Since 1964, when Louisiana State University Press published its inaugural book of verse (Miller Williams’s A Circle of Stone), its poetry list has grown exponentially—191 books by 93 poets—into a program that inspires understandable pride in those associated with it. Two collections have won the Pulitzer Prize—The Flying Change (1986), by Henry Taylor, and Alive Together (1996), by Lisel Mueller. Another book by Mueller, The Need to Hold Still (1980), won the National Book Award, while several other LSU titles have been finalists for that distinction, most recently The Fields of Praise (1997), by Marilyn Nelson, and The Vigil (1993), by Margaret Gibson. Dozens more have been recognized for their excellence through a host of various honors. The Press publishes the winner of the annual Walt Whitman Award, given by The Academy of American Poets for a first collection; and in 1996 it launched the Southern Messenger series in collaboration with Dave Smith, bringing two shining works into the fold each year. The appearance of The Collected Poems of Robert Penn Warren in 1998 meant for the Press the realization of a long, dearly held dream. To mark this thirty-five-year-old tradition as the century and millennium turn, and to offer a sampling of its richness, The Yellow Shoe Poets, a retrospective anthology, was compiled under the editorship of George Garrett, a longtime colleague of the Press and the author of eight poetry volumes. (Say “the LSU poets” real fast with a southern drawl and you get the ridiculously wonderful moniker that poet Elizabeth Seydel Morgan’s young friend innocently mistook for this noble band. It’s an image Brendan Galvin has appropriated to a perfect fit in his poem “Yellow Shoe Poet,” written on behalf of his fellow “yellow shoes” across the years.) All 173 poems are taken from LSU Press books and were selected by the poets themselves, if living. Arranged alphabetically by author, they consist of at least one poem from every poet published by the Press. Goethe’s admonition that “one ought every day at least, to read a good poem” can find no better starting point than in The Yellow Shoe Poets.

Janet L. Abrahm argues that all causes of suffering experienced by people with cancer, be they physical, psychological, social, or spiritual, should be treated at all stages: at diagnosis, during curative therapy, in the event that cancer recurs, and during the final months. In the second edition of this symptom-oriented guide, she provides primary care physicians, advanced practice nurses, internists and oncologists with detailed information and advice for alleviating the stress and pain of patients and family members alike. The new edition includes the latest information on patient and family communication and counseling, on medical, surgical, and complementary and alternative treatments for symptoms caused by cancer and cancer treatments, and on caring for patients in the last days and their bereaved families. Updated case histories, medication tables, Practice Points, and bibliographies provide clinicians with the information they need to treat their cancer patients effectively and compassionately.

A vast collection of poems which won "Poetry" magazine's Levinson prize."Somehow the nuances of daily experience, the warmth, humor, and reflection the poet brings to subjects are quite unlike anyone else's." - J.Parisi

Mississippi has produced outstanding writers in numbers far out of proportion to its population. Their contributions to American literature, including poetry, rank as enormous. Mississippi Poets: A Literary Guide showcases forty-seven poets associated with the state and assesses their work with the aim of appreciating it and its place in today’s culture. In Mississippi, the importance of poetry can no longer be doubted. It partakes, as Faulkner wrote, of the broad aim of all literature: “to uplift man’s heart.” In Mississippi Poets, author Catharine Savage Brosman introduces readers to the poets themselves, stressing their versatility and diversity. She describes their subject matter and forms, their books, and particularly representative or striking poems. Of broad interest and easy to consult, this book is both a source of information and a showcase. It highlights the organic connection between poetry by Mississippians and the indigenous music genres of the region, blues and jazz. No other state has produced such abundant and impressive poetry connected to these essential American forms. Brosman profiles and assesses poets from the twentieth and twenty-first centuries. Grounds for selection include connections between the poets and the state; the excellence and abundance of their work; its critical reception; and both local and national standing. Natives of Mississippi and others who have resided here draw equal consideration. As C. Liegh McInnis observed, “You do not have to be born in Mississippi to be a Mississippi writer. . . . If what happens in Mississippi has an immediate and definite effect on your work, you are a Mississippi writer.”