Noveller. A collection of thirteen short stories which explores themes of art, the supernatural, madness, and the extremes of sexuality

After spending almost a year in Nepal and India, Neale presents the true story of tragedy and survival on one of the world's most dangerous mountains and illuminates the gripping history of the Sherpa. 16-page photo insert.

This parable of self-actualization offers valuable lessons, tools, and insights for living a richer, more fulfilling, and more satisfying life. As two White Tigers plan to have a family, they go in search of life wisdom to pass down to the next generation. Their magical journey leads readers down a path of discovery that will enrich their lives. Through this simple parable, “Dr. Joe” Di Ruzzo explores the values that are essential for a life lived to its potential. From Freud to Maslow to neurolinguistic programming, Di Ruzzo summarizes the ongoing search for healthier families and happier lives. As a continuation of humanity’s effort to understand life’s purpose, the story of The Gift of the White Tigers is as old as the history of mankind.

This volume focuses on three artists who embrace media and technology as essential elements of their theatrical expression: Elizabeth LeCompte, Ping Chong, and Robert Lepage. Diverse in their aesthetic interests, they nevertheless share an approach to directing that includes technological media on stage as central to a rigorously crafted production concept. Technological elements live alongside and negotiate with the theatre's human players, disclosing, shaping, and even intruding on the dramas they enact. The essays in this volume explore how all three directors have provided decisive responses to a question that has dogged the theatre for at least the last century: what relationship can theatre, an art form grounded in live, ephemeral, expression, have to technology? The Great North American Stage Directors series provides an authoritative account of the art of directing in North America by examining the work of twenty-four major practitioners from the late 19th century to the present. Each of the eight volumes examines three directors and offers an overview of their practices, theoretical ideas, and contributions to modern theatre. The studies chart the life and work of each director, placing his or her achievement in the context of other important theatre practitioners and broader social history. Written by a team of leading experts, the series presents the genealogy of directing in North America while simultaneously chronicling crucial trends and championing contemporary interpretation.

Introducing Joe the Bouncer in “a tour-de-force, ranging from underworld crime to a unique caper and a terrorist plot . . . an outstanding new voice” (Robert Crais, #1 New York Times bestselling author). In David Gordon’s diabolically imaginative thriller, The Bouncer, nothing and no one is as expected—from a vial of yellow fragrance to a gangster who moonlights in women’s clothes. Joe Brody is just your average Dostoevsky-reading, Harvard-expelled strip club bouncer who has a highly classified military history and whose best friend from Catholic school happens to be head mafioso Gio Caprisi. FBI agent Donna Zamora, the best shot in her class at Quantico, is a single mother stuck at a desk manning the hotline. Their storylines intersect over a tip from a cokehead that leads to a crackdown on Gio’s strip joint in Queens and Joe’s arrest—just one piece of a city-wide sweep aimed at flushing out anyone who might have a lead on the various terrorists whose photos are hanging on the wall under Most Wanted. Outside the jailhouse, the Fed and the bouncer lock eyes, as Gordon launches them both headlong into a nonstop plot that goes from back-road gun show intervention to high-stakes perfume heist and manages to touch everyone from the CIA to the Flushing Triads. Beneath it all lurks a sinister criminal mastermind whose manipulations could cause chaos on a massively violent scale. “A brilliantly goofy caper novel in the grand tradition of Donald E. Westlake.”—The New York Times Book Review “[An] impressive crime novel . . . Gordon’s sharply drawn supporting cast adds a nice balance to all the action.”—Publishers Weekly (starred review)

I went to Rio to watch the Olympics, but unexpectedly, I met with a plane crash and landed on a deserted island. At the same time, I landed on a desert island with a few beautiful celebrities ...