A missing canister containing a deadly virus forms the center of a storm that traps Stanley Owenford, director of a medical research firm, and a violent trio of thugs in a remote house during a Christmas Eve blizzard. Reprint.

THE FOURTH INSTALMENT IN THE INTERNATIONAL BESTSELLING DARK ICELAND SERIES OVER A MILLION COPIES SOLD When the body of a young woman is found dead beneath the cliffs of the deserted Icelandic village of Kálfshamarvík, police officer Ari Thór Arason uncovers a startling and terrifying connection to an earlier series of deaths, as the killer remains on the loose... 'Jónasson's books have breathed new life into Nordic noir' Sunday Express 'Jónasson skilfully alternates points of view and shifts of time ... The action builds to a shattering climax' Publishers Weekly ________________ Two days before Christmas, a young woman is found dead beneath the cliffs of the deserted village of Kálfshamarvík. Did she jump, or did something more sinister take place beneath the lighthouse and the abandoned old house on the remote rocky outcrop? With winter closing in and the snow falling relentlessly, Ari Thór Arason discovers that the victim's mother and young sister also lost their lives in this same spot, twenty-five years earlier. As the dark history and its secrets of the village are unveiled, and the death toll begins to rise, the Siglufjordur detectives must race against the clock to find the killer, before another tragedy takes place. Dark, chilling and complex, Whiteout is a haunting, atmospheric and stunningly plotted thriller from one of Iceland's bestselling crime writers. ________________ 'Traditional and beautifully finessed ...morally more equivocal than most traditional whodunnits, and it offers alluring glimpses of darker, and infinitely more threatening horizons' Andrew Taylor, Independent 'Jónasson has come up with a bleak plot and characters, but his evocation of Iceland's chilly landscape is hard to put down' Sunday Times 'A distinctive blend of Nordic Noir and Golden Age detective fiction ... masterful' Laura Wilson, Guardian 'Required reading' New York Post 'Puts a lively, sophisticated spin on the Agatha Christie model, taking it down intriguing dark alleys' Kirkus Reviews 'The best sort of gloomy storytelling' Chicago Tribune 'The prose is stark and minimal, the mood dank and frost-tipped. It's also bleakly brilliant, although perhaps best read with a warming shot of whisky by your side' Metro 'A classic crime story seen through a uniquely Icelandic lens ... first rate and highly recommended' Lee Child 'Ragnar Jónasson writes with a chilling, poetic beauty - a must-read' Peter James 'A modern take on an Agatha Christie-style mystery, as twisty as any slalom' Ian Rankin 'Seductive ... Ragnar does claustrophobia beautifully' Ann Cleeves

On March 16, 1998, the CIA's Inspector General, Fred Hitz, finally let?the cat out of the bag in an aside at a Congressional Hearing. Hitz told?the US Reps that the CIA had maintained relationships with companies and?individuals the Agency knew to be involved in the drug business. Even more?astonishingly, Hitz revealed that back in 1982 the CIA had requested and?received from Reagan's Justice Department clearance not to report any knowledge?it might have of drug-dealing by CIA assets. With these two admisstions, Hitz definitively sank decades of CIA denials,?many of them under oath to Congress. Hitz's admissions also made fools of?some of the most prominent names in US journalism, and vindicated investigators?and critics of the Agency, ranging from Al McCoy to Senator John Kerry. The involvement of the CIA with drug traffickers is a story that has?slouched into the limelight every decade or so since the creation of the?Agency. Most recently, in 1996, the San Jose Mercury News published a sensational?series on the topic, "Dark Alliance", and then helped destroy?its own reporter, Gary Webb. In Whiteout, Alexander Cockburn and Jeffrey St. Clair?finally put the whole story together from the earliest days, when the CIA's?institutional ancestors, the OSS and the Office of Naval Intelligence, cut?a deal with America's premier gangster and drug trafficker, Lucky Luciano. They show that many of even the most seemingly outlandish charges leveled?against the Agency have basis in truth. After the San Jose Mercury News?series, for example, outraged black communities charged that the CIA had?undertaken a program, stretching across many years, of experiments on minorities.?Cockburn and St. Clair show how the CIA imported Nazi scientists straight?from their labs at Dachau and Buchenwald and set them to work developing?chemical and biological weapons, tested on black Americans, some of them?in mental hospitals. Cockburn and St. Clair show how the CIA's complicity with drug-dealing?criminal gangs was part and parcel of its attacks on labor organizers, whether?on the docks of New York, or of Marseilles and Shanghai. They trace how?the Cold War and counterinsurgency led to an alliance between the Agency?and the vilest of war criminals such as Klaus Barbie, or fanatic heroin?traders like the mujahedin in Afghanistan. Whiteout is a thrilling history that stretches from Sicily in 1944 to?the killing fields of South-East Asia, to CIA safe houses in Greenwich Village?and San Francisco where CIA men watched Agency-paid prostitutes feed LSD?to unsuspecting clients. We meet Oliver North as he plotted with Manuel?Noriega and Central American gangsters. We travel to little-known airports?in Costa Rica and Arkansas. We hear from drug pilots and accountants from?the Medillin Cocaine Cartel. We learn of DEA agents whose careers were ruined?because they tried to tell the truth. The CIA, drugs. and the press. Cockburn and St. Clair dissect the shameful?way many American journalists have not only turned a blind eye on the Agency's?misdeeds, but helped plunge the knife into those who told the real story. Here at last is the full saga. Fact-packed and fast-paced, Whiteout is? a richly detailed excavation of the CIA's dirtiest secrets. For all who ?want to know the truth about the Agency this is the book to start with.

White Out

Charlie hopes that the school ski trip is the escape from his unhappy home life he so desperately needs. But there is something wrong with the remote ski village of Kaldgellan. Something is out there, something ancient and evil, among the pines and the deep untracked drifts, watching and waiting. And then the storms blow in... Cut off from the rest of the world far below, as night falls the few left alive on the snowbound mountain will wish they were somewhere, anywhere else. Only ski guide Hanna seems to know some of Kaldgellan's long-buried secrets, but whether Charlie can trust her is another question...

Steven White is a perennial new-kid-in-town, avid snowboarder and occasional "white" liar. But at his new school, when his plan for instant popularity backfires, a humbled pro-snowboarder gives him a crash course in being himself. Seventh-grader Steven White's family has just moved - again - this time to Oregon. The upside is that there is lots of great snowboarding. But Steven dreads having to start over in yet another new school. So he devises a scheme to instantly boost his popularity: he tells his classmates that he's champion snowboarder Cody White's cousin and the friends will come to him. Of course it's only a matter of time before the White lie unravels, the kids shun him, and Steven finds himself facing the worst, loneliest Winter Break ever. Then he meets pro-snowboarder D-Day Davis on the slopes. D-Day is hiding out after a disastrous X-Games appearance. While Steven yearns to be a pro snowboarder, D-Day just wants to be a normal teenager again. But Steven doesn't respect Danny's request to stay under the radar, and soon their friendship is in jeopardy. Can D-Day show Steven that all he needs to do is be himself? And can Steven help his hero get his mojo back?

"Ant is borderline obsessed with funerals, likening the events to weddings as gatherings he looks forward to. Yet, when a childhood friend passes, Ant’s veneer starts to crumble. Weirdly funny, Whiteout Conditions tracks Ant and his friend Vince as they make their way through Chicogoland’s suburbs, which, in Shah’s telling, are as harrowing as any arctic climate." —Wendy J. Fox, BuzzFeed '15 Small Press Books To Kick Off Your 2020 Reading Season' Ant is back in Chicago for a funeral, and he typically enjoys funerals. Since most of his family has passed away, he finds himself attracted to their endearing qualities: the hyperbolic language, the stoner altar boy, seeing friends in suits for the first time. That is, until the tragic death of Ray — Ant’s childhood friend, Vince's teenage cousin. Ray was the younger third-wheel that Ant and Vince were stuck babysitting while in high school, and his sudden death makes national news. In the depths of a brutal Midwest winter, Ant rides with Vince through the falling snow to Ray’s funeral, an event that has been accruing a sense of consequence. With a poet’s sensibility, Shah navigates the murky responsibilities of adulthood, grief, toxic masculinity, and the tragedy of revenge in this haunting Midwestern noir.