It is twenty-four years since the First Crusaders conquered Jerusalem. Robert of Bures is a young knight whose father rose to power and prosperity in the new Crusader kingdom, and whose uncle died in battle with the Saracens. Nothing matters more to him than defending the Holy Sepulcher, the tomb of Jesus Christ, more sacred than any shrine in Christendom. Robert has been a trusted retainer to Baldwin II, King of Jerusalem, a veteran of the First Crusade who now rules the beleaguered Christian outpost in the Holy Land, but his friendship with the King's daughter, the beautiful and headstrong Princess Melisende, is growing unfittingly close. In Aleppo, the Turkish warlord Balak has raised a vast Saracen army and promises to drive the Christians into the sea. King Baldwin II is short of men and funds, yet his faith in God in unshakable, and he inspires passionate loyalty in his troops. His daughter Melisende feels the weight of the future pressing down upon her, for her father has no son, and she is heir to a Kingdom that her people believe would be better inherited by a warrior prince. Why Does the Heathen Rage? explores a magnificent but rarely examined chapter in Crusades history. The Kingdom of Jerusalem is young, and beset from all sides with enemies. In the face of unending trials, King Baldwin II and his knights fight with zeal, ready to die for the city that Christ made sacred with his blood: Jerusalem.

How can the church move forward in unity amid such political strife and cultural contention? As Christians, we’ve felt pushed to the outskirts of national public life, yet even within our congregations we are divided about how to respond. Some want to strengthen the evangelical voting bloc. Others focus on social justice causes, and still others would abandon the public square altogether. What do we do when brothers and sisters in Christ sit next to each other in the pews but feel divided and angry? Is there a way forward? In How the Nations Rage, political theology scholar and pastor Jonathan Leeman challenges Christians from across the spectrum to hit the restart button by shifting our focus from redeeming the nation to living as a nation already redeemed rejecting the false allure of building heaven on earth while living faithfully as citizens of a heavenly kingdom letting Jesus’ teaching shape our public engagement as we love our neighbors and seek justice When we identify with Christ more than a political party or social grouping, we can return to the church’s unchanging political task: to become the salt and light Jesus calls us to be and offer the hope of his kingdom to the nations.

Flannery O'Connor and Fyodor Dostoevsky shared a deep faith in Christ, which compelled them to tell stories that force readers to choose between eternal life and demonic possession. Their either-or extremism has not become more popular in the last fifty to a hundred years since these stories were first published, but it has become more relevant to a twenty-firstt-century culture in which the lukewarm middle ground seems the most comfortable place to dwell. Giving the Devil His Due walks through all of O'Connor's stories and looks closely at Dostoevsky's magnum opus The Brothers Karamazov to show that when the devil rules, all hell breaks loose. Instead of this kingdom of violence, O'Connor and Dostoevsky propose a kingdom of love, one that is only possible when the Lord again is king.

In Preaching and Preachers, the author states unapologetically his attitudes about his role in the church and explains his methodology, all the while addressing various problems and questions that have been put to him.

In this book Paul Contino offers a theological study of Dostoevsky’s final novel, The Brothers Karamazov. He argues that incarnational realism animates the vision of the novel, and the decisions and actions of its hero, Alyosha Fyodorovich Karamazov. The book takes a close look at Alyosha’s mentor, the Elder Zosima, and the way his role as a confessor and his vision of responsibility “to all, for all” develops and influences Alyosha. The remainder of the study, which serves as a kind of reader’s guide to the novel, follows Alyosha as he takes up the mantle of his elder, develops as a “monk in the world,” and, at the end of three days, ascends in his vision of Cana. The study attends also to Alyosha’s brothers and his ministry to them: Mitya’s struggle to become a “new man” and Ivan’s anguished groping toward responsibility. Finally, Contino traces Alyosha’s generative role with the young people he encounters, and his final message of hope.

When celebrated American novelist and short story writer Flannery O'Connor died at the age of 39 in 1964, she left behind an unfinished third novel titled Why Do the Heathen Rage? Scholarly experts uncovered and studied the material, deeming it unpublishable. It stayed that way for 40 years. Until now. For the past 10-plus years, award-winning author Jessica Hooten Wilson has explored the 378 pages of typed and handwritten material of the novel--transcribing pages, organizing them into scenes, and compiling everything to provide a glimpse into what O'Connor might have planned to publish. This book is the result of Hooten Wilson's work. In it, she introduces O'Connor's novel to the public for the first time and imagines themes and directions O'Connor's work might have taken. Including illustrations and an afterword from noted artist Steve Prince (One Fish Studio), the book unveils scenes that are both funny and thought-provoking, ultimately revealing that we have much to learn from what O'Connor left behind.