The first book to document the efforts of the FBI against the most famous American folk singers of the mid-twentieth century, including Woody Guthrie, 'Sis Cunningham, Pete Seeger, Lee Hays and Burl Ives. Some of the most prominent folk singers of the twentieth century, including Woody Guthrie, 'Sis Cunningham, Pete Seeger, Lee Hays, Burl Ives, etc., were also political activists with various associations with the American Communist Party. As a consequence, the FBI, along with other governmental and right-wing organizations, were monitoring them, keeping meticulous files running many thousands of pages, and making (and carrying out) plans to purge them from the cultural realm. In The Folk Singers and the Bureau, Aaron J Leonard draws on an unprecedented array of declassified documents and never before released files to shed light on the interplay between left-wing folk artists and their relationship with the American Communist Party, and how it put them in the US government's repressive cross hairs. At a time of increasing state surveillance and repression, The Folk Singers and the Bureau shows how the FBI and other governmental agencies have attempted to shape and repress American culture.

Discover the inner workings of FBI counterintelligence in this untold story of the FBI informants who infiltrated the Communist Party, the Black Panther Party, and other threats to US security. A Threat of the First Magnitude tells the story of the FBI’s fake Maoist organization and the informants they used to penetrate the highest levels of the Communist Party USA, the Black Panther Party, the Revolutionary Union and other groups labelled threats to the internal security of the United States in the 1960s and 1970s. As once again the FBI is thrust into the spotlight of US politics, A Threat of a First Magnitude offers a view of the historic inner-workings of the Bureau’s counterintelligence operations—from generating “fake news” and the utilization of “sensitive intelligence methods” to the handling of “reliable sources”—that matches or exceeds the sophistication of any contenders.

A haunted father who discovers a place where incomplete things--and people--are made whole. A mischievous satyr who hatches a plan to set loose chaos on a global scale. A workaholic witch in search of her kitty companion. Invasive technology to rewrite the human brain. Dragon slayers. Zombies. Time travelers. Ice skaters. These twenty short stories stretch across multiple universes and beyond death--and yet, they remain intimate, personal, emotional. They demonstrate the strength of the human spirit to find hope and seek a better tomorrow in even the darkest times. A selection of the best speculative fiction from DreamForge and Space & Time literary magazines, these are the stories we need today as we struggle through a pandemic, divisive politics, rampant misinformation, a belligerent defiance of facts and science, and new technologies that are already spiraling beyond our control. Read, my friends... and take hope.

Fearing that her legal guardian plans to abandon her to return to France, ten-year-old aspiring scientist Lucky Trimble determines to run away while also continuing to seek the Higher Power that will bring stability to her life.

This memoir is personal and intense, a vision that is half paradise, half abattoir. It is Brett telling of growing up in the shadow of his peg-legged, strongman potato-peddling father, as he reveals that he is a hermaphrodite - sometimes angelic in his insights and also physically powerful, yet always on the brink of dying. Through excruciating pain in his bones and drug-induced hallucinations, he has stayed alive into his middle years as a storyteller with a huge appetite for life and words - a man of brilliance and courage, who has confronted the essential questions and conundrums of existence.

The cult-y pocket-size field guide to the strange and intriguing secrets of the Mojave—its myths and legends, outcasts and oddballs, flora, fauna, and UFOs—becomes the definitive, oracular book of the desert For the past five years, Desert Oracle has existed as a quasi-mythical, quarterly periodical available to the very determined only by subscription or at the odd desert-town gas station or the occasional hipster boutique, its canary-yellow-covered, forty-four-page issues handed from one curious desert zealot to the next, word spreading faster than the printers could keep up with. It became a radio show, a podcast, a live performance. Now, for the first time—and including both classic and new, never-before-seen revelations—Desert Oracle has been bound between two hard covers and is available to you. Straight out of Joshua Tree, California, Desert Oracle is “The Voice of the Desert”: a field guide to the strange tales, singing sand dunes, sagebrush trails, artists and aliens, authors and oddballs, ghost towns and modern legends, musicians and mystics, scorpions and saguaros, out there in the sand. Desert Oracle is your companion at a roadside diner, around a campfire, in your tent or cabin (or high-rise apartment or suburban living room) as the wind and the coyotes howl outside at night. From journal entries of long-deceased adventurers to stray railroad ad copy, and musings on everything from desert flora, rumored cryptid sightings, and other paranormal phenomena, Ken Layne's Desert Oracle collects the weird and the wonderful of the American Southwest into a single, essential volume.