Whole Ass is the book for anyone who wants to experience life to the fullest and is looking to let go of any obstacles, fears, and doubts that are limiting the most exciting adventure of all: our human existence. By giving everything you are, with no holding back, life will give you everything you have always wanted.

The sixteenth winner of the Yale Drama Prize, a big-hearted evocation of queer intimacy set in a bathhouse at the end of the world In this love letter to queer bathhouse culture, the Presenter, a Mexican-American public-speaking student, is thrust into the landscapes of queer intimacy, colonialism, and erotic community when their class presentation on the history of cleanliness and bathing starts to unravel. What had been a single presentation soon becomes a chorus, joining student presenters with the ghosts of bathhouses past, present, and future, along with the cleaning staff, A Conquistador!, and officials from the Centers for Disease Control, to explore queer desire and the gleeful delights of messiness. Here in the bathhouse at the end of the world, Jesús I. Valles conjures the ever-present yearning for skin to touch skin, a place of connection that shimmers in the steam of the bathhouse and refuses to ever fully fade. Bathhouse.pptx is the sixteenth winner of the Yale Drama Series prize and first winner chosen by Tony-nominated playwright Jeremy O. Harris.

Relihan uses alliteration and assonance, rhythm and rhyme, the occasional archaism, the rare neologism, and devices of punctuation and typography, to create a sparkling, luxurious, and readable translation that reproduces something of the linguistic and comic effects of the original Latin. The general Introduction is a masterpiece of clarity, orienting the reader in matters of authorship, narration, genre, religion, structure and style. A generous and browsable index, select bibliography, and maps are included.

"In Bae's world, there's only room for one voluptuous, sexy diva. Well, at least in her circle of friends, anyway. Then her friend Giselle brings a "plus one" to Bae's book release party and invites her on their all-girl getaway to Saint Martin. Bae might think there's no room for another thick and curvy member in her clique, but does the same go for her bed? Five vivacious women go on an all-expenses-paid luxury vacation in the Caribbean. It's a trip full of sisterhood, shenanigans, and plenty of full-figured sexiness."--Provided by publisher.

Representation of myth in the novel, as a poetic, narrative and aesthetic device, is one of the most illuminating issues in the area of ancient religion, for such narratives investigate in various ways fundamental problems that concern all human beings. This volume brings together twenty contributions (six of them to a Roundtable organized by Anton Bierl on myth), originally presented at the Fourth International Conference on the Ancient novel (ICAN IV) held in Lisbon in July 2008. Employing an interdisciplinary approach and putting together different methodological tools (intertextual, psychological, and anthropological), each offers a illuminating investigation of mythical discourse as presented in the text or texts under discussion. The collection as a whole demonstrates the exemplary and transgressive significance of myth and its metaphorical meaning in a genre that to some extent can be considered a modernized and secular form of myth that focuses on the quintessential question of love.

Evan Saatchi can’t keep his eyes off his new co-worker, Dalisay Ramos. Newly arrived from Manila to lead their travel app’s Asia division, nothing matters more to Dalisay than tradition and family. When Evan asks her out, she soundly rejects him for his cheek. Evan learns from his Filipino friends that Dalisay expects more from potential suitors. If he wants a chance with her, he’s going to have to go through the Five Stages: the courtship ritual that lovers in the Philippines have performed for generations. At first, Evan is skeptical—what, exactly, does “servitude” entail? And he has to sing?! But when Dalisay bets Evan that he doesn’t have the nerve to make it through the stages, the game is on. As Evan attempts to prove to Dalisay that he can win her heart—and the bet—Dalisay is driven to distraction by Evan’s sexy labors, and soon their “courtship” turns into a sizzling secret. But when modern love and family expectations collide, Dalisay and Evan must find a way to carry a rich history into a shared future.

For more than a century, the city of Atlanta has been associated with black achievement in education, business, politics, media, and music, earning it the nickname "the black Mecca." Atlanta's long tradition of black education dates back to Reconstruction, and produced an elite that flourished in spite of Jim Crow, rose to leadership during the civil rights movement, and then took power in the 1970s by building a coalition between white progressives, business interests, and black Atlantans. But as Maurice J. Hobson demonstrates, Atlanta's political leadership--from the election of Maynard Jackson, Atlanta's first black mayor, through the city's hosting of the 1996 Olympic Games--has consistently mishandled the black poor. Drawn from vivid primary sources and unnerving oral histories of working-class city-dwellers and hip-hop artists from Atlanta's underbelly, Hobson argues that Atlanta's political leadership has governed by bargaining with white business interests to the detriment of ordinary black Atlantans. In telling this history through the prism of the black New South and Atlanta politics, policy, and pop culture, Hobson portrays a striking schism between the black political elite and poor city-dwellers, complicating the long-held view of Atlanta as a mecca for black people.