This book offers an excellent, accessible introduction to the life and thought of Father Pavel Florensky, one of the most prominent religious philosophers of Russia's highly creative Silver Age at the beginning of the twentieth century. Florensky, an Orthodox priest, died in Stalin's gulag in 1937. His writings were long suppressed in the Soviet Union, and Western Protestant and Catholic theologians have known little about him. John Burgess argues that it is time to give Florensky his due. His worldview is as important today as it was during his lifetime: a deep sensitivity to the beauty of the natural world; a conviction that the religious cult?acts of worship and ritual?make human culture possible; and an understanding of the Christian faith as, above all, a way of seeing God's glorious presence in all of creation. The book takes a unique approach by examining Florensky not primarily as an academic philosopher but rather as an Orthodox priest and theologian, who speaks out of his personal religious experience to communicate the Christian faith to people who are seeking truth but do not yet know church life. The book makes an original contribution to Florensky scholarship and literature, especially in the United States, where his colleagues Sergei Bulgakov and Nicholas Berdiaev have been better known. John Burgess is a Protestant theologian who has lived and travelled in Russia, and has visited key places associated with Florensky. The author's experience, even as an outsider, of Orthodox worship and practice?its liturgical cycles, iconography, seasons of fasting and feasting, and monasteries and holy sites?has enabled him to understand Florensky's admonition that one must enter into Orthodoxy in order to understand it (and Florensky's) thinking.

Beyond Vision is the first English-language collection of essays on art by Pavel Florensky (1882–1937), Russian philosopher, priest, linguist, scientist, mathematician – and art historian. In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky’s contribution as an art historian by Nicoletta Misler. Beyond Vision reveals Florensky’s fundamental attitudes to the vital questions of construction, composition, chronology, function and destination in the fields of painting, sculpture and design. His reputation as a theologian and philosopher is already established in the English-speaking world, but this first collection in English of his art essays (translated by Wendy Salmond) will be a revelation to those in the field. Pavel Florensky was a true polymath: trained in mathematics and philosophy at Moscow University, he rejected a scholarship in advanced mathematics in order to study theology at the Moscow Theological Academy. He was also an expert linguist, scientist and art historian. A victim of the Soviet government’s animosity towards religion, he was condemned to a Siberian labor camp in 1933 where he continued his work under increasingly difficult circumstances. He was executed in 1937.

Eight important early writings by twentieth-century Russian Orthodox theologian Pavel Florensky-Most of them presented in English translation for the first time. Splendidly interweaving religious, scientific, and literary themes, these essays showcase the diversity of Florensky's broad learning and interests and include his reflections on the sacraments, Russian monastic culture, and other topics. The volume concludes with "The Salt of the Earth," arguably Florensky's most spiritually moving work. Book jacket.

Pavel Florensky--certainly the greatest Russian theologian of the last century--is now recognized as one of Russia's greatest polymaths. Known as the Russian Leonardo da Vinci, he became a Russian Orthodox priest in 1911, while remaining deeply involved with the cultural, artistic, and scientific developments of his time. Arrested briefly by the Soviets in 1928, he returned to his scholarly activities until 1933, when he was sentenced to ten years of corrective labor in Siberia. There he continued his scientific work and ministered to his fellow prisoners until his death four years later. This volume is the first English translation of his rich and fascinating defense of Russian Orthodox theology. Originally published in 1914, the book is a series of twelve letters to a "brother" or "friend," who may be understood symbolically as Christ. Central to Florensky's work is an exploration of the various meanings of Christian love, which is viewed as a combination of philia (friendship) and agape (universal love). Florensky is perhaps the first modern writer to explore the so-called "same-sex unions," which, for him, are not sexual in nature. He describes the ancient Christian rites of the adelphopoiesis (brother-making), joining male friends in chaste bonds of love. In addition, Florensky is one of the first thinkers in the twentieth century to develop the idea of the Divine Sophia, who has become one of the central concerns of feminist theologians.

In 1913, Russian imperial marines stormed an Orthodox monastery at Mt. Athos, Greece, to haul off monks engaged in a dangerously heretical practice known as Name Worshipping. Exiled to remote Russian outposts, the monks and their mystical movement went underground. Ultimately, they came across Russian intellectuals who embraced Name Worshipping—and who would achieve one of the biggest mathematical breakthroughs of the twentieth century, going beyond recent French achievements. Loren Graham and Jean-Michel Kantor take us on an exciting mathematical mystery tour as they unravel a bizarre tale of political struggles, psychological crises, sexual complexities, and ethical dilemmas. At the core of this book is the contest between French and Russian mathematicians who sought new answers to one of the oldest puzzles in math: the nature of infinity. The French school chased rationalist solutions. The Russian mathematicians, notably Dmitri Egorov and Nikolai Luzin—who founded the famous Moscow School of Mathematics—were inspired by mystical insights attained during Name Worshipping. Their religious practice appears to have opened to them visions into the infinite—and led to the founding of descriptive set theory. The men and women of the leading French and Russian mathematical schools are central characters in this absorbing tale that could not be told until now. Naming Infinity is a poignant human interest story that raises provocative questions about science and religion, intuition and creativity.

Literary Studies.

The Meaning of Idealism is a journey: from Plato and Aristotle to Neoplatonism to Medieval theories of being and knowing, from these to Orthodox spirituality, to Vedic mysticism, from Vedic mysticism to astrology, from astrology to modern science-including relativity, the mathematical theory of invariants, and the multidimensional universe.