Embark on a dark and lush journey through the land of Whichwood in this stunning companion to Tahereh Mafi’s acclaimed bestseller Furthermore. Our story begins on a frosty night . . . Laylee can barely remember the happier times before her beloved mother died. Before her father, driven by grief, lost his wits (and his way). Before she was the left as the sole remaining mordeshoor in the village of Whichwood, destined to spend her days washing the bodies of the dead and preparing their souls for the afterlife. It's become easy to forget and easier still to ignore her own ever increasing loneliness and the way her hands are stiffening and turning silver, just like her hair. But soon, a pair of familiar strangers appear, and Laylee's world is turned upside down as she rediscovers color, magic, and the healing power of friendship. Lush and darkly enchanting, critically-acclaimed author Tahereh Mafi weaves an all-new magical adventure in this companion to the New York Times bestselling Furthermore.

Embark on a wondrous journey through the land of Whichwood in this stunning companion to Tahereh Mafi’s acclaimed bestseller Furthermore. A Kirkus Best Book of the Year! ★ "Deliciously descriptive prose. . . . Darkly fascinating." −Kirkus ★ "Unforgettable heroine." −Booklist ★ "Mafi's language choices create visually arresting moments." –Shelf Awareness Our story begins on a frosty night . . . Laylee can barely remember the happier times before her beloved mother died. Before her father, driven by grief, lost his wits (and his way) and she was left as the sole remaining mordeshoor in the village of Whichwood, destined to spend her days scrubbing the skins and souls of the dead in preparation for the afterlife. It’s become easy to forget and easier still to ignore not only her ever-increasing loneliness, but the way her overworked hands are stiffening and turning silver, just like her hair. But soon, a pair of familiar strangers appear, and Laylee’s world is turned upside down as she rediscovers color, magic, and the healing power of friendship. Lush and enchanting, critically-acclaimed author Tahereh Mafi weaves together an all-new magical adventure in this dark, Persian fantasy, a companion to the New York Times bestselling Furthermore. ★ "In deliciously descriptive prose, the confiding, familiar narrator directly engages the 'dear reader' with witty asides, explanatory footnotes, and cautionary warnings as Laylee’s woeful tale unfolds... Mafi uses her built world to interrogate norms and relationships in our own while never losing sight of her story. Memorable new characters experience the restorative power of friendship in this darkly fascinating, somewhat ghoulish sequel to Furthermore. −Kirkus, starred review ★ "It's Laylee's personal transformation that shines brightest, giving Mafi's singular fantasy an equally unforgettable heroine." −Booklist, starred review ★ "Whichwood, Tahereh Mafi's companion novel to Furthermore, is as absorbing as (if not more than) its predecessor.... Mafi's language choices create visually arresting moments.... Deftly explores several appealing themes, including the healing power of friendship and the resilience to overcome adversity in her whimsical, Persian-inspired fantasy world." −Shelf Awareness, starred review

Colour and magic combine in this enchanting new middle grade fantasy from the bestselling author of the Shatter Me series. Born as blank as canvas in a world brimming with colour and magic, Alice's pale skin and milk-white hair mark her as an outcast. Because, for the people of Ferenwood, colour and magic are one and the same. And since the disappearance of her beloved father, Alice is more determined than ever to prove herself and her own magical abilities. To do so she'll have to travel into the mythical, dangerous land of Furthermore, with the help of a fiercely annoying boy named Oliver. But nothing in Furthermore is as it seems, and it will take all of Alice's wits to find her father and return him safely home.

The Artists' Prison looks askance at the workings of personality and privilege, sexuality, authority, and artifice in the art world. Imagined through the heavily redacted testimony of the prison's warden, written by Alexandra Grant, and powerfully allusive images by Eve Wood, the prison is a brutal, Kafkaesque landscape where creativity can be a criminal offence and sentences range from the allegorical to the downright absurd. In The Artists' Prison, the act of creating becomes a strangely erotic condemnation, as well as a means of punishment and transformation. It is in these very transformations--sometimes dubious, sometimes oddly sentimental--that the book's critical edge is sharpest. In structural terms, The Artists' Prison represents a unique visual and literary intersection, in which Wood's drawings open spaces of potential meaning in Grant's text, and the text, in turn, acts as a framework in which the images can resonate and intensify in significance.

Ötzi the iceman could not do without wood when he was climbing his Alpine glacier, nor could medieval cathedral-builders or today's construction companies. From time immemorial, the skill of the human hand has developed by working wood, so much so that we might say that the handling of wood is a basic element in the history of the human body. The fear of a future wood famine became a panic in the 18th century and sparked the beginnings of modern environmentalism. This book traces the cultural history of wood and offers a highly original account of the connection between the raw material and the human beings who benefit from it. Even more, it shows that wood can provide a key for a better understanding of history, of the pecularities as well as the varieties of cultures, of a co-evolution of nature and culture, and even of the rise and fall of great powers. Beginning with Stone Age hunters, it follows the twists and turns of the story through the Middle Ages and the Industrial Revolution to the global society of the twenty-first century, in which wood is undergoing a varied and unexpected renaissance. Radkau is sceptical of claims that wood is about to disappear, arguing that such claims are self-serving arguments promoted by interest groups to secure cheaper access to, and control over, wood resources. The whole forest and timber industry often strikes the outsider as a world unto itself, a hermetically sealed black box, but when we lift the lid on this box, as Radkau does here, we will be surprised by what we find within. Wide-ranging and accessible, this rich historical analysis of one of our most cherished natural resources will find a wide readership.

A New York Times bestseller! Miss Peregrine meets The Graveyard Book in this middle grade adventure about rival siblings running a monster mortuary. ​ Thirteen-year-old Molly doesn't know how she got the short end of the stick—being raised by her neglectful father—while Dustin, the older brother she's never met, got their mother and the keys to the family estate. But now the siblings are both orphaned, she's come home for her inheritance, and if Dustin won't welcome her into the family business, then she'll happily take her half in cash. There's just one problem: the family business is a mortuary for monsters, and Molly's not sure she's ready to deal with mysterious doors, talking wolves, a rogue devourer of magic, and a secret cemetery. It's going to take all of Dustin's stuffy supernatural knowledge and Molly's most heroic cosplay (plus a little help from non-human friends) for the siblings to figure it out and save the day...if only they can get along for five minutes. Bestselling author Chuck Wendig's middle grade debut is equal parts spooky, funny, and heartfelt—perfect for Halloween and year-round reading!

Longlisted for the National Book Award for Young People's Literature! From the New York Times and USA Today bestselling author of the Shatter Me series comes a powerful, heartrending contemporary novel about fear, first love, and the devastating impact of prejudice. It’s 2002, a year after 9/11. It’s an extremely turbulent time politically, but especially so for someone like Shirin, a sixteen-year-old Muslim girl who’s tired of being stereotyped. Shirin is never surprised by how horrible people can be. She’s tired of the rude stares, the degrading comments—even the physical violence—she endures as a result of her race, her religion, and the hijab she wears every day. So she’s built up protective walls and refuses to let anyone close enough to hurt her. Instead, she drowns her frustrations in music and spends her afternoons break-dancing with her brother. But then she meets Ocean James. He’s the first person in forever who really seems to want to get to know Shirin. It terrifies her—they seem to come from two irreconcilable worlds—and Shirin has had her guard up for so long that she’s not sure she’ll ever be able to let it down.