Authorities in the new Irish Free State harassed and murdered Honor Bright before maligning her as a prostitute and acquitting her assassin. The newly founded Garda Siochana spread deceitful rumours and coerced witnesses to conceal Honor's true identity and the real reason for her death. False evidence, perjury and the silencing of potential witnesses led to huge public demonstrations, but newspapers were coerced into printing only authorised stories or else face the consequences from the Garda or Ministry of Justice. Find out why political support moved away from the Free State towards an independent Republic from 1926, and why so many were killed or fled Ireland. And find out what part William Butler and his wife George Yeats played in the process.

Authorities in the new Irish Free State harassed and murdered Honor Bright before maligning her as a prostitute and acquitting her assassin. The newly founded Garda Siochana spread deceitful rumours and coerced witnesses to conceal Honor's true identity and the real reason for he death. False evidence, perjury and the silencing of potential witnesses led to hug he public demonstrations, but newspapers were coerced into printing only authorised stories or else face the consequences from the Garda or Ministry of Justice. Find out why political support moved away from the Free State towards an independent Republic from 1926, and why so many were killed or fled Ireland in the process. Find out what part William Butler Yeats and his wife George played.

William Butler Yeats had an extra-marital lover, Lily O'Neill or Honor Bright, from 1918 to 1925. Garda Superintendent Leopold Dillon murdered her on orders from Kevin O'Higgins, Minister of Justice of the Irish Free State. George, Senator Yeats's wife, reported falsely that Lily was a Republican spy. O'Higgins wanted to restore credence in the Free State, which would otherwise have been reclaimed by the British due to maladministration. Afterwards a bogus trial was concocted outside the court circuit by Chief Superintendent David Neligan, at which Lily was reinvented as a prostitute to conceal Yeats's affair and son, and hide the involvement of Free State officials. On the strength of false evidence the jury unanimously acquitted the assassin after three minutes deliberation.

Since 1925, a startling number of young women have been found dead in the Dublin-Wicklow Mountains. The small winding roads, the dense foliage and the isolation have combined to make the area a favourite burial ground amongst murderers. A number of women have also disappeared in the vicinity in recent years, and it is widely speculated that they too lie in unmarked graves in the mountains. There are many who believe that at least one serial killer has used the mountains to bury his victims. Starting with the death of prostitute Honor Bright, Where No One Can Hear You Scream examines in detail cases such as the murder in Christmas 1979 of Phyllis Murphy, whose killer John Crerar was convicted over 20 years later after advances in DNA. It also looks at the unsolved murders of Anthoinette Smith in 1987 and Patricia Doherty in 1991. The women's bodies were found within a mile of one another, prompting speculation that they were killed by the same person. In December 1994 a young woman was brutally raped by two men on Powerscourt Mountain. Sarah McInerney examins this horrific case and the trial of the men involved. She also looks at the sexual assault cases involving Philip Colgan, Larry Murphy and Robert Quigley: three dangerous men whose brutal impulses had horrific repercussions for their victims. Once again the common thread linking all these cases is the bleak backdrop of the Wicklow Mountains. With the assistance of the Garda�, and the families concerned, Where No One Can Hear You Scream describes these and other cases with compassion and honesty. And through it all, the Dublin-Wicklow Mountains, which have been host to so much violence and horror and death, loom large.

Bestselling author Gilbert Morris has created an epic story of war, regret, love, and forgiveness set in the post-Civil War South.

A NEW YORK TIMES NOTABLE BOOK OF 2020 "An exemplary work of investigative journalism." —Parul Sehgal, The New York Times The murder of a Pakistani social media star exposes a culture divided between accelerating modernity and imposed traditional values—and the tragedy of those caught in the middle. In 2016, Pakistan’s first social media celebrity, Qandeel Baloch, was murdered in a suspected honor killing. Her death quickly became a media sensation. It was both devastatingly routine and breathtakingly brutal, and in a new media landscape, it couldn’t be ignored. Qandeel had courted attention and outrage with a talent for self-promotion that earned her comparisons to Kim Kardashian—and made her the constant victim of harassment and death threats. Social media and reality television exist uneasily alongside honor killings and forced marriages in a rapidly, if unevenly, modernizing Pakistan, and Qandeel Baloch’s story became emblematic of the cultural divide. In this definitive and up-to-date account, Sanam Maher reconstructs the story of Qandeel’s life and explores the depth and range of her legacy from her impoverished hometown rankled by her infamy, to the aspiring fashion models who follow her footsteps, to the Internet activists resisting the same vicious online misogyny she faced. Maher depicts a society at a crossroads, where women serve as an easy scapegoat for its anxieties and dislocations, and teases apart the intrigue and myth-making of the Qandeel Baloch story to restore the humanity of the woman at its center.

"The story of two Indian women, one a victim of a brutal crime and the other an Americanized journalist returning to India to cover the story, and the courage they inspire in each other"--