Whetu Moana is the first anthology of contemporary Polynesian poetry in English edited by Polynesians. It collects poems written over the last twenty years from more than 60 poets in Aotearoa, Hawaii, Tonga, Samoa, the Cook Islands, Niue and Rotuma. Well-known poets like Hone Tuwhare, Alistair Campbell and Haunani-Kay Trask are joined by talented young voices, the poets appearing in alphabetical order in a way that presents both an overall Polynesian identity and a focus on individual style. Traditional laments mix with street-smart rap rhythms; images of seascapes and landscapes mingle with shots of urban slums. Political anger is a powerful force in these poems but many are personal and particular. Whetu Moana reveals an active, changing, varied, creative scene, which confronts both a complex colonial past and a fast-moving global present with energy, courage and vitality.

Mauri Ola: Contemporary Polynesian Poems in English is a follow-up volume to the highly acclaimed Whetu Moana, the first anthology of Polynesian poems in English edited by Polynesians. The new book includes poetry written over the last 25 years by more than 80 writers from Aotearoa, Hawai'i, Tonga, Samoa, the Cook Islands, Niue, Tokelau, Tahiti and Rotuma &– some living in these islands and some dispersed around the globe. Together with works by established and celebrated poets, the editors have introduced the fresh voices of a younger generation. The anthology includes selections from poets including Alistair Te Ariki Campbell, Sia Figiel, J. C. Sturm, Konai Helu Thaman, Haunani-Kay Trask, Hone Tuwhare and Albert Wendt. The late Hawaiian poet Wayne Kaumualii Westlake is represented here by a unique set of concrete poems and experimental verse. Tusiata Avia tells tales of Nafanua in different settings around the world; Rangi Faith imagines &‘First Landing'; Imaikalani Kalahele writes a letter to his brother; Brandy Nalani McDougall discusses &‘cooking Captain Cook'; Karlo Mila, eating chocolate, watches &‘paul holmes apologise for calling kofi annan a darkie'; Robert Sullivan writes against the grain; and Apirana Taylor follows zigzag roads. Ranging from the lyrical and sensual to the harsh and gritty, from the political to the personal, the poems in Mauri Ola are infused with vivid imagery, claims of identity, laments, rages and celebrations that confront again a colonial past and a global present.

Explores the relationship between indigeneity and migration among Maori and Pacific peoples

Beginning with an overview of European representations of the Pacific, Michelle Keown presents a broad-ranging introduction to the postcolonial literatures of the Pacific from the late 1960s through to the new millennium, focusing mainly on writing in English, but also exploring the growing corpus of francophone and hispanophone Pacific writing.

Winner of the Native American Literature Symposium's Beatrice Medicine Award for Published Monograph In this first extensive study of contemporary Hawaiian literature, Brandy Nalani McDougall examines a vibrant selection of fiction, poetry, and drama by emerging and established Hawaiian authors, including Haunani-Kay Trask, John Dominis Holt, Imaikalani Kalahele, and Victoria Nalani Kneubuhl. At the center of the analysis is a hallmark of Hawaiian aesthetics—kaona, the intellectual practice of hiding and finding meaning that encompasses the allegorical, the symbolic, the allusive, and the figurative. With a poet’s attention to detail, McDougall interprets examples of kaona, guiding readers through olelo no'eau (proverbs), mo‘olelo (literature and histories), and mooku'auhau (genealogies) alongside their contemporary literary descendants, unveiling complex layers of Hawaiian identity, culture, history, politics, and ecology. Throughout, McDougall asserts that “kaona connectivity” not only carries bright possibilities for connecting the present to the past, but it may also ignite a decolonial future. Ultimately, Finding Meaning affirms the tremendous power of Indigenous stories and genealogies to give activism and decolonization movements lasting meaning.

Since 2000, the online anthology Best New Zealand Poems has showcased the most exciting and memorable poetry produced in this country. Here, for the first time, is a selection of this work in book form. Edited by founding publisher Bill Manhire, and writer Damien Wilkins, this anthology is an indispensable guide to the richness, strangeness, and liveliness of contemporary poetry. With over sixty poets appearing, there's classic work by some of the best-known figures in our writing, including Sam Hunt, Allen Curnow, Jenny Bornholdt, Cilla McQueen, Elizabeth Smither, and Ian Wedde; there are also compelling poems from new writers. Each poet's own note on the selection illuminates the work and takes us inside the writer’s personal workshop. The first decade of the new century comes into view as a vibrant, argumentative, restless period, with our poets unafraid of either political engagement or strong personal feeling.

Hiwa is a vibrant, essential collection of contemporary Maori short stories, featuring twenty-seven writers working in English or te reo Maori. The writers range from famous names and award winners &– Patricia Grace, Witi Ihimaera, Whiti Hereaka, Becky Manawatu, Zeb Nicklin &– to emerging voices like Shelley Burne-Field, Jack Remiel Cottrell, Anthony Lapwood and Colleen Maria Lenihan.A showcase of contemporary talent, Hiwa includes biographical introductions for each writer' s work, and explores the range of styles and subjects in the flourishing world of Maori fiction.Named for Hiwa-i-te-rangi, the ninth star of Matariki, signifying vigorous growth and dreams of the year ahead, this anthology reveals the flourishing world of Maori writing today, in Aotearoa and beyond.