Join local historian Gregg Seidl on this deliciously wicked romp with New Albanys most heinousthe treacherous, greedy, drunken, insane and plain unfortunate. Catch a whiff of rum and candor when Jacob Ritter sits to write one morning in 1861. His opening line: I have killed my wife because she is a witch. When the trains roar through this New Albany, they are quite likely meeting flesh. The men in the saloons are armed and irritated. And the murderous can be most industrious, like the man who was sentenced to death, sold his body to New Albanys first physician, collected the cash, reneged on the contract and then tried to sell his corpse again. Millions have roamed these broad avenues during New Albanys nearly two hundred years. Most have been honest sorts. Others, well

Albany, New York, experienced massive upheaval when the Volstead Act of 1919 established Prohibition. Crime already proliferated in the capital of the Empire State, with rival political machines stooping to corruption and the mob with their heavy-handed powers of persuasion. As it did nationwide, Prohibition in Albany served merely to force alcohol-related commerce underground and lawlessness and violence to the forefront of city activity.

Each title in The Applause Libretto Library Series presents a Broadway musical with fresh packaging in a 6 x 9 trade paperback format. Each Complete Book and Lyrics is approved by the writers and attractively designed with color photo inserts from the Broadway production. All titles include introduction and foreword by renowned Broadway musical experts. Long before Dorothy dropped in, two other girls meet in the Land of Oz. One, born with emerald green skin, is smart, fiery, and misunderstood. The other is beautiful, ambitious, and very popular. The story of how these two unlikely friends end up as the Wicked Witch of the West and Glinda the Good Witch makes for the most spellbinding new musical in years.

Acclaimed crime historian, podcaster, and author of American Sherlock Kate Winkler Dawson tells the thrilling story of Edward Rulloff—a serial murderer who was called “too intelligent to be killed”—and the array of 19th century investigators who were convinced his brain held the key to finally understanding the criminal mind. Edward Rulloff was a brilliant yet utterly amoral murderer—some have called him a “Victorian-era Hannibal Lecter”—whose crimes spanned decades and whose victims were chosen out of revenge, out of envy, and sometimes out of necessity. From his humble beginnings in upstate New York to the dazzling salons and social life he established in New York City, at every turn Rulloff used his intelligence and regal bearing to evade detection and avoid punishment. He could talk his way out of any crime...until one day, Rulloff's luck ran out. By 1871 Rulloff sat chained in his cell—a psychopath holding court while curious 19th-century "mindhunters" tried to understand what made him tick. From alienists (early psychiatrists who tried to analyze the source of his madness) to neurologists (who wanted to dissect his brain) to phrenologists (who analyzed the bumps on his head to determine his character), each one thought he held the key to understanding the essential question: is evil born or made? Eventually, Rulloff’s brain would be placed in a jar at Cornell University as the prize specimen of their anatomy collection...where it still sits today, slowly moldering in a dusty jar. But his story—and its implications for the emerging field of criminal psychology—were just beginning. Expanded from season one of her hit podcast on the Exactly Right network (7 million downloads and growing), in All That Is Wicked Kate Winkler Dawson draws on hundreds of source materials and never-before-shared historical documents to present one of the first glimpses into the mind of a serial killer—a century before the term was coined—through the scientists whose work would come to influence criminal justice for decades to come.

Tucked away in the northwestern frontier, Portland offered all the best vices: opium dreams, gambling, cheap prostitutes, and drunken brawling. In its early days, Portland was a "combination rough-and-ready logging camp and gritty, hard-punching deep-water port town," and as a young city (established in the late 1840s) it developed an international reputation for lawlessness and violence. In the early 1900s, the British and French governments filed formal complaints about Portland to the US state department, and Congressional testimony from the time cites Portland as the worst place in the world for crimping. Today, tours of the alleged Shanghai Tunnels offer Portland visitors a taste of that seedy past.

Prostitution, gambling, moonshine and drugs could all be found behind closed the closed doors of Danville, VA from 1919 to 1933. During Prohibition, the "Law and Order League," of Danville was, of course, "dry," but the city's mayor was personally was known to be "personally wet," and in 1911 citizens were shocked to discover that the police chief was a fugitive from a murder conviction in Georgia. That same period saw lynching, murders and the wreck of the Old '97. HP authors Frankie Bailey and Alice Green will examine the law and disorder of Prohibition era Danville with Wicked Danville: Crime, Justice, and Prohibition in a Southside Virginia City.

The New York Times bestseller and basis for the Tony-winning hit musical, soon to be a major motion picture starring Cynthia Erivo and Ariana Grande With millions of copies in print around the world, Gregory Maguire’s Wicked is established not only as a commentary on our time but as a novel to revisit for years to come. Wicked relishes the inspired inventions of L. Frank Baum’s 1900 novel, The Wonderful Wizard of Oz, while playing sleight of hand with our collective memories of the 1939 MGM film starring Margaret Hamilton (and Judy Garland). In this fast-paced, fantastically real, and supremely entertaining novel, Maguire has populated the largely unknown world of Oz with the power of his own imagination. Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skin—no easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz’s most promising young citizens. But Elphaba’s Oz is no utopia. The Wizard’s secret police are everywhere. Animals—those creatures with voices, souls, and minds—are threatened with exile. Young Elphaba, green and wild and misunderstood, is determined to protect the Animals—even if it means combating the mysterious Wizard, even if it means risking her single chance at romance. Ever wiser in guilt and sorrow, she can find herself grateful when the world declares her a witch. And she can even make herself glad for that young girl from Kansas. Recognized as an iconoclastic tour de force on its initial publication, the novel has inspired the blockbuster musical of the same name—one of the longest-running plays in Broadway history. Popular, indeed. But while the novel’s distant cousins hail from the traditions of magical realism, mythopoeic fantasy, and sprawling nineteenth-century sagas of moral urgency, Maguire’s Wicked is as unique as its green-skinned witch.