In the "brilliant novel" (The New York Times) V.S. Naipaul takes us deeply into the life of one man — an Indian who, uprooted by the bloody tides of Third World history, has come to live in an isolated town at the bend of a great river in a newly independent African nation. Naipaul gives us the most convincing and disturbing vision yet of what happens in a place caught between the dangerously alluring modern world and its own tenacious past and traditions.

A remarkable place where geography has defined history, Wallula Gap is that narrowing of the mighty Columbia River halfway between the Rocky Mountains and the Pacific Ocean. In this book, Bob Carson and his colleagues tell a fascinating story ¿ of a striking land where the forces of geology worked on a spectacular scale, of a desert oasis where Native Americans, explorers, fur traders, promoters and entrepreneurs, and modern-day agriculturalists and wind farmers have all made their mark. Through the prism of Wallula, the historic gateway to the Columbia Plateau, readers learn much about the region.

On a balmy October night in New Orleans, a group of teenage students gathers to listen to music and drink wine on the bank of the Mississippi River. In the midst of their revelry, a lone young man approaches them as a friendly stranger. In the following hour, he commits acts of sexual violence that have permanent lasting effects on his four young victims. In an intimate, unsparingly honest first-person account, Barry Raine, one of the victims, recounts this brutal encounter. Meditating on race, social class, male honor, and the rigid mores of the South, the author weaves a disturbing but ultimately hopeful story of loss and redemption.

In the summer of 1997 renowned nature photographer C. C. Lockwood embarked on a remarkable adventure. First by canoe and then by Grand Canyon–style pontoon raft, he journeyed the length of the Mississippi River—2,320 miles—from its source at Lake Itasca, Minnesota, to its mouth at the Gulf of Mexico. Armed with his camera and computer equipment to transmit stories and pictures to schoolchildren, this “High Tech Huck Finn” trained his lens on spectacular scenes, creating images that vividly depict the life pulsing in and near this vital American artery—water and lands that touch the lives of every American. As Lockwood shows in these brilliant color photographs, the river has many faces. At its birthplace it is nothing more than a trickle among rocks. But as it serpentines south, it slowly grows until, at its end, it pours daily over 420 billion gallons of water into the Gulf of Mexico. Lockwood captures the river in all of its moods: a ghostly foggy morning on the bank; a bright orange sunset over the bends; a quiet snowfall at the headwaters; a sudden rain shower at dusk. He also offers intimate images of the creatures that make their home in the river or along its shores: a whitetail fawn nestled in underbrush; a curious frog peeking out from beneath reeds; a Canada goose marching in line with her goslings; turtles burying themselves in mud. His depiction of the natural beauty of Old Man River is unparalleled. The river comes to appear as a thriving community because Lockwood introduces the people, both ordinary and extraordinary, who live and journey on it. We meet, among others, a performance artist intent on swimming the river’s length; inhabitants of a makeshift houseboat colony near Winona, Minnesota; Tom Sawyer and Becky Thatcher look-alikes in Hannibal, Missouri; and Willie P., who, with the help of thirty-gallon plastic barrels and paddle wheels, employs a most unusual mode of river transportation—a Toyota Celica hatchback. To illustrate the changing riverscape, Lockwood includes images of some of the businesses and industries that line the river’s banks: casino river boats glittering in the night; the jumping blues clubs of Memphis’ Beale Street; bustling industrial plants and the countless barges and push boats that service them. He also offers a detailed memoir of his trip, as well as his other tours of the river by plane, car, tugboat, and river boat, in a delightful introduction. Lockwood’s photographs depict beautifully the varied aspects of the Mississippi River—flourishing community, vital industrial corridor, and priceless environmental treasure. Through this book, readers can join him on his quest to discover the wonders that lie just “around the bend.”

Traces the story of John Rankin and the heroes of the Ripley, Ohio, line of the Underground Railroad, identifying the pre-Civil War conflicts between abolitionists and slave chasers along the Ohio River banks.

As a mother-less child, beautiful Haven Stunham never could find her place in small-town Alabama, having grown up on the riverbanks with an uneducated father and a housekeeper determined to mold her with Old Testament scripture. After graduation, she shakes off her hometown like a fur coat in July and doesn't stop until she runs out of gas on the flipside of Georgia. While life is good in Sweetgrass, destiny waits for her back home. When she returns to Sugar Bend years later to bury her father, the harsh memories begin to soften around the edges. And amidst the emotion of reconciliation, she makes a choice that will change her life as well as her eternity. God uses the consequences of an unplanned pregnancy and the ultimate sickness of her young daughter to demonstrate that Jesus is found in more places than a church pew. He's even found where the river bends. Christy Kyser Truitt has lived in the Deep South her entire life and always near a river. The Demopolis, AL, native currently resides in Auburn, AL, with her husband Brian and four children. She is a graduate of Auburn University where she proudly wore her blue jeans with her pearls as a Kappa Delta. Following a career in banking, Christy is currently a public speaker and uses her journalism degree to write full-time. Her first novel, Serenity Point, was published in 2006.

Justin Hill was only twenty-one when he arrived starry-eyed in Yuncheng, central China, a small town hidden among the plains of dusty Shanxi province. He was greeted by a place and people designed to shatter the most tightly held of illusions about the glories of Chinese tradition and culture: an ugly grimy town where spitting in public was encouraged and queuing was anathema, where the local TV output consisted of nightly readings of the works of Deng Xiao Ping interspersed with NBA basketball games. But after two years teaching Yuncheng's inhabitants he emerged knowing that nowhere was more authentically Chinese than this outpost nestling in the bend of the Yellow River, battling the contradictions of past and future with robust good humour.