Why Lazarus Laughed explicates the essential doctrine shared by the traditions of Zen Buddhism, Advaita, and Tantra. Wei Wu Wei has become an underground spiritual favorite whose fans anxiously await each reissued book.

Lazarus Laughed, sub-titled "A Play for Imaginative Theatre," is O'Neill's imaginative speculation as to the remained of Lazarus' life after he was raised from the dead.

Lazarus Laughed is a play by Eugene O'Neill written in 1925. It is a long philosophical meditation with more than a hundred actors making up a masked chorus. The story features characters and events following the raising of Lazarus of Bethany from the dead by Jesus. As Lazarus is the first man to return from the realm of the dead, the crowd reacts intently to his words.

The story features characters and events following the raising of Lazarus of Bethany from the dead by Jesus. As Lazarus is the first man to return from the realm of the dead, the crowd reacts intently to his words. Over and over again he declares to them that there is no death, only God's eternal laughter. The more Lazarus laughs, the younger and stronger he becomes. The more he laughs, the older and weaker his wife Miriam (who trusts him but does not understand his laughter) becomes. The subsequent scenes portray a series of tests (perhaps similar to those trials of Job) by the Jews, Romans and Greeks to try the faith of Lazarus. Consequently, members of his family are taken from him, but Lazarus continues always to laugh, even as Miriam is poisoned by the Roman Emperor Tiberius and continuing on to the very end, when Tiberius burns him at the stake. --Wikipedia.com.

An esssential work of this enigmatic sage, draws from the ancient traditions of Buddhism, Taosim, and Advaita Vedanta.

‘Prose this powerful could wake the dead’ – Observer Crossing a century of Eastern European history, The Lazarus Project is a profound exploration of alienation and the immigrant experience from Aleksandar Hemon, author of The World and All That It Holds. On 2 March 1908, Lazarus Averbuch, a young Russian Jewish immigrant to Chicago, tried to deliver a letter to the city’s Chief of Police. He was shot dead. After the shooting, it was claimed he was an anarchist assassin and an agent of foreign operatives who wanted to bring the United States to its knees. His sister, Olga, was left alone and bereft in a city seething with tension. A century later, two friends become obsessed with the truth about Lazarus and decide to travel to his birthplace. As the stories intertwine, a world emerges in which everything – and nothing – has changed . . . ‘This is easily Hemon’s best work to date, an intricately tessellated portrait of flight, emigration, and the meaning of home’ – Evening Standard

The first of a series of extraordinary spiritual manifestos written by the anonymous Wei Wu Wei.