Esther de Waal is one of today’s most beloved spiritual writers. In The White Stone, she reflects on the changes and losses that come with growing older. Esther reflects on solitude and, following a period of illness, saying goodbye to a family home and the Welsh border landscape she had known for decades which inspired some of her greatest writing, and adjusting to a new city environment. In her characteristic style, she sees everything as a portal into a deeper spiritual understanding. She draws on the wealth of the Christian tradition, especially scripture and the monastic and Celtic spiritualities she knows so well, to help her navigate her way through not only the inevitable sense of loss that accompanies such change, but also to embrace the new possibilities it brings. The white stone of the title refers to a small pebble from the river that ran through her garden that she keeps in her pocket, but also strikes a note of hope referring to the new identity promised by God (Revelation 2.17). This is a book of simple, profound wisdom that will speak to many coping with change in their own lives.

A study on the Tradition of the Hidden Pole underlying all myth and religion. A first-time, revealing investigation into the coded works of H.P. Lovecraft (America's "secret alchemist") and traditional Alchemy, Polaria is an exploration of the meaning behind meanings, a Book of Origins beginning where others end. It is a guide leading one out of the labyrinth of existence and the limitations of Space-Time. In true esoteric fashion, Polaria serves as a beacon to the spiritual depths of life.

A girl gathers natural objects to decorate her sandcastle, saving some of them to take back home from the beach.

J. H. Prynne is Britain’s leading late-modernist poet. His work, as it has emerged since the 1960s, when he was close to Charles Olson and Edward Dorn, is marked by a remarkable combination of lyricism and abstraction, at once austere and playful. The White Stones is a book that is central to Prynne’s career and poetics, and it constitutes an ideal introduction to the achievement and vision of a legendary but in America still little-known contemporary master.

In this exciting sequel to The Mystery of Black Hollow Lane, Emmy's adventures continue as she deals with a sinister organization, a missing father, and secrets she's not sure who to trust with. After spending the summer at home in Connecticut, Emmy cannot wait to return to Wellsworth for the new school year and reunite with her best friends, Lola and Jack. Before she leaves Emmy receives a note from her father telling her to hide the remaining relics The Order of Black Hollow Lane are after—and to trust no one. When Lola is framed for a serious crime she didn't commit, Emmy knows that she and her friends are not safe. The Order wants Emmy to give up her father's location... if she doesn't, those she loves will pay the price. Emmy and Jack need to figure out a way to clear Lola's name without bending to the Order's sinister demands. And Emmy needs to figure out who she can trust with her secrets before it's too late.

"I mark this day most especially with a White Stone." ---Lewis Carroll, The Diaries of Lewis Carroll Edmund Whitty, a London newspaper correspondent who can usually be counted upon for crisp and lurid copy, has fallen upon lean times. After his triumphant exposé of a notorious serial killer, he has inexplicably lost his knack for sensational reporting. Broke and desperate, he seizes upon a generous offer from a mysterious American to discredit a quack psychic. But how, he ends up wondering uneasily, does the psychic know so much about a scandal involving Whitty's late brother? When the psychic is brutally murdered, Whitty finds himself accused of the crime and thrown into Milbank prison, the most bizarre institution of its kind in England. Help comes unexpectedly from "the Captain," a gangster not known for charity work. To save his own skin, Whitty must find the men responsible for the disappearance of the Captain's young niece, Eliza. Whitty's search takes him to Oxford, where he meets the brilliant and eccentric Reverend William Boltbyn, a renowned children's author who delights in playing croquet, devising elaborate stories, and taking artistic photographs of little girls. There he uncovers a looking-glass world, the dark side of Victoriana, and the murder of innocence. John MacLachlan Gray, who evoked "the mean streets and byways of 1852 London with a skill worthy of Dickens" (Publishers Weekly) in The Fiend in Human, spins an even more irresistible tale of dark secrets behind the facade of Victorian respectability in White Stone Day.