In [this book] you will learn all about the parts of grammar, but more importantly how to put them together - work words, glue words, chunks of words, helpers, and trouble-makers. [The book] will teach you to communicate with clarity and precision. As you learn the logic behind the rules of grammar, you'll find it easy to obey them. You'll become the master of: perfect progressives; gender concealers; word substitutes; working words and helping words; joiners and gluers; phrases and clauses; points of punctuation; avoiding common mistakes; how to put all your words together in the clearest, most powerful way. -Dust jacket.

Whose Book is it Anyway? is a provocative collection of essays that opens out the copyright debate to questions of open access, ethics, and creativity. It includes views – such as artist’s perspectives, writer’s perspectives, feminist, and international perspectives – that are too often marginalized or elided altogether. The diverse range of contributors take various approaches, from the scholarly and the essayistic to the graphic, to explore the future of publishing based on their experiences as publishers, artists, writers and academics. Considering issues such as intellectual property, copyright and comics, digital publishing and remixing, and what it means (not) to say one is an author, these vibrant essays urge us to view central aspects of writing and publishing in a new light. Whose Book is it Anyway? is a timely and varied collection of essays. It asks us to reconceive our understanding of publishing, copyright and open access, and it is essential reading for anyone invested in the future of publishing.

The Heinemann Plays series offers contemporary drama and classic plays in durable classroom editions. This play (also a feature film) is about the struggle of the central character, completely paralysed for life, for the right to die.

If she disappeared on Monday night, more than three days ago, without her phone or her toothbrush, then she is dead, isn’t she? Prolific crime writer Penny Freedman returns with her fifth novel in the Gina Gray series: Drown My Books. The narrative follows the story of Gina Gray, a woman who is disappointed by work, love and life. She has settled on a bleak stretch of the Kent coast where she walks her surly dog, coaches unpromising A-level students and teaches English to asylum seekers in Dover, whose stories break her heart. The one bright spot in her life is the community library and the book group she organises; however, on one grim February morning, her dog finds a body on the beach and her source of comfort turns into her biggest threat... Alarmingly, Gina learns that the dead woman is the second member of the book group to be killed, making Gina convinced that the book group is being targeted. DI Paula Powell, the lead of the police investigation, also happens to be Gina’s old rival in love, and Powell breaks the news that the killer is believed to be among Gina’s class of asylum seekers. With or without the help of DI Paula Powell, Gina has to move fast to find the truth. Could it be one of her asylum-seeker students who she admires so much that is actually a cold-blooded murderer? Drown My Books will appeal to those who enjoy crime and mystery fiction, as well as fans of Penny’s former books. The book will also appeal to fans of Kate Atkinson and Susan Hill, authors that have inspired Penny’s writing.

In today’s ‘publish or perish’ academic setting, the institutional prizing of quantity over quality has given rise to and perpetuated the dilemma of predatory publishing. Upon a close examination, however, the definition of ‘predatory’ itself becomes slippery, evading neat boxes or lists which might seek to easily define and guard against it. This volume serves to foreground a nuanced representation of this multifaceted issue. In such a rapidly evolving landscape, this book becomes a field guide to its historical, political, and economic aspects, presenting thoughtful interviews, legal analysis and original research. Case studies from both European-American and non-European-American stakeholders emphasize the worldwide nature of the challenge faced by researchers of all levels. This coauthored book is structured into both textual and supplemental materials. Key takeaways, discussion questions, and complete classroom activities accompanying each chapter provide opportunities for engagement and real-world applications of these concepts. Crucially relevant to early career researchers and the senior faculty, library scholars, and administrators who mentor and support them, 'The Predatory Paradox: Ethics, Politics, and Practices in Contemporary Scholarly Publishing' offers practical recommendations for navigating the complex and often contradictory advice currently available. University instructors and teaching faculty will also find the reading essential in order to properly prepare both graduate and undergraduate students for the potential pitfalls endemic to scholarly publishing.

Discover Your Voice and Enthrall Readers! The craft of writing is filled with various debates: Should I include a prologue? Should I delete all adverbs from my manuscript? Just how much backstory--if any--can I include in my story? These questions--and their often-contradictory answers--can cause confusion, frustration, and even paralysis in the writer. The Irresistible Novel frees you from the limits of so-called "rules" and instead provides you with a singular goal: You must engage your readers from beginning to end. Filled with down-to-earth discussions on the various debates of writing, as well as innovative research on neuroscience and reader response, this book shows you how to: • Navigate the various debates on writing fiction--showing versus telling, purple prose, outlining, writing description, and more--to decide what kind of novelist you want to be. • Hack your reader's brain to hook her interest and trigger emotional engagement from the very first page. • Incorporate enduring elements of storytelling from masters like Joseph Campbell, Aristotle, and Carl Jung. Readers want to be swept away by your stories. When you eschew the rules and focus on your readers' desires, you're free to write truly irresistible fiction.

After Dragon defeats Doubleheader, he is appointed leader of a special police unit made up of Dart, Barbaric, Horridus, and Rapture, who is new to the force. While Debbie Harris' mother storms into the Police Department HQ and blames Dragon for her daughter's death, Overlord learns of territorial disputes by The Annihilators, a rival gang to the Vicious Circle. While Rapture and Barbaric train, Dragon rescues Frank Darling from a Vicious Circle agent. Frank then confesses his blackmail situation. So afterwards, Dragon and the aptly named "Freak Force" attack the Annihilators at their secret Headquarters.