This book explores the poetry, pottery, and culture of David Drake, an antebellum slave who distinguished himself by composing verse on the ceramics he produced in the years leading up to the Civil War. From the 1830s to 1850s, he incised couplets and signatures (a singular "Dave") onto the incredibly large storage vessels that he made. In fact, his stoneware pots and jars are among the largest made in North America during the antebellum era. Rich with biblical allusions, historical facts, and personal opinions, his art provides insights into the lives of slaves, craftsmen, and the culture of the American South in the first half of the nineteenth century. The essays here engage with the historical context and major issues that Drake's work provokes, among them: prohibitions against slave literacy; Drake's privileged status compared to other slaves at the time; the interpretive status of his material craft objects; the influence of contemporary African American poet George Moses Horton; and Drake's ability to sell his pottery despite the fact that slaves were not officially permitted to participate in a cash economy.

Set against the stark but seductive landscape of the American Southwest, the stories in All My Relations explore the inner landscape of mind and heart, where charting the simplest course is subject to a complex constellation of relationships. In the title story of the collection, a Pima Indian hires on with a rancher in an attempt to quit drinking and to win back the wife and son who have left him. His efforts to master land and horses and to bake the perfect cake mirror his efforts to subdue his own demons and to embrace a peaceful domesticity. In "The Big Bang and the Good House", Tony, a former drug dealer, pits his urge toward chaos against the orderly pleasures of marriage, finally yielding to the solidity and spaciousness of domestic love: "I feel myself gathering weight, density. Cautiously, I allow myself to inhabit this Good House, which surprisingly fits like my own body". Julia, the aging protagonist of "Simplifying", risream house with their own hands, and eventually they are forced to leave behind the illusion of safety and permanence: "Once the three had imagined themselves as a house on a hill, dug into stone with the tenacity of a lion. Now they sat tensely in canvas-backed chairs stretched like slingshots. They talked cautiously, with encouragement, hoping for the return of pleasure". Embodying the transience and openness of the New West, the characters in All My Relations reinvent themselves, even as they struggle with the age-old, perilous necessity of loving.

Native Americans suffer disproportionately from many social and health disparities. High rates of poverty, exposure to environmental toxins, and various forms of violence all increase the risk of health problems, including disabilities, yet there is very little published scholarship concerning Native American experiences with disabilities. In collecting contributions on various aspects of disability in Native American populations in one volume, this book seeks to redress this lack of attention. Writing about regions of the United States, Canada, and Australia, and spanning a diverse range of settings from remote rural areas, to reservations, to college campuses, the authors are attentive to the impact of specific environments on their inhabitants. Taking into account both physical and social environment, and recognizing the importance of cultural context, this book is a good starting point for anyone interested in developing a better understanding of the experience of Native peoples living with disabilities. This book was originally published as a special issue of the Journal of Social Work in Disability & Rehabilitation.

Chronicles the lives of several generations of a close-knit Choctaw family as they are forced from their traditional homeland in nineteenth-century Mississippi and endure unspeakable sorrows during their journey before settling in southeastern Oklahoma.