The New York Times bestselling author of The Westies and Paddy Whacked offers a front-row seat at the trial of Whitey Bulger, and an intimate view of the world of organized crime—and law enforcement—that made him the defining Irish American gangster. For sixteen years, Whitey Bulger eluded the long reach of the law. For decades one of the most dangerous men in America, Bulger—the brother of influential Massachusetts senator Billy Bulger—was often romanticized as a Robin Hood-like thief and protector. While he was functioning as the de facto mob boss of New England, Bulger was also serving as a Top Echelon informant for the FBI, covertly feeding local prosecutors information about other mob figures—while using their cover to cleverly eliminate his rivals, reinforce his own power, and protect himself from prosecution. Then, in 2011, he was arrested in southern California and returned to Boston, where he was tried and convicted of racketeering and murder. Our greatest chronicler of the Irish mob in America, T. J. English covered the trial at close range—by day in the courtroom, but also, on nights and weekends, interviewing Bulger’s associates as well as lawyers, former federal agents, and even members of the jury in the backyards and barrooms of Whitey’s world. In Where the Bodies Were Buried, he offers a startlingly revisionist account of Bulger’s story—and of the decades-long culture of collusion between the Feds and the Irish and Italian mob factions that have ruled New England since the 1970s, when a fateful deal left the FBI fatally compromised. English offers an authoritative look at Bulger’s own understanding of his relationship with the FBI and his alleged immunity deal, and illuminates how gangsterism, politics, and law enforcement have continued to be intertwined in Boston. As complex, harrowing, and human as a Scorsese film, Where the Bodies Were Buried is the last word on a reign of terror that many feared would never end.

Fox Hollow Farm, a lush million-dolar suburban Indianapolis estate, had 18 acres of lawns, a fabulous swimming pool...and thousands of human bones buried in the yard. The piles of dismembered skeletons belonged to young men who has disappeared from the gay bars and cruising sites of this Midwest city. Their killer was Herb Baumeister, a beloved father and successful businessman who led a deadly double life. And until the day his son dug up a buried skull, Herb's pretty wife Julie never dreamed he was Indian's worst serial killer. She didn't know about the bizarre sexual encounters Herb held at the house when she went away with their kids...or about the brutal cravings that led him to kill. In this riveting account, two veteran journalists tell the uncensored story of Herb Baumeister--taking you into a psychopath's dark obsession to meet his victims, to witness the rituals of sex and death he forced his victims to perform, and to find out how this gruesome killing sprees finally--shockingly--came to an end...

Two National Forensic Science Institute administrators invite readers into what the Washington Post calls "the Harvard of hellish violence"-the only hands-on CSI school of its kind where students are trained in burial recovery with actual human remains. With exclusive access to a world normally off-limits to the public, this is the first book to go behind the scenes of the ten-week course that discloses the uncensored realities of burial exhumations and the fascinating art of forensic investigation.

In late July 1910, a shocking number of African Americans in Texas were slaughtered by white mobs in the Slocum area of Anderson County and the Percilla-Augusta region of neighboring Houston County. The number of dead surpassed the casualties of the Rosewood Massacre in Florida and rivaled those of the Tulsa Riots in Oklahoma, but the incident--one of the largest mass murders of blacks in American history--is now largely forgotten. Investigate the facts behind this harrowing act of genocide in E.R. Bills's compelling inquiry into the Slocum Massacre.

The first book in the Angelique De Xavier series, from multi-award-winning author Chris Brookmyre. We all make life choices. Some cause more mayhem than others. Back when they were students, just like everybody else, Ray Ash and Simon Darcourt had dreams about what they'd do when they grew up. In both their cases, it was to be rock stars. Fifteen years later, their mid-thirties are bearing down fast, and just like everybody else, they're having to accept the less glamorous hands reality has dealt them. Nervous new father Ray takes refuge from his responsibilities by living a virtual existence in online games. People say he needs to grow up, but everybody has to find their own way of coping. For some it's affairs, for others it's the bottle, and for Simon it's serial murder, mass slaughter and professional assassination. PRAISE FOR CHRIS BROOKMYRE 'In the pantheon of great crime writers' Elly Griffiths 'Keeps you guessing until the very end' The Times 'Offers a brilliantly scathing portrayal of humanity' Time Out

The meaning of our concern for mortal remains—from antiquity through the twentieth century The Greek philosopher Diogenes said that when he died his body should be tossed over the city walls for beasts to scavenge. Why should he or anyone else care what became of his corpse? In The Work of the Dead, acclaimed cultural historian Thomas Laqueur examines why humanity has universally rejected Diogenes's argument. No culture has been indifferent to mortal remains. Even in our supposedly disenchanted scientific age, the dead body still matters—for individuals, communities, and nations. A remarkably ambitious history, The Work of the Dead offers a compelling and richly detailed account of how and why the living have cared for the dead, from antiquity to the twentieth century. The book draws on a vast range of sources—from mortuary archaeology, medical tracts, letters, songs, poems, and novels to painting and landscapes in order to recover the work that the dead do for the living: making human communities that connect the past and the future. Laqueur shows how the churchyard became the dominant resting place of the dead during the Middle Ages and why the cemetery largely supplanted it during the modern period. He traces how and why since the nineteenth century we have come to gather the names of the dead on great lists and memorials and why being buried without a name has become so disturbing. And finally, he tells how modern cremation, begun as a fantasy of stripping death of its history, ultimately failed—and how even the ashes of the victims of the Holocaust have been preserved in culture. A fascinating chronicle of how we shape the dead and are in turn shaped by them, this is a landmark work of cultural history.