Howard Kessler has lived the fast life of a Hollywood star. What could Howard possibly need after a lifetime filled with everything anyone could ever want? When he gets fired from the set of a film which was supposed to resurrect his status, and details come out about a sordid, drunken affair with a possibly underage groupie, his long time girlfriend leaves him and Howard embarks on soul-searching expedition that takes him right back to Brooklyn, against the will of his trusted friend and agent. His expectations of finding fulfillment and vindication were high as he left Los Angeles city limits. He envisioned a big welcome, warm embraces, and the nostalgia of the fun of the past. As he travels east, he realizes he has a better opportunity to reinvent himself and changes his objective. The reunion provides the painful details of the past, and reminds Howard why he left Coney Island and never turned back. He seizes the opportunity to exploit the guys and the put the old-and not so pretty-stories in a screenplay. While he holes up in a condo in Brighton Beach to write it, the untrusting daughter and journalist of one of his pals writes a scathing expose of Howard in a high profile, glossy magazine using interviews given by members of the old gang and others. Meanwhile, Howard's agent and close friend begins to lose confidence-not to mention his main source of commissions-and wavers in his loyalty. The old gang was never as tight as they would like to remember and the reunion opens wounds incurred by old girlfriends, gambling debts, petty crimes and grand larceny, and enough secrets to fill a book. Howard found success once he left Brooklyn, but at a cost that he may regret: leaving abruptly and cutting ties for decades had enabled trivial resentments to turn into lifelong grudges. When he seizes an opportunity to turn his career around by writing an exploitive memoir using their stories, he doesn't heed the risks of getting involved with the old gang again. The guys hire their own writer to dig up dirt on Howard for a glossy magazine; and in a tussle of reputations, Hollywood wins out in the end and Howard reinvents his career as a successful writer, director and producer. The old gang breaks apart once again, this time with much more to lose. Back(stabbed) In Brooklyn is written through the multiple perspectives of the old gang, Howard's agent, and the expose writer. It is roughly 70,000 words.

This first-ever up-to-date one-volume international history of Nazi Germany rest gives full weight to the experiences of ordinary people who were swept up in, or repelled by, Hitler's movement.

Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.

"Tumbling Grounds" touches deeply on the joy and grief inherent in the drama of human existence. It is a collection of poetry that will make the readers' minds soar, hearts sing, and subsequently bring about tears of joy to their eyes.

How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.

A true story about the survival of a woman caught in the grips of a devil and surviving by jumping from a truck moving at over 55 mph.