The bestselling and heart-warming picture book that shows us ways to be affectionate while social distancing, from the team behind The Hug.Hedgehog and Tortoise were the best of friends. They wanted to give each other a great, big hug. But they weren't allowed to touch. "Don't worry," said Owl. "There are lots of ways to show someone you love them." So the two friends wave to each other, blow kisses, sing songs, dance around and write letters. And even though they can't hug and they can't touch, they both know that they are loved. A gorgeous, uplifting, inspiring picture book that makes social distancing fun!

Every adventure we embark on shapes who we are, enriching our lives with new experiences and wisdom. In this moving narrative, follow the journey of a hero whose bravery and determination inspire us all. Through trials and triumphs, this hero learns to embrace love and resilience, and we are invited to witness the transformative power of these emotions on the characters around them. Written with love and patience over the course of four years, this is a story that will stay with you long after the last page is turned.

Two years ago, John and Violet Jenson found themselves in the Valley, a magical world where animals and humans lived together in peace. Now, they have returned, only to find that everything has changed. Their worst enemies, the Soldiers of Sorrow, have returned from the dead, shattering the Valley itself into two opposing sides. As John and Violet find themselves on opposing sides of the burgeoning conflict, they are forced to face forgotten truths about themselves and the ones they trust in this utterly unique tale of family, friendship, and warring ideologies.

Helen Johnson's life abruptly ends when her youngest son enters college and her husband leaves her for another woman. As her rage and heartbreak diminish, she forms a new vision of life based on her Greek heritage, her artistic skill, and money from the sale of her house. Reclaiming her maiden name, Eleni Pappas, she enrolls in a course for archaeological illustration in Athens, Greece. There she embarks on the research vessel Ariadne with another student, Chris Clayton, and their professor, Basilis Stephanopoulis, to search for artifacts off the coast of Crete. They meet Agamemnon Karris and his Scandinavian tourists aboard the Klytemnestra, and Raymond and Lotte Palmer aboard the luxury schooner Volos. Unknowingly, they become entangled with the forces of international art pirates, Interpol agents and the Greek Coastal Patrol when they start research on the site where a pre-classic maiden has lain beneath the ocean sands for centuries. Dangerous situations occur and Eleni finds herself hostage in the center of action among art pirates, Interpol agents, and dangerous men. She makes her share of mistakes and discoveries before finding the one who will be by her side as she builds her new life in Greece.

In her deeply affecting, vividly written memoir, Rosemary L. Bray describes with remarkable frankness growing up poor in Chicago in the 1960s, and her childhood shaped by welfare, the Roman Catholic Church, and the civil rights movement. Bray writes poignantly of her lasting dread of the cold and the dark that characterized her years of poverty; of her mother's extraordinary strength and resourcefulness; and of the system that miraculously enabled her mother to scrape together enough to keep the children fed and clothed. Bray's parents, held together by their ambitions for their children and painfully divided by their poverty, punctuate young Rosemary's nights with their violent fights and define her days with their struggles. This powerful, ultimately inspiring book is a moving testimony of the history Bray overcame, and the racial obstacles she continues to see in her children's way.

4 Wrestlers, 4 Royalties, 1 Country is about four family members from Spain who are WWE Superstars, and members of royalty. Their names are Sedona, Carlos Rodríguez, Seth Rodríguez, and Irene Rodríguez. Each chapter is told from a different character's point of view, and they give the reader a glimpse of their daily lives. Throughout the book, the four Spaniards encounter their own challenges; both big and small. But in the end, they realize that the strong family bond triumphs over tribulations, and that it is the thing that matters most at the end of the day.

The murder of a third of Europe's Jews by the Nazis is unquestionably the worst catastrophe in the history of contemporary Judaism and a formative event in the history of Zionism and the State of Israel. Understandably, therefore, the Shoah, written about, analyzed, and given various political interpretations, has shaped public discourse in the history of the State of Israel. The key element of Shoah in the Israeli context is victimhood and as such it has become a source of shame, shrouded in silence and subordinated to the dominant discourse which, resulting from the construction of a "new Hebrew" active subjectivity, taught the postwar generation of Israelis to reject diaspora Jewry and its alleged passivity in the face of catastrophe. This book is the culmination of years of preoccupation with the meaning of the Shoah for the author, an Israeli woman with a "split subjectivity: - that of a daughter of a family of Shoah survivors, and that of a daughter of the first Israeli-born generation; the culmination of her need to break the silence about the Shoah in a society which constructed itself as the Israeli antithesis to diaspora Jewry, and to excavate a "truth" from underneath the mountain of Zionist nation-building myths. These myths, the author argues, not only had deep implication for the formation of her generation but also a profound impact on the Israeli-Palestinian conflict. Moreover, they are shot through with images of the "masculine" Israeli, constrasted with those of the weak, passive, non-virile Jewish "Other" of the diaspora. This book offers the first gendered analysis of Israeli society and the Shoah. The author employs personal narratives of nine Israeli daughters of Shoah survivors, writers and film makers, and a feminist re-reading of official and unofficial Israeli and Zionist discourses to explore the ways in which the relationship between Israel and the Shoah has been gendered in that the Shoah was "feminized" while Israel was "masculinized." This new perspective has considerable implications for the analysis of Israeli society; a gendered analysis of Israeli construction of nation reveals how the Shoah and Shoah discourse are exploited to justify Israel's, i.e. the "new Hebrew's," self-perceived right of occupation. Israel thus not only negated the Jewish diaspora, but also stigmatized and feminized Shoah victims and survivors, all the while employing Shoah discourses as an excuse for occupation, both in the past and in the present.