Phillips's short chapter on lessons the U.S. should have learned from the Vietnam War should be mandatory reading in Washington, D.C. -- Publishers Weekly It is, among other things, a wonderful read, full of detail and drama. --George Packer, The New Yorker Rufus Phillips offers an extraordinary inside history of the most critical years of American involvement in Vietnam, from 1954 to 1968, and explains why it still matters. Describing what went right and then wrong, he finds that our failure to understand the Communists, our South Vietnamese allies, or even ourselves took us down the wrong road of a conventional war until it was too late--we missed the war's essential political character. Documenting the story from his own personal files, now available at the Texas Tech Vietnam Archive, as well as from the historical record, the former government official paints striking portraits of such key figures as John F. Kennedy, Maxwell Taylor, Robert McNamara, Henry Cabot Lodge, Hubert Humphrey, and Ngo Dinh Diem, among others with whom he dealt.

Rufus Phillips offers an extraordinary inside history of the most critical years of American involvement in Vietnam, from 1954 to 1968, and explains why it still matters. Describing what went right and then wrong, he contends that our failure to understand the Communists, our South Vietnamese allies, or even ourselves took us down the wrong road of a conventional war until it was too late—we missed the war’s essential political character. Documenting the story from his own personal files, now available at the Texas Tech Vietnam Archive, as well as from the historical record, the former government official paints striking portraits of such key figures as John F. Kennedy, Maxwell Taylor, Robert McNamara, Henry Cabot Lodge, Hubert Humphrey, and Ngo Dinh Diem, among others with whom he dealt."

More than three decades after the final withdrawal of American troops from Southeast Asia, the legacy of the Vietnam War continues to influence political, military, and cultural discourse. Journalists, politicians, scholars, pundits, and others have used the conflict to analyze each of America's subsequent military engagements. Many Americans have observed that Vietnam-era terms such as "cut and run," "quagmire," and "hearts and minds" are ubiquitous once again as comparisons between U.S. involvement in Iraq and in Vietnam seem increasingly appropriate. Because of its persistent significance, the Vietnam War era continues to inspire vibrant historical inquiry. The eminent scholars featured in The War That Never Ends offer fresh and insightful perspectives on the continuing relevance of the Vietnam War, from the homefront to "humping in the boonies," and from the great halls of political authority to the gritty hotbeds of oppositional activism. The contributors assert that the Vietnam War is central to understanding the politics of the Cold War, the social movements of the late twentieth century, the lasting effects of colonialism, the current direction of American foreign policy, and the ongoing economic development in Southeast Asia. The seventeen essays break new ground on questions relating to gender, religion, ideology, strategy, and public opinion, and the book gives equal emphasis to Vietnamese and American perspectives on the grueling conflict. The contributors examine such phenomena as the role of women in revolutionary organizations, the peace movements inspired by Buddhism, and Ho Chi Minh's successful adaptation of Marxism to local cultures. The War That Never Ends explores both the antiwar movement and the experiences of infantrymen on the front lines of battle, as well as the media's controversial coverage of America's involvement in the war. The War That Never Ends sheds new light on the evolving historical meanings of the Vietnam War, its enduring influence, and its potential to influence future political and military decision-making, in times of peace as well as war.

A classic work of American literature that has not stopped changing minds and lives since it burst onto the literary scene, The Things They Carried is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling. The Things They Carried depicts the men of Alpha Company: Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and the character Tim O’Brien, who has survived his tour in Vietnam to become a father and writer at the age of forty-three. Taught everywhere—from high school classrooms to graduate seminars in creative writing—it has become required reading for any American and continues to challenge readers in their perceptions of fact and fiction, war and peace, courage and fear and longing. The Things They Carried won France's prestigious Prix du Meilleur Livre Etranger and the Chicago Tribune Heartland Prize; it was also a finalist for the Pulitzer Prize and the National Book Critics Circle Award.

A much-needed behind-the-scenes survey of an emerging Asian power The eyes of the West have recently been trained on China and India, but Vietnam is rising fast among its Asian peers. A breathtaking period of social change has seen foreign investment bringing capitalism flooding into its nominally communist society, booming cities swallowing up smaller villages, and the lure of modern living tugging at the traditional networks of family and community. Yet beneath these sweeping developments lurks an authoritarian political system that complicates the nation’s apparent renaissance. In this engaging work, experienced journalist Bill Hayton looks at the costs of change in Vietnam and questions whether this rising Asian power is really heading toward capitalism and democracy. Based on vivid eyewitness accounts and pertinent case studies, Hayton’s book addresses a broad variety of issues in today’s Vietnam, including important shifts in international relations, the growth of civil society, economic developments and challenges, and the nation’s nascent democracy movement as well as its notorious internal security. His analysis of Vietnam’s “police state,” and its systematic mechanisms of social control, coercion, and surveillance, is fresh and particularly imperative when viewed alongside his portraits of urban and street life, cultural legacies, religion, the media, and the arts. With a firm sense of historical and cultural context, Hayton examines how these issues have emerged and where they will lead Vietnam in the next stage of its development.

Based on classified documents and interviews, argues that American acts of violence against millions of Vietnamese civilians during the Vietnam War were a pervasive and systematic part of the war.

Christina Schwenkel's absorbing study explores how the "American War" is remembered and commemorated in Vietnam today -- in official and unofficial histories and in everyday life. Schwenkel analyzes visual representations found in monuments and martyrs' cemeteries, museums, photography and art exhibits, battlefield tours, and related sites of "trauma tourism." In these transnational spaces, American and Vietnamese memories of the war intersect in ways profoundly shaped by global economic liberalization and the return of American citizens as tourists, pilgrims, and philanthropists.