From the La Jolla Light: "This is a quaint children's story written by local La Jollan Edward Hujsak. It's a tale of three little church mice (Alvin, Peter and Henry) and the dilemma they face when the townspeople stop attending church. It's cute and colorful illustrations are by Willis Goldsmith, another local. Nothing offensive is found in this happy story. It would be appropriate for any age. However, I see it being more appreciated by the under-age eight set. It's great not only as a 'read-to-me" book, but also for kids trying to master reading themselves."

For centuries ringing bells have signaled the welcome of the Christian church to all who would hear its gospel. At certain times and in certain places, however, prejudice has led the church to limit its welcome to its own kind. The Southern white church during the civil rights movement fell victim to racial prejudice and its bells rang a welcome only for those who supported the segregated status quo. Donald E. Collins tells the story of the Alabama-West Florida Methodist Conference and its reactions to the civil rights movement.Part memoir and part historical analysis, Collins reflects on white Methodists' struggle to come to terms with their consciences in the face of racial change and the standards of Christianity's universal gospel. With events in Alabama during the civil rights movement as backdrop, Collins tells the story of the challenge that confronted the Methodist church during those stormy years. From the Montgomery Bus Boycott in 1955-1956 to the Selma march in 1965 and beyond, this narrative describes those struggles for change against the forces of resistance. Based on Collins's own experiences and those of the more than 55 Methodist ministers that he interviewed, this moving story is told with pride, pain, sorrow, and hope.

Bell strokes toll out the death of an unknown man, and summon Lord Wimsey to East Anglia to solve the mystery.

Written as a confessional letter to his son, an 18th century opera singer recounts how his gift for sound led him on an astonishing journey to Europe’s celebrated opera houses and reveals how he came to raise a son who by all rights he never could have sired. The celebrated opera singer Lo Svizzero was born in a belfry high in the Swiss Alps where his mother served as the keeper of the loudest and most beautiful bells in the land. Shaped by the bells’ glorious music, he possessed an extraordinary gift for sound. But when his preternatural hearing was discovered—along with its power to expose the sins of the church—young Moses Froben was cast out of his village with only his ears to guide him in a world fraught with danger. Rescued from certain death by two traveling monks, he finds refuge at the vast and powerful Abbey of St. Gall. There, he becomes the protégé of the Abbey’s brilliant yet repulsive choirmaster, Ulrich. But it is this gift that will cause Moses’ greatest misfortune: determined to preserve his brilliant pupil’s voice, Ulrich has Moses castrated. Now, he will forever sing with the exquisite voice of an angel—a musico—yet castration is an abomination in the Swiss Confederation, and so he must hide his shameful condition from his friends and even from the girl he has come to love. When his saviors are exiled and his beloved leaves St. Gall for an arranged marriage in Vienna, he decides he can deny the truth no longer and he follows her—to sumptuous Vienna, to the former monks who saved his life, to an apprenticeship at one of Europe’s greatest theaters, and to the premiere of one of history’s most beloved operas. Like the voice of Lo Svizzero, The Bells is a sublime debut novel that rings with passion, courage, and beauty.

Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.