After September 11, with New Yorkers reeling from the World Trade Center attack, Chief Medical Examiner Charles Hirsch proclaimed that his staff would do more than confirm the identity of the individuals who were killed. They would attempt to identify and return to families every human body part recovered from the site that was larger than a thumbnail. As Jay D. Aronson shows, delivering on that promise proved to be a monumentally difficult task. Only 293 bodies were found intact. The rest would be painstakingly collected in 21,900 bits and pieces scattered throughout the skyscrapers’ debris. This massive effort—the most costly forensic investigation in U.S. history—was intended to provide families conclusive knowledge about the deaths of loved ones. But it was also undertaken to demonstrate that Americans were dramatically different from the terrorists who so callously disregarded the value of human life. Bringing a new perspective to the worst terrorist attack in U.S. history, Who Owns the Dead? tells the story of the recovery, identification, and memorialization of the 2,753 people killed in Manhattan on 9/11. For a host of cultural and political reasons that Aronson unpacks, this process has generated endless debate, from contestation of the commercial redevelopment of the site to lingering controversies over the storage of unclaimed remains at the National 9/11 Memorial and Museum. The memory of the victims has also been used to justify military activities in the Middle East that have led to the deaths of an untold number of innocent civilians.

At nine years old, Monica Holloway develops a fascination with the local funeral home. Small wonder, with a father who drives his Ford pick up with a Kodak movie camera sitting shotgun just in case he sees an accident, and whose home movies feature more footage of disasters than of his children. In between her father's bouts of violence and abuse, Monica becomes fast friends with Julie Kilner, whose father is the town mortician. She and Julie preferred the casket showroom to the parks and grassy backyards in her hometown of Elk Grove, Ohio, where they would take turns lying in their favourite coffins. In time, Monica and Julie get a job driving the company hearse to pick up bodies from the airport, yet even Monica's growing independence can't protect her from her parents' irresponsibility, and from the feeling that she simply does not deserve to be safe. Little does she know, as she finally strikes out on her own, that her parents' biggest betrayal has yet to be revealed...

Thirty-seven year old journalist, Connor Westphal, has relocated from San Francisco to Flat Skunk, a mining-turned-tourist town in the foothills of the Sierras, to start up her own weekly paper. Suddenly, dead bodies begin turning up in the most unusual places, setting Connor on a hunt for a killer. You might say Connor has a sixth sense when it comes to investigating...but she only has four of the usual five senses. Connor Westphal is deaf. But being hearing impaired doesn't stop Connor from pursuing the murderer. Without sound to distract her, she attends to subtleties that others overlook and ultimately unravels the mystery. From the Paperback edition.

It's 1988 and Lily Bloom, a 65-year-old American lies dying of cancer in a London hospital. As her two daughters buzz around her and the nurses pump her full of morphine, she slides in and out of consciousness, outraged that there is so little time left and so many people still to disparage.

The fate of the dead is a compelling and emotive subject, which also raises increasingly complex legal questions. This book focuses on the substantive laws around disposal of the recently deceased and associated issues around their post-mortem fate. It looks primarily at the laws in England and Wales but also offers a comparative approach, drawing heavily on material from other common law jurisdictions including Australia, New Zealand, Canada and the United States. The book provides an in-depth, contextual and comparative analysis of the substantive laws and policy issues around corpse disposal, exhumation and the posthumous treatment of the dead, including commemoration. Topics covered include: the legal frameworks around burial, cremation and other disposal methods; the hierarchy of persons who have a legal duty to dispose of the dead and who are entitled to possession of the deceased’s remains; offences against the dead; family burial disputes, and the legal status of burial instructions; the posthumous use of donated bodily material; and the rules around disinterment, and creating an appropriate memorial. A key theme of the book will be to look at the manner in which conflicts involving the dead are becoming increasingly common in secular, multi-cultural societies where the traditional nuclear family model is no longer the norm, and how such legal contests are resolved by courts. As the first comprehensive survey of the laws in this area for decades, this book will be of use to academics, lawyers and judges adjudicating on issues around the fate of the dead, as well as the death industry and funeral service providers.

Sizzling attraction meets unstoppable adventure in Bianca D'Arc's captivating new paranormal romance. . . For Emily Parkington, the thrill of flying charter planes for Praxis Air has lately been tinged with dread. Mysterious cargo flights and a high number of fatal crashes lead Emily to suspect something sinister behind the scenes. And if her new colleague is involved, Emily won't hesitate to turn him in, in spite of Sam Archer's sexy charm and irresistibly easy confidence. Enemy or potential ally? Sam can't be sure of anything where Emily is concerned, except how much he wants her. Immune to the zombie virus created through military research, Sam is working undercover to find out if Praxis is trafficking forbidden technology. It was a potentially deadly assignment even before he found himself distracted by a woman he scarcely knows. And when a "controlled" experiment goes horribly wrong, there will be no limit to the danger they both face. . .or how far he's willing to go to save her. . . Praise for Bianca D'Arc "D'Arc delivers a creepy and pulse-pounding story of danger." -Romantic Times on Half Past Dead "D'Arc's stories are a pleasure to read." -Romantic Times

There's something about almost dying that makes a girl rethink her priorities. Take Nicki Styx—she was strictly goth and vintage, until a brush with the afterlife leaves her with the ability to see dead people. Before you can say boo, Atlanta's ghosts are knocking at Nicki's door. Now her days consist of reluctantly cleaning up messes left by the dearly departed, leading ghouls to the Light . . . and one-on-one anatomy lessons with Dr. Joe Bascombe, the dreamy surgeon who saved her life. All this catering to the deceased is a real drag, especially for a girl who'd rather be playing hanky-panky with her hunky new boyfriend . . . who's beginning to think she's totally nuts. But things get even more complicated when a friend foolishly sells her soul to the devil, and Nicki's new gift lands her in some deep voodoo. As it turns out for Nicki Styx, death was just the beginning.