Bill Canavan rode into the valley with a dream to start his own ranch. But when he managed to stake claims on the three best water holes, the other ranchers turned against him. No one is more determined to see Canavan dead than Star Levitt. Levitt is an unscrupulous businessman who has been accumulating cattle at an alarming rate. Suspicious after witnessing a secret meeting between the riders of warring ranches, Bill begins noticing other dubious behavior: Why is Levitt’s fiancée, Dixie Venable, acting more like a hostage than a willing bride-to-be? Canavan doesn’t have much time to figure out what’s going on. The entire valley is against him, and everyone is ready to shoot on sight.

As thrilling as any novel, as taut and exciting as any adventure story, Peter Hathaway Capstick’s Death in the Long Grass takes us deep into the heart of darkness to view Africa through the eyes of one of the most renowned professional hunters. Few men can say they have known Africa as Capstick has known it—leading safaris through lion country; tracking man-eating leopards along tangled jungle paths; running for cover as fear-maddened elephants stampede in all directions. And of the few who have known this dangerous way of life, fewer still can recount their adventures with the flair of this former professional hunter-turned-writer. Based on Capstick’s own experiences and the personal accounts of his colleagues, Death in the Long Grassportrays the great killers of the African bush—not only the lion, leopard, and elephant, but the primitive rhino and the crocodile waiting for its unsuspecting prey, the titanic hippo and the Cape buffalo charging like an express train out of control. Capstick was a born raconteur whose colorful descriptions and eye for exciting, authentic detail bring us face to face with some of the most ferocious killers in the world—underrated killers like the surprisingly brave and cunning hyena, silent killers such as the lightning-fast black mamba snake, collective killers like the wild dog. Readers can lean back in a chair, sip a tall, iced drink, and revel in the kinds of hunting stories Hemingway and Ruark used to hear in hotel bars from Nairobi to Johannesburg, as veteran hunters would tell of what they heard beyond the campfire and saw through the sights of an express rifle.

As part of the Louis L’Amour’s Lost Treasures series, this edition contains exclusive bonus materials! It was a name that caused the most hardened gunmen to break out in a cold sweat. Chick Bowdrie. He could have ridden the outlaw trail, but the Texas Rangers recruited him because they didn't want to have to fight against him. Pursuing the most wanted men in the Southwest he knew all too well the dusty trails, the bitter cattle feuds, the desperate killers and the quiet, weather-beaten, wind-blasted towns that could explode into actions with the wrong word. He had sworn to carry out the law, but there were times when he had to apply justice with his fists and his guns. They called in the Rangers to handle the tough ones and there was never a Ranger tougher or smarter than Bowdrie. Louis L’Amour’s Lost Treasures is a project created to release some of the author’s more unconventional manuscripts from the family archives. In Louis L’Amour’s Lost Treasures: Volume 1 and Volume 2, Beau L’Amour takes the reader on a guided tour through many of the finished and unfinished short stories, novels, and treatments that his father was never able to publish during his lifetime. L’Amour’s never-before-seen first novel, No Traveller Returns, faithfully completed for this program, is a voyage into danger and violence on the high seas. Additionally, many beloved classics will be rereleased with an exclusive Lost Treasures postscript featuring previously unpublished material, including outlines, plot notes, and alternate drafts. These postscripts tell the story behind the stories that millions of readers have come to know and cherish.

When Gaylord Riley walked away from the Coburn gang, he had money and a dream. He worked hard and built a cabin, gathered a herd of cattle, and fell in love with Marie Shattuck. But when he is confronted with false accusations of rustling and murder, Riley is forced to defend his new law-abiding way of life. Outnumbered and facing a lynching party, Riley is surprised when his old friends return to lend him a hand. But how can they help him and keep themselves out of jail? With the local marshal already suspicious of Riley, the Coburn gang will have to plan well and move fast. But that shouldn’t be a problem. Their reputation was built by doing just that.

For the westerner trouble came with the territory. Long grass valleys, merciless deserts, sheer rock cliffs, icy streams, hidden trails, dusty towns. These were the proving grounds of daily life. At any time violence could explode and on the frontier there was no avoiding its sudden terrible impact. In this collection of his stories Louis L’Amour guides us to some of these untamed places where men and women faced the challenge of survival. And for the first time, L’Amour also presents a selection of riveting scenes from western history that are every bit as exciting as his stories.

After the massacre Hardy and Betty Sue were left with only a horse and a knife with which to face the long battle against the wilderness. A seven-year-old boy and a three-year-old girl, stranded on the limitless prairie. They were up against starvation, marauding Indians, savage outlaws, and wild animals. They were mighty stubborn, but the odds were against them—and their luck was about to run out. From the Paperback edition.

A WORD FROM LOUIS L’AMOUR “Almost four decades ago, when my fiction was being published exclusively in ‘pulp’ western magazines, I wrote a number of novel-length stories, known back then as ‘magazine novels.’ In creating them, I lived with my characters so closely that their lives were still as much a part of me as I was of them long after the issues in which they appeared went out of print. Proud as I was of how I presented the characters and their adventures in the pages of the magazines, I wanted to tell the reader more about my people and why they did what they did. So, over the years, I revised and expanded these magazine works into novels that I published as full-length paperbacks under different titles. “These particular early magazine versions of my books have long been a source of considerable speculation and curiosity among many of my readers, so much so of late, that now I’ve decided to bring four of my ‘magazine novels’ back into print in this latest volume of my short fiction. “I hope you enjoy them.” FEATURING • Showdown Trail • A Man Called Trent • The Trail to Peach Meadow Canyon • The Rider of the Ruby Hills