A teen girl’s rising star attracts the attention of a sinister figure in this chilling young adult thriller from Goosebumps author R.L. Stine. Tania is having the best year of her life. She has a hot new boyfriend, she landed the starring role in a student film, and she’s just been voted homecoming queen. But someone is jealous of Tania and plans to ruin her perfect year—even if that means killing her. Will Tania live to see the homecoming dance?

"Category: home and family"--Page 4 of cover.

Nova Albright was going to be the first Black homecoming queen at Lovett High—but now she's dead. Murdered on coronation night. Fans of One of Us Is Lying and The Other Black Girl will love this unputdownable thriller. Nova Albright, the first Black homecoming queen at Lovett High, is dead. Murdered the night of her coronation, her body found the next morning in the old slave cemetery she spent her weekends rehabilitating. Tinsley McArthur was supposed to be queen. Not only is she beautiful, wealthy, and white, it’s her legacy—her grandmother, her mother, and even her sister wore the crown before her. Everyone in Lovett knows Tinsley would do anything to carry on the McArthur tradition. No one is more certain of that than Duchess Simmons, Nova’s best friend. Duchess’s father is the first Black police captain in Lovett. For Duchess, Nova’s crown was more than just a win for Nova. It was a win for all the Black kids. Now her best friend is dead, and her father won’t face the fact that the main suspect is right in front of him. Duchess is convinced that Tinsley killed Nova—and that Tinsley is privileged enough to think she can get away with it. But Duchess’s father seems to be doing what he always does: fall behind the blue line. Which means that the white girl is going to walk. Duchess is determined to prove Tinsley’s guilt. And to do that, she’ll have to get close to her. But Tinsley has an agenda, too. Everyone loved Nova. And sometimes, love is exactly what gets you killed.

Luke Grayson’s life might as well be over when he’s sent to live with his Baptist pastor father in rural Tennessee after getting kicked out of his DC private school. His soulless stepmother is none too pleased to have him, and Luke’s bad boy status has done him no favors with his new principal or the local police chief. He’s also an easy target for Grant Parker, the local golden boy with a violent streak, who has the community of Ashland under his thumb and Luke directly in his crosshairs. But things go topsy-turvy when, after a freak accident, Luke replaces Grant at the top of the social pyramid. This fish out of water has suddenly gone from social outcast to hero in a matter of twenty-four hours. For the students who have lived in fear of Grant all their lives, this is a welcome change. But Luke’s newfound fame comes with a price. Nobody knows the truth about what really happened to Grant Parker except for Luke, and the longer he keeps living the lie, the more like Grant he becomes. Kat Spears returns with this explosive coming of age story that explores not only the labels put on us by society, but the labels we put on ourselves, and the work it takes to find out who we really are underneath all the lies.

This landmark volume is the first to bring together leading scholarship on children’s and young adult literature from three intersecting disciplines: Education, English, and Library and Information Science. Distinguished by its multidisciplinary approach, it describes and analyzes the different aspects of literary reading, texts, and contexts to illuminate how the book is transformed within and across different academic figurations of reading and interpreting children’s literature. Part one considers perspectives on readers and reading literature in home, school, library, and community settings. Part two introduces analytic frames for studying young adult novels, picturebooks, indigenous literature, graphic novels, and other genres. Chapters include commentary on literary experiences and creative production from renowned authors and illustrators. Part three focuses on the social contexts of literary study, with chapters on censorship, awards, marketing, and literary museums. The singular contribution of this Handbook is to lay the groundwork for colleagues across disciplines to redraw the map of their separately figured worlds, thus to enlarge the scope of scholarship and dialogue as well as push ahead into uncharted territory.