WINNER OF THE 2020/2021 ALCUIN SOCIETY BOOK DESIGN AWARD FOR POETRY WINNER OF THE ROBERT KROETSCH CITY OF EDMONTON BOOK PRIZE WINNER OF THE 2023 STEPHAN G. STEPHANSSON AWARD FOR POETRY WINNER OF THE GERALD LAMPERT MEMORIAL AWARD SHORTLISTED FOR THE DAYNE OGILVIE PRIZE FOR LGBTQ2S+ EMERGING WRITERS LONGLISTED FOR THE RAYMOND SOUSTER AWARD WINNER OF THE INDIGENOUS VOICES AWARD FOR PUBLISHED POETRY IN ENGLISH An Indigenous resistance historiography, poetry that interrogates the colonial violence of the archive Whitemud Walking is about the land Matthew Weigel was born on and the institutions that occupy that land. It is about the interrelatedness of his own story with that of the colonial history of Canada, which considers the numbered treaties of the North-West to be historical and completed events. But they are eternal agreements that entail complex reciprocity and obligations. The state and archival institutions work together to sequester documents and knowledge in ways that resonate violently in people’s lives, including the dispossession and extinguishment of Indigenous title to land. Using photos, documents, and recordings that are about or involve his ancestors, but are kept in archives, Weigel examines the consequences of this erasure and sequestration. Memories cling to documents and sometimes this palimpsest can be read, other times the margins must be centered to gain a fuller picture. Whitemud Walking is a genre-bending work of visual and lyric poetry, non-fiction prose, photography, and digital art and design. "Whitemud Walking is so smart and so ceaselessly innovative. It represents for me a fully assured instantiation of the Indigenous literary project: a confrontation of history's terrors head on and an articulation in the present of our beauty and indomitability. Weigel refuses the archive's efforts to flatten Indigenous subjectivity and, in so doing, opens up a kind of boundless space to remember and grieve but also to hope and imagine otherwise. A deeply felt accomplishment." –Billy-Ray Belcourt, author of A History of My Brief Body "Whitemud Walking is a testament to the power of grief and outrage that so much theft has been allowed to bulldoze Indigenous land rights. Matthew James Weigel's passion for research both honours and mourns what has been trampled and lied about. This is a devastating read but one to learn from. Mahsi cho, Matthew. Your grief is our call to action to learn our own histories and build upon our own Indigenous testimonies of what really happened and when and who was there to witness it. Mahsi cho." –Richard Van Camp, Tlicho Dene author of The Lesser Blessed and Moccasin Square Gardens "Whitemud Walking is a textual ecology, that through archival troubling, sampling, and reframing, allows the material, human, truly cellular historicity of treaty to enter as a living presence in our contemporary moment. Weigel writes, 'Here treaty means reciprocity and obligation. Here, treaty lasts forever'. This book is not the document you may hold in your hands but the shift in consciousness it foments within you. It is a gift." –Liz Howard, author of Infinite Citizen of the Shaking Tent "Echoing the caw and grackle of magpies, Matthew James Weigel’s Whitemud Walking lives the sound of Treaty 6. Voices whisper sanctuary in creekbeds, papers rustle precedence in archives; there’s a buzz in your ear, a catch in your throat – listen." –Derek Beaulieu, Banff Poet Laureate

Three local experts reveal their favorite places to watch birds in Alberta, Manitoba, and Saskatchewan. In Best Places to Bird in the Prairies, three of Canada’s top birders reveal their favorite destinations for spotting local birds in Alberta, Manitoba, and Saskatchewan. They highlight thirty-six highly recommended sites, each of which has been expertly selected for the unique species that reside there. With exclusive lists of specialty birds, splendid color photography, and plenty of insider tips for finding and identifying birdlife year-round, the book is accessible and easy-to-use—an indispensable resource that will inspire both novice and seasoned birders to put on their walking shoes, grab their binoculars, and start exploring. The destinations they feature are as varied as the birds that are found there, ranging from rural to urban, easily accessible to remote. The authors provide clear maps, detailed directions, and alternative routes wherever possible to ensure the experience is satisfying for first-time visitors and experienced birders alike.

Linda Goyette and Carolina Roemmich have tapped Edmonton's collective memoir, through the written record, the spoken stories and the vast silences. All of the people who ever lived at this bend in the North Saskatchewan took part in creating the city we know as Edmonton. Through traditional Indigenous stories about the earliest travellers along the bend in the river, diaries, archival records and letters of 19th century inhabitants and the recollections of living residents who talk about the emerging city, Edmonton's history is told using the words and stories of the people who have called this city home. Citizens with diverse viewpoints speak for themselves, describing important events in Edmonton's social, political and economic development. The official publication of the City of Edmonton's Centennial, Edmonton In Our Own Words includes many never seen before photographs from private collections, historic maps and a timeline of Edmonton's history. Imagine a conversation between Edmonton's past inhabitants and its living citizens. What would we tell the rest of the world about our place on the map? What stories would we tell with tears in our eyes, or laughter, or pride? In Edmonton In Our Own Words, experience the personal stories of eyewitnesses and descendants explaining, arguing, crying, scolding, laughing and interrupting one another in a city's evolving conversation with itself as Edmonton celebrates its past and future.

In Obits. a speaker tries and fails to write obituaries for those whose memorials are missing, those who are represented only as statistics. She considers victims of mass deaths, fictional characters, and her own aunt, asking what does it mean to be an 'I' mourning a 'you' when both have been othered? Centring vulnerability, the various answers to this question pass through trauma, depression, and the experience of being a mixed-race queer woman.

Rory I. Jagdeo lost his brother Steve to COVID-19 and was inspired to write this story of leaving Guyana at almost twenty years old, boarding an airplane for the first time to Toronto, Canada. It was an unlikely journey for a man with such humble beginnings—a man whose great-grandparents were taken from India to work on a sugar plantation as indentured servants in the late 1800s. In this autobiography, he looks back at his boyhood and adolescence growing up in a village called Fyrish on the Northeastern coast of Guyana, a country on South America’s North Atlantic coast and how life changed when he went to college in Toronto. From there, he highlights his life’s challenges, pleasures, and close calls. While his life has been challenging, he has never given up. With hard work, he has followed destiny’s path and explored the pleasures of life. From his life as a musician and recording artist, to his adventures traveling, to his romantic exploits and time as a caregiver, the author celebrates his incredible life.