A fascinating compilation of essays in which [Davis] examined the way Disney has treated female characters throughout its history.” —PopMatters

Each title in The Applause Libretto Library Series presents a Broadway musical with fresh packaging in a 6 x 9 trade paperback format. Each Complete Book and Lyrics is approved by the writers and attractively designed with color photo inserts from the Broadway production. All titles include introduction and foreword by renowned Broadway musical experts. Long before Dorothy dropped in, two other girls meet in the Land of Oz. One, born with emerald green skin, is smart, fiery, and misunderstood. The other is beautiful, ambitious, and very popular. The story of how these two unlikely friends end up as the Wicked Witch of the West and Glinda the Good Witch makes for the most spellbinding new musical in years.

New England has a rich, dark history with the supernatural. From this region many writers of dark fiction have fueled their stories. One chapter in history has been the stuff of legends and nightmares: the Witch. Look to ancient mythology or your next door neighbor and you will find them, practicing arts both Dark and Light. The New England Horror Writers proudly present a new anthology which pays tribute to those whose ancestors were accused, hung, pressed, drowned, or burned at the stake. Enter these pages, wander the hard roads of Colonial America or modern corporate boardrooms, to face the Witch. Wicked Witches, fiction from New England's most talented writers: G.D. Dearborn, Barry Lee Dejasu, Peter N. Dudar, Jeremy Flagg, Joshua Goudreau, Catherine Grant, Jan Kozlowski, Patrick Lacey, Izzy Lee, Nick Manzolillo, John McIlveen, Paul McMahon, James A. Moore, Errick A. Nunnally, Ogmios, Suzanne Reynolds-Alpert, Doug Rinaldi, Rob Smales, Morgan Sylvia, K.H. Vaughan, Morven Westfield and Trisha J. Wooldridge Introduction by Penny Dreadful; Cover art by Mikio Murakami

In the sixteenth century and seventeenth centuries it was women who were almost exclusively persecuted as witches. However, the witch craze has been subjected to surprisingly little feminist analysis. In Lewd Women and Wicked Witches, Marianne Hester reviews and develops revolutionary feminist thinking. Accordingly, she shows how witches can be seen as victims of the oppression of a male dominated society. Concentrating on English source material, the author shows how witch-hunts may be seen as an historically specific example of male dominance. Relying on an eroticised construct of women's inferiority, they were part of the ongoing attempt by men to maintain their power over women.

Bay Winchester is having a tough week. As the local editor of Hemlock Cove's only newspaper, she just happens to be present when a body is found in an area corn maze. To make matters worse, the police believe the murder may have something to do with the occult. This wouldn't be a problem for a normal reporter, but since Bay is descended from a well-known line of actual witches, the town is understandably on edge. Between the suspicious townspeople, the befuddled police presence, and that random hot biker guy who may or may not have something to do with the murder -- Bay has her hands full. When you add the typical family problems, multiplying ghosts -- and one monster of a zit that she's sure came from her aunt's curse -- Bay is just struggling to make it through the week. Of course, when the killer sets his sights on Bay, things could get a whole lot worse.

Look out Hemlock Cove, Aunt Tillie is on a rampage. What else is new, right? She's determined to move her wine business to the next level, and she needs twenty-four hours of peace and quiet to do it. There's only one thing standing in her way. Well, make that a whole family of obstacles ... and one ticked-off FBI agent. When cousins Bay, Clove and Thistle vow to stop their great-aunt's wine endeavor in its tracks, Aunt Tillie is forced to come up with a unique solution. In order to keep her great-nieces out of her hair, she curses them into a book of fairy tales. Of course, because it's Aunt Tillie, these aren't normal fairy tales. They're the fairy tales she created - with a little inspiration from the classics. Now Bay, Clove and Thistle have to work their way through a labyrinth of stories they haven't heard since they were kids - and they have to take Landon, Marcus and Sam along for the ride. Will Bay get eaten by bears? Will Thistle kiss a frog? Will Sam climb Clove's hair to rescue her from a tower? And, better yet, will Landon turn himself into a prince and slip a glass slipper on Bay's foot? Each task becomes harder as the story progresses, and as the tales darken, things start to become dangerous. Can the Winchester witches survive Aunt Tillie's twisted mind? Or will they be lost in a book forever?

The big day is finally here. Bay and Landon's wedding day has arrived. Unfortunately, a tragedy stands in the way of their happily ever after, and it comes in the form of reports of an armed gunman at the local high school. Bay, ghosts at her side, braves the scene to save the kids ... and uncovers something horrific. She. The boy with the gun says he needs to find her. The teacher in the room with him says the same thing before taking his own life. There's a magical being in Hemlock Cove, and she's wielding a great deal of power as she forces people to kill in her name. Bay refuses to back down, convinced that the magical explosion they can't get under control at Hollow Creek is partially to blame. The problem is so big, another witch needs to be tapped to help them solve it. Scout Randall, part of the Spells Angels group in Hawthorne Hollow, is more than happy to lend her services. She owes the Winchesters a favor after all. She simply might not be enough. Bay and Landon have been through more than any couple should have to survive ... and they're not done. Here comes the wedding ... and Clove's baby ... and the worst enemy they've ever fought. The Winchesters are strongest together, and this time they're going to prove that there's no keeping a good witch down. I do? It's coming, because nothing can stop these witches when love and family are on the line.