Trumpeter Hudson joined the Canadian Brass in 2012.

'Long Live Freedom!'-- Hans Scholl's last words before his execution The White Rose (die Weiße Rose) resistance circle was a group of students and a professor at the University of Munich who in the early 1940s secretly wrote and distributed anti-Nazi pamphlets. At its heart were Hans Scholl, Sophie Scholl, Christoph Probst, Alexander Schmorell, Willi Graf and Professor Kurt Huber, all of whom were executed in 1943 by the Nazi regime. The youngest among them was just twenty-one years old. This book outlines the story of the group and sets their resistance texts within their political and historical context, including archival photographs. A series of brief biographical sketches, along with excerpts from their letters, trace each member's journey towards action against the National Socialist state. The White Rose resistance pamphlets are included in full, translated by students at the University of Oxford. These translations are the result of work by undergraduates around the same age as the original student authors, working together on texts, ideas and issues. This project reflects a crucial aspect of the White Rose: its collaborative nature. The resistance pamphlets were written collaboratively, and they could not have had the reach they did without being distributed by multiple individuals, defying Hitler through words and ideas. Today, the bravery of the White Rose lives on in film and literature and is commemorated not just in Munich but throughout Germany and beyond.

THE STORY: In 1942 a group of students of the University of Munich chose to actively protest the atrocities of the Nazi regime and to advocate that Germany lose the war as the only way to overthrow Hitler's regime. Asking for resistance and sabotag

These quiet, descriptive poems blaze with an inferno of lamenting and loving muses as a son helplessly watches his father suffer from a debilitating illness. The inquisitive voice of the speaker gently paints an emotional landscape ranging from childhood to the present, while trying to find glimpses of happiness in the imminent sorrow.

The shift in attitudes and concerns that took place in the Taisho period (1912-1926) was signaled by the emergence of a new and authentically contemporary Japanese sense of self. For many, Sato Haruo's novella Gloom in the Country marked that shift. Originally entitled The Sick Rose, this story has long been regarded as an icon of the period and is the masterpiece that made Sato instantly famous when it burst on the literary scene in 1918. Introduction by Thomas J. Rimer

This book is an intimate study of the three giants in Irish literary history: Oscar Wilde, William Butler Yeats, and James Joyce. In addition to constructing a narrative of Irelands political and literary past, Vicki Mahaffey interweaves the lives and writing of the authors into a portrait of national imagination, shaped not only by a vast cultural and mythic heritage, but also by the hard fact of English political domination. States of Desire argues that what people desire is fundamentally connected to how they write and read. Not only do language and narrative shape desire (and vice versa), but because these processes are socially conditioned, some political circumstances, such as those present in Ireland at the turn of the century, foster experimental desire more successfully than others. Mahaffey's contribution to the critical discourse on literary modernism is to assign a political motive to the art of modernist wordplay; in doing so, she offers a more compelling and socially driven version of the oft-told tale of literary modernism. Irish writers, she argues, sought to disrupt the rigidity of political thinking and social control by turning language into a weapon; by opening up infinite new possibilities of meaning and association, linguistic play makes it impossible for thought to be monopolized by the state or any other institutional power. In this light, the text becomes a prism of political, cultural, and erotic desires: a fountain of conscious and unconscious linguistic suggestion. Defying semantic control and refuting societal repression, Wilde, Yeats, and Joyce literally fought, in their lives and in their work, for a freedom of expression which--as was painfully evidenced in the case of Wilde--was not to be had for the asking.