The romantic and poignant second novel in the stunning trilogy by a New York Times bestselling author about a down-and-out waitress who’s swept off her feet by a rock star. Rocker Tucker White saved down-and-out waitress Cass Daniels from everyone in her life who was hurting her—except herself. In the much-anticipated follow-up to White Trash Beautiful, Teresa Mummert’s New York Times and USA Today bestseller, Tucker and Cass are finally together, but does that mean they get their happy ending? Living on a tour bus with your boyfriend’s rock band is nothing like living in a trailer with your drug-addicted mother—except for the drama. After all the pain and grief that marked the beginning of Cass and Tucker’s relationship, they’re finally building a life together—just the two of them, his three bandmates, some groupies, and thousands of screaming fans. And not everyone is as happy about the couple’s reunion as they are. The last thing Cass wants to do is create friction within the band—especially when Damaged is on the brink of achieving the success Tucker has worked so hard for. She’s thrilled to finally be with a man who loves and protects her as much as he does. But how can she carve out a place for herself in this new rock star world . . . without being swallowed by the shadow of Tucker’s fame?

First in a stunning new trilogy by New York Times bestselling author Teresa Mummert. “I’m not naive. I know I don’t get the happily ever after. My knight in shining armor took the highway detour around this god forsaken shit hole. I’ve made peace with that. That doesn’t mean I’m going to lay down like a doormat and let every cocky prick in the trailer park have his way with me.” Cass lives a depressing life in a small trailer park in Eddington, Georgia, with her mother and abusive boyfriend Jackson. She works hard to barely make ends meet. But everything changes when Tucker White, the lead singer in the band Damaged, walks into her diner. He tries to show her that there is more to life than the hand she has been dealt, but Cass soon learns that being with Tucker will come at a high price.

Cass Daniels does not believe girls like her get happy endings, but when rock singer Tucker White walks into the greasy spoon diner where she works he sees something in her and is determined to get her to open up and let him in.

In this highly anticipated follow-up to White Trash Damaged, Cass and Tucker have finally found their happily ever after, but can Eric, the band’s brooding drummer, ever let go of his past and find love? From a small-town boy with fantasies of superstardom to rock star on tour with the suddenly famous band Damaged, Eric’s life has not been an easy journey. Now he struggles to let go of his past of physical abuse, a past that still haunts him. His anger is causing him to spiral out of control and he risks losing everything he has worked so hard for. Only one person has ever gotten him to open up about his past: Sarah, the lead singer of Filth, the opening act on their first national tour—a fellow rocker with a confident façade that masks her own painful secrets. But their bands’ rocky past and Sarah’s tumultuous relationship with her bandmate and boyfriend Derek force her to keep Eric at a distance. As their friendship begins to grow into something more, Eric has to find a way to let go of his tortured past, or it could jeopardize his only chance for a happy future…

White trash. The phrase conjures up images of dirty rural folk who are poor, ignorant, violent, and incestuous. But where did this stigmatizing phrase come from? And why do these stereotypes persist? Matt Wray answers these and other questions by delving into the long history behind this term of abuse and others like it. Ranging from the early 1700s to the early 1900s, Not Quite White documents the origins and transformations of the multiple meanings projected onto poor rural whites in the United States. Wray draws on a wide variety of primary sources—literary texts, folklore, diaries and journals, medical and scientific articles, social scientific analyses—to construct a dense archive of changing collective representations of poor whites. Of crucial importance are the ideas about poor whites that circulated through early-twentieth-century public health campaigns, such as hookworm eradication and eugenic reforms. In these crusades, impoverished whites, particularly but not exclusively in the American South, were targeted for interventions by sanitarians who viewed them as “filthy, lazy crackers” in need of racial uplift and by eugenicists who viewed them as a “feebleminded menace” to the white race, threats that needed to be confined and involuntarily sterilized. Part historical inquiry and part sociological investigation, Not Quite White demonstrates the power of social categories and boundaries to shape social relationships and institutions, to invent groups where none exist, and to influence policies and legislation that end up harming the very people they aim to help. It illuminates not only the cultural significance and consequences of poor white stereotypes but also how dominant whites exploited and expanded these stereotypes to bolster and defend their own fragile claims to whiteness.

Angel Crawford is a loser. Living with her alcoholic deadbeat dad in the swamps of southern Louisiana, she's a high school dropout with a pill habit and a criminal record who's been fired from more crap jobs than she can count. Now on probation for a felony, it seems that Angel will never pull herself out of the downward spiral her life has taken. That is, until the day she wakes up in the ER after overdosing on painkillers. Angel remembers being in an horrible car crash, but she doesn't have a mark on her. To add to the weirdness, she receives an anonymous letter telling her there's a job waiting for her at the parish morgue--and that it's an offer she doesn't dare refuse. Before she knows it she's dealing with a huge crush on a certain hunky deputy and a brand new addiction: an overpowering craving for brains. Plus, her morgue is filling up with the victims of a serial killer who decapitates his prey--just when she's hungriest! Angel's going to have to grow up fast if she wants to keep this job and stay in one piece. Because if she doesn't, she's dead meat. Literally.

The New York Times bestseller A New York Times Notable and Critics’ Top Book of 2016 Longlisted for the PEN/John Kenneth Galbraith Award for Nonfiction One of NPR's 10 Best Books Of 2016 Faced Tough Topics Head On NPR's Book Concierge Guide To 2016’s Great Reads San Francisco Chronicle's Best of 2016: 100 recommended books A Washington Post Notable Nonfiction Book of 2016 Globe & Mail 100 Best of 2016 “Formidable and truth-dealing . . . necessary.” —The New York Times “This eye-opening investigation into our country’s entrenched social hierarchy is acutely relevant.” —O Magazine In her groundbreaking bestselling history of the class system in America, Nancy Isenberg upends history as we know it by taking on our comforting myths about equality and uncovering the crucial legacy of the ever-present, always embarrassing—if occasionally entertaining—poor white trash. “When you turn an election into a three-ring circus, there’s always a chance that the dancing bear will win,” says Isenberg of the political climate surrounding Sarah Palin. And we recognize how right she is today. Yet the voters who boosted Trump all the way to the White House have been a permanent part of our American fabric, argues Isenberg. The wretched and landless poor have existed from the time of the earliest British colonial settlement to today's hillbillies. They were alternately known as “waste people,” “offals,” “rubbish,” “lazy lubbers,” and “crackers.” By the 1850s, the downtrodden included so-called “clay eaters” and “sandhillers,” known for prematurely aged children distinguished by their yellowish skin, ragged clothing, and listless minds. Surveying political rhetoric and policy, popular literature and scientific theories over four hundred years, Isenberg upends assumptions about America’s supposedly class-free society––where liberty and hard work were meant to ensure real social mobility. Poor whites were central to the rise of the Republican Party in the early nineteenth century, and the Civil War itself was fought over class issues nearly as much as it was fought over slavery. Reconstruction pitted poor white trash against newly freed slaves, which factored in the rise of eugenics–-a widely popular movement embraced by Theodore Roosevelt that targeted poor whites for sterilization. These poor were at the heart of New Deal reforms and LBJ’s Great Society; they haunt us in reality TV shows like Here Comes Honey Boo Boo and Duck Dynasty. Marginalized as a class, white trash have always been at or near the center of major political debates over the character of the American identity. We acknowledge racial injustice as an ugly stain on our nation’s history. With Isenberg’s landmark book, we will have to face the truth about the enduring, malevolent nature of class as well.