The Western Tradition is that humans are partially spiritual beings with an immortal destiny. This tradition is under heavy attack, most of all perhaps from neuroscience. According to Richard Watson, biographer of Descartes, the future looks like this: "When humankind finally faces the fact that the mind is the brain, that there is no independently existing mental soul to survive the death of the body, that none of us chirpy sparrows is immortal . . ., then there will be a revolution in human thought the like of which none has gone before." Th at prediction is based on contemporary materialism, according to which the only scientific account of human origins is Darwin's evolutionist account. That is a double error, based on pre-scientific naïve realism, a view Einstein called "a plebeian illusion," and based on a pre-scientific, naïve-realist answer to the question, "What is a human being." Why Control Your Imagination? is a methodical dissection of those two errors, followed by a scientific presentation of the Tradition's truths.

"Shows how to make imagery vivid in all five senses, [and] offers a progressive series of images of increasing power and complexity. [Fezler] shows how to use the images to overcome addictions, control pain, eliminate phobias, heal disease, manifest your desires and [to] reach higher levels of consciousness. ..."--Back cover.

The whole manifested world goes to show us what use we have made of God's gift. Receiving a gift does not mean that we are going to use it wisely, but we have the gift. Everyone has the gift; and the world simply reflects the use of that gift.In "The Merchant of Venice," Shakespeare puts these words into the mouth of Portia: "If to do were as easy as to know what were good to do, chapels had been churches and poor men's cottages princes palaces. It is a good divine who follows his own instructions. I can easier teach twenty what were good to be done than to be one of the twenty to follow my own teaching."So you and I have been given a gift. To what use have we put it? In a book written in the First Century, written at the time of our Gospel, -- it's called the Hermetica, and this is a translation by Walter Scott. It is a wonderful series of four volumes; and in this he says: "There are two gifts that God has given to man alone, and to no other mortal creature, and these two gifts are Mind and Speech. And the gifts of Mind and Speech are essential and identical with Immortality. If they are used rightly, man will not differ in any respect from the immortals; and when he quits the body, these two will be his guides and they will lead him into the troop of the gods and. to the souls that have attained to bliss."

God can do anything, but did you know He has already done everything? Instead of asking the Lord to do something for you - revive you, heal you, bless you, prosper you - accept what He has already done for you through the death, burial, and resurrection of Jesus Christ. God has left you precious promises in His Word and those promises belong to you right now through Christ. As you see for yourself what God has already done for you and in you, your walk with Him will become a joy and an adventure you never thought possible. Your faith in Him will be quickened, your heart encouraged, and your feet firmly set on His pathway of victory.

The human imagination manifests in countless different forms. We imagine the possible and the impossible. How do we do this so effortlessly? Why did the capacity for imagination evolve and manifest with undeniably manifold complexity uniquely in human beings? This handbook reflects on such questions by collecting perspectives on imagination from leading experts. It showcases a rich and detailed analysis on how the imagination is understood across several disciplines of study, including anthropology, archaeology, medicine, neuroscience, psychology, philosophy, and the arts. An integrated theoretical-empirical-applied picture of the field is presented, which stands to inform researchers, students, and practitioners about the issues of relevance across the board when considering the imagination. With each chapter, the nature of human imagination is examined - what it entails, how it evolved, and why it singularly defines us as a species.

Control of the Imaginary was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. In Control of the Imaginary Luiz Costa Lima explains how the distinction between truth and fiction emerged at the beginning of modern times and why, upon its emergence, fiction fell under suspicion. Costa Lima not only describes the continuous relationship between Western notions of reason and subjectivity over a broad time-frame—the Renaissance to the first decade of the twentieth century—but he uses this occasion to reexamine the literary traditions of France, Italy, Spain, Portugal, England, and Germany. The book reconstructs the dominant frames in the European tradition between the Middle Ages and the nineteenth century from the perspective of a Latin American who sees the culture of his native Brazil haunted by unresolved questions from the Northern Hemisphere. Costa Lima manages to synthesize positions from philosophy, anthropology, sociology, psychology, linguistics, and history without separating the theoretical discussion from his historical reconstructions. The first chapter situates the problem and grounds the emergent distinction between truth and fiction in a very close analysis of one of the first European historians, Fernao Lopes, who sets the tone for the condemnation of fiction in the name of the truth of history and the potential for individual interpretation. Costa Lima pursues these notions through the aesthetic debates of the seventeenth and eighteenth centuries to the writings of the French historian Michelet. He also devotes an illuminating chapter to the invention of the strictures imposed on fiction.

Most of us believe that we are unique and coherent individuals, but are we? The idea of a "self" has existed ever since humans began to live in groups and become sociable. Those who embrace the self as an individual in the West, or a member of the group in the East, feel fulfilled and purposeful. This experience seems incredibly real but a wealth of recent scientific evidence reveals that this notion of the independent, coherent self is an illusion - it is not what it seems. Reality as we perceive it is not something that objectively exists, but something that our brains construct from moment to moment, interpreting, summarizing, and substituting information along the way. Like a science fiction movie, we are living in a matrix that is our mind. In The Self Illusion, Dr. Bruce Hood reveals how the self emerges during childhood and how the architecture of the developing brain enables us to become social animals dependent on each other. He explains that self is the product of our relationships and interactions with others, and it exists only in our brains. The author argues, however, that though the self is an illusion, it is one that humans cannot live without. But things are changing as our technology develops and shapes society. The social bonds and relationships that used to take time and effort to form are now undergoing a revolution as we start to put our self online. Social networking activities such as blogging, Facebook, Linkedin and Twitter threaten to change the way we behave. Social networking is fast becoming socialization on steroids. The speed and ease at which we can form alliances and relationships is outstripping the same selection processes that shaped our self prior to the internet era. This book ventures into unchartered territory to explain how the idea of the self will never be the same again in the online social world.