Discover the story behind Cesar Chavez and the Delano Grape Strike in this moving graphic novel -- written by award-winning author Terry Blas and illustrated by Ignatz-nominated cartoonist Mar Julia. Presenting Who HQ Graphic Novels: an exciting addition to the #1 New York Times best-selling Who Was? series! Follow Cesar Chavez and the National Farmworkers Association as they set out on a difficult 300-mile protest march in support of farm workers' rights. A story of hope, solidarity, and perseverance, this graphic novel invites readers to immerse themselves in the life of the famous Latino American Civil Rights leader -- brought to life by gripping narrative and vivid full-color illustrations that jump off the page.

Here in their own words are Frederick Douglass, George Jackson, Chief Joseph, Martin Luther King Jr., Plough Jogger, Sacco and Vanzetti, Patti Smith, Bruce Springsteen, Mark Twain, and Malcolm X, to name just a few of the hundreds of voices that appear in Voices of a People's History of the United States, edited by Howard Zinn and Anthony Arnove. Paralleling the twenty-four chapters of Zinn's A People's History of the United States, Voices of a People’s History is the long-awaited companion volume to the national bestseller. For Voices, Zinn and Arnove have selected testimonies to living history—speeches, letters, poems, songs—left by the people who make history happen but who usually are left out of history books—women, workers, nonwhites. Zinn has written short introductions to the texts, which range in length from letters or poems of less than a page to entire speeches and essays that run several pages. Voices of a People’s History is a symphony of our nation’s original voices, rich in ideas and actions, the embodiment of the power of civil disobedience and dissent wherein lies our nation’s true spirit of defiance and resilience.

Philosopher and political scientist James Fishkin evaluates modern democratic practices, explains how the voice of the people has struggled to make itself heard in the past and combines a review of ideas and experiments--including his own idea for a National Issues Convention that was adapted by PBS in January 1996--to legitimately rediscover the people's voice.

Horace Grondin, deputy head of the Sureté, is in fact Charles Bassicousse, sentenced sixteen years earlier for a murder he did not commit and obsessed with wreaking his revenge on Antoine Tarpagnan, the man he believes did commit the crime. Tarpagnan, an army captain, has fallen in love with Gabriella Pucci, the mistress of Paris's greatest villain. As Tarpagnan searches the underworld for Gabriella, unknown to him, Grondin is searching for him. Reminiscent of Victor Hugo's LES MISERABLES, with the zest for characterisation of Dickens, Vautrin's novel revels in the chaos and passion of the period culminating in the savage repression of the Commune. The final climactic moments between Grondin and Tarpagnan take place on the barricades as Paris descends into a fury of bloodletting and panic. Fiction on a grand scale, Vautrin's multi-peopled novel exuberantly recreates the moment.

Written by one of the top scholars in the field, this text will help readers understand the continued disengagement of American citizens from the electoral process, as well as the reasons for the ongoing ideological realignment of the Democratic and Republican parties. In the process, students are introduced to some of the theoretical approaches and analytic techniques commonly used in research on elections and voting behavior.

People of the Big Voice tells the visual history of Ho-Chunk families at the turn of the twentieth century and beyond as depicted through the lens of Black River Falls, Wisconsin studio photographer, Charles Van Schaick. The family relationships between those who “sat for the photographer” are clearly visible in these images—sisters, friends, families, young couples—who appear and reappear to fill in a chronicle spanning from 1879 to 1942. Also included are candid shots of Ho-Chunk on the streets of Black River Falls, outside family dwellings, and at powwows. As author and Ho-Chunk tribal member Amy Lonetree writes, “A significant number of the images were taken just a few short years after the darkest, most devastating period for the Ho-Chunk. Invasion, diseases, warfare, forced assimilation, loss of land, and repeated forced removals from our beloved homelands left the Ho-Chunk people in a fight for their culture and their lives.” The book includes three introductory essays (a biographical essay by Matthew Daniel Mason, a critical essay by Amy Lonetree, and a reflection by Tom Jones) and 300-plus duotone photographs and captions in gallery style. Unique to the project are the identifications in the captions, which were researched over many years with the help of tribal members and genealogists, and include both English and Ho-Chunk names.