The authors of Civilization One return present new evidence about the Moon that will shake up our world. What if the Moon isn’t a natural object—but an artificial construct? Christopher Knight and Alan Butler realized that the ancient system of geometry they presented in their earlier, breakthrough study works as perfectly for the Moon as it does the Earth. On further investigation, they found a consistent sequence of beautiful integer numbers when looking at every major aspect of the Moon—no such pattern emerges for any other planet or moon in the solar system. Knight and Butler also discovered that the Moon possesses few or no heavy metals and has no core—something that should not be possible. Their persuasive conclusion: if higher life only developed on Earth because the Moon is exactly what it is and where it is, it becomes unreasonable to cling to the idea that the Moon is a natural object. The only question that remains is, who built it?

Thought-provoking' - Daily Mail The moon has confounded scientists for many years. It does not obey the known rules of astrophysics and there is no theory of its origin that explains the known facts - in fact it should not really be there. When researching the ancient system of geometry and measurement used in the Stone Age that they discovered in their previous book, Civilization One, the authors discovered to their great surprise that the system also works perfectly on the Moon! On further investigation, they found a consistent sequence of beautiful integer numbers when looking at every major aspect of the Moon - no pattern emerges for any other planet or moon in the solar system. For example, the Moon revolves at exactly one hundredth of the speed that the Earth turns on its axis; the Moon is exactly 400 times smaller than the Sun and is precisely 400 times closer to the Earth. They also discovered that the Moon possesses little or no heavy metals and has no core, in fact many specialists suspect that the Moon is hollow. If our Moon did not exist - nor would we. Experts are now agreed that higher life only developed on Earth because the Moon is exactly what it is and where it is! When all of the facts are dispassionately reviewed, it becomes unreasonable to cling to the idea that the Moon is a natural object. The only question that remains is who built it?

...one of the biggest breakthroughs of all times... this is the definitive proof that civilisation is thousands of years older than historians believe' -Colin Wilson 'A breakthrough book. The last four thousand years are never going to be the same again' - Graham Hancock This is the amazing story of how a quest to try to crack the mystery of the Megalithic Yard - an ancient unit of linear measurement - led to the discovery of compelling evidence pointing to the existence of an unknown, highly advanced culture which was the precursor to the earliest known civilizations such as the Sumerians and the Egyptians. There must have been a Civilization One. Knight and Butler reveal the secrets of an extraordinary integrated measuring system which might have been lost to the world for ever. It was a system, far more advanced than anything used today, which forms the basis of both the Imperial and Metric measure systems! These ancient scientists understood the dimensions, motions and relationships of the Earth, Moon and Sun - they measured the solar system and even understood how the speed of light was integrated into the movements of our planet. Their conclusions fly in the face of everything that we thought we knew about the origins of the modern world - but the evidence is incontrovertible. And the implications of these revelations go far beyond the fascination of the discovery of a 'super-science' of prehistory; they indicate a grand plan which will have far reaching theological ramifications!

An intimate portrait of the Earth's closest neighbor--the Moon--that explores the history and future of humankind's relationship with it Every generation has looked towards the heavens and wondered at the beauty of the Moon. Fifty years ago, a few Americans became the first to do the reverse--and shared with Earth-bound audiences the view of their own planet hanging in the sky instead. Recently, the connection has been discovered to be even closer: a fragment of the Earth's surface was found embedded in a rock brought back from the Moon. And astronauts are preparing to return to the surface of the Moon after a half-century hiatus--this time to the dark side. Oliver Morton explores how the ways we have looked at the Moon have shaped our perceptions of the Earth: from the controversies of early astronomers such as van Eyck and Galileo, to the Cold War space race, to the potential use of the Moon as a stepping stone for further space exploration. Advanced technologies, new ambitions, and old dreams mean that men, women, and robots now seem certain to return to the Moon. For some, it is a future on which humankind has turned its back for too long. For others, an adventure yet to begin.

Chief engineer Thomas J. Kelly gives a firsthand account of designing, building, testing, and flying the Apollo lunar module. It was, he writes, “an aerospace engineer’s dream job of the century.” Kelly’s account begins with the imaginative process of sketching solutions to a host of technical challenges with an emphasis on safety, reliability, and maintainability. He catalogs numerous test failures, including propulsion-system leaks, ascent-engine instability, stress corrosion of the aluminum alloy parts, and battery problems, as well as their fixes under the ever-present constraints of budget and schedule. He also recaptures the exhilaration of hearing Apollo 11’s Neil Armstrong report that “The Eagle has landed,” and the pride of having inadvertently provided a vital “lifeboat” for the crew of the disabled Apollo 13.

Journey to the moon on the Apollo 12 mission with Alan Bean, the fourth astronaut to walk on the lunar surface and the only artist to paint its beauty firsthand! As a boy, Alan wanted to fly planes. As a young navy pilot, Alan wished he could paint the view from the cockpit. So he took an art class to learn patterns and forms. But no class could prepare him for the beauty of the lunar surface some 240,000 miles from Earth. In 1969, Alan became the fourth man and first artist on the moon. He took dozens of pictures, but none compared to what he saw through his artistic eyes. When he returned to Earth, he began to paint what he saw. Alan's paintings allowed humanity to experience what it truly felt like to walk on the moon. Journalist and storyteller Dean Robbins's tale of this extraordinary astronaut is masterful, and artist Sean Rubin's illustrations are whimsical and unexpected. With back matter that includes photos of the NASA mission, images of Alan's paintings, and a timeline of lunar space travel, this is one adventure readers won't want to miss!