Thieves, rumrunners and rapscallions all color the unsavory side of Litchfield County history. Townspeople accused women of witchcraft simply for not bearing enough children in the early days of the region. During the eighteenth and nineteenth centuries, Owen Sullivan and William Stuart took advantage of the county's isolated stretches and a currency shortage to build counterfeiting empires. In 1780, Barnett Davenport's brutal actions earned him infamy as the nation's first mass murderer. Small-time speakeasies slowly took hold, and the omnipresence of alcohol-fueled crime led to the birth of the nationwide prohibition movement. Local historian Peter C. Vermilyea explores these and other devilish tales from the seedier history of Litchfield County.

One of the oldest cities in America, Hartford holds plenty of sinful stories. Famed inventor and industrialist Samuel Colt sold arms to both the North and South in the buildup to the Civil War. The notorious Seyms Street jail was the subject of national criticism and scandal for its deplorable conditions. Local journalist Daniel Birdsall fought to expose corruption in the powerful insurance industry and local government at the expense of his own printing presses. Tension between unions and "robber barons" such as Jay Gould spilled into the streets during the Gilded Age. Author Steve Thornton takes readers on an exciting journey through the seedy underbelly of Hartford's past.

Local historian Peter C. Vermilyea tells stories of some forgotten moments in Litchfield County, CT from Native American legends to Cold War relics. Traces of Litchfield County's past are hidden in plain sight. Vestiges of long-abandoned railroad tracks crisscross the county while a decaying and unmarked cinder block structure in Warren is all that remains of a cornerstone of national defense. All but forgotten today, a fire roared through Winsted in 1908, causing residents to flee their rooms at the Odd Fellows boardinghouse. In Bantam, art deco chairs made by the Warren McArthur Corporation prompted the War Department to order bomber seats from the company during World War II. Author Peter C. Vermilyea explores these and other obscure tales from the history of Litchfield County, Connecticut.

In her Epilogue entitled "What Is His Greatness?", Ola Elizabeth Winslow stated in the first serious modern biography of Jonathan Edwards: "In a word, it is the greatness of one who had a determining art of initiating and directing a popular movement of far-reaching consequence, and who in addition, laid the foundations for a new system of religious thought, also of far-reaching consequence." After two and a half centuries since Edwards's death, Winslow's statement is undoubtedly true, and perhaps, more so now than ever. The recovery of Edwards pioneered by Perry Miller, Ola Winslow, and Thomas Schafer, among others, has become what is often referred to as an "Edwards renaissance," and has been made even more popular among lay people by John Piper, Stephen Nichols, and the like. Since the free online access of The Works of Jonathan Edwards by Yale University, dozens of books, and articles, as well as numerous dissertations, each year are written to seek a facet of Edwards's "greatness," and thus as an exemplar of his continued "far-reaching consequence." Jonathan Edwards, more than any other pre-revolutionary colonial thinker, grappled with the promises and perils of the Enlightenment. Organized by John T. Lowe and Daniel N. Gullotta, Jonathan Edwards within the Enlightenment brings together a group of young and early career scholars to present their propping the life, times, and theology of one of America's greatest minds. Many of these subjects have been seldom explored by scholars while others offer new and exciting avenues into well covered territory. Some of these topics include Edwards' interaction with and involvement in slavery, colonialism, racism, as well as musings on gender, populism, violence, pain, and witchcraft.

This book provides a practical introduction to researching and performing early Anglo-American secular music and dance with attention to their place in society. Supporting growing interest among scholars and performers spanning numerous disciplines, this book contributes quality new scholarship to spur further research on this overshadowed period of American music and dance. Organized in three parts, the chapters offer methodological and interpretative guidance and model varied approaches to contemporary scholarship. The first part introduces important bibliographic tools and models their use in focused examinations of individual objects of material musical culture. The second part illustrates methods of situating dance and its music in early American society as relevant to scholars working in multiple disciplines. The third part examines contemporary performance of early American music and dance from three distinct perspectives ranging from ethnomusicological fieldwork and phenomenology to the theatrical stage. Dedicated to scholar Kate Van Winkle Keller, this volume builds on her legacy of foundational contributions to the study of early American secular music, dance, and society. It provides an essential resource for all those researching and performing music and dance from the revolutionary era through the early nineteenth century.