In 1910, Sir William Meredith led a Royal Commission to investigate the injury, death, and permanent disability of workers. In response to his findings, Meredith helped introduce a new system of compensation for injured and disabled workers that emphasized their rights and well-being. But today, Sir William’s principles appear to be dead: injured and disabled workers often end up living in poverty and are viewed with stigma by those who should be providing them with service. What happened? How can we find out the experiences and needs of injured and disabled workers, and how can the necessary changes be put into action? To answer such questions, the Research Action Alliance on the Consequences of Work Injury (RAACWI), a community-based research initiative that brought advocates, injured workers, and academics together, was formed. Who Killed Sir William? provides an engaging look at RAACWI’s eight years of groundbreaking work and what a successful community-academia partnership looks like to inform and inspire fellow academics, advocates, and community. Its discussion includes (and goes beyond): - Developing a trusting, productive, community-advocate-academic relationship - Successes such as the production of over twenty research publications and a speakers school for injured workers - The use of diverse teaching methods, including skits and theatre pieces - Some of the challenges RAACWI faced (and how they overcame them) Who Killed Sir William? authors Marion Endicott and Steve Mantis not only offer insight on the systemic assailants, but also lay out a process of addressing them.

The defeat of Napoleons French army by the combined forces of Wellington and Blcher at Waterloo on 18 June 1815 was a turning point in world history. This was the climax of the Napoleonic Wars, and the outcome had a major influence on the shape of Europe for the next century and beyond. The battle was a milestone, and it cannot be properly understood without a detailed, on-the-ground study of the landscape in which it was fought and that is the purpose of David Butterys new battlefield guide. In vivid detail, using eyewitness accounts and an intimate knowledge of the terrain, he reconstructs Waterloo and he takes the reader and the visitor across the battleground as it is today. He focuses on the pivotal episodes in the fighting the day-long struggle for the chateau at Hougoumont, the massive French infantry assaults, repeated cavalry charges, the fall of La Haye Sainte, the violent clashes in the village of Plancenoit, the repulse of the Imperial Guard and rout of the French army. This thoroughgoing, lucid, easy-to-follow guide will be a fascinating introduction for anyone who seeks to understand what happened on that momentous day, and it will be an essential companion for anyone who explores the battlefield in Belgium.

This authoritative A–Z encyclopedia of the Wars of the Roses provides accurate and concise descriptions of the major battles and events and the principal historical figures and issues involved. For centuries, historians agreed about the Wars of the Roses, seeing them as four decades of medieval darkness and chaos, when the royal family and the nobility destroyed themselves fighting for control of the royal government. Even Shakespeare got into the act, dramatizing, popularizing, and darkening this viewpoint in eight plays. Today, based on new research, this has become one of the most hotly controversial periods in English history. Historians disagree on fundamental issues, such as dates and facts, as well as interpretation. Most argue that the effects of the wars were not as widespread as once thought, and some see the traditional view of the era as merely Tudor propaganda. A few even claim that England during the late 15th century was "a society organized for peace." Historian John A. Wagner brings readers up to date on the latest research and thinking about this crucial period of England's history.

"Set in a magnificent country estate in 1932 Britain, Gosford Park is part comedy of manners and part mystery. The film is a moving portrait of events that bridge generations, class, sex, tragic personal histories - and culminate in a murder. Ultimately revealing the intricate relations of the above- and below-stairs worlds with great clarity, Gosford Park illuminates a society and way of life quickly coming to an end." In the acclaimed Newmarket Shooting Script Series format, the book contains a facsimile of the script with an introduction by director Robert Altman, an afterword by screenwriter Julian Fellowes, stills from the film, and full cast and crew credits.