Where Did You Lose It? is an enlightening, Biblically-inspired book, written to help it’s readers realize how often and how easily we can take our spiritual lives for granted; and inspire us to take an introspection in order to bring a postitive change to our lives allowing us to fulfill our God Given purpose.

Presents a collection of stories that explores the heartbreak and radiance of love as it is shaped by passion, betrayal, and the echoes of intimacy.

My name, at least for now, is Amelia Thompson. My beloved brother, Matt died when I was nine; tumbled over the edge, quite literally, by personal tragedy. It wasn't all my fault, others played their part, Inspector Munroe in particular. Ignoring me was Munroe's biggest mistake and since then, his destruction has become my sole aim; it is an intellectual game that I play; atonement and retribution wrapped up in one sweet parcel of fitting revenge. You may even know me for I am everywhere. I may be your acquaintance, your colleague, your friend, your confidante, but ignore me and I will be your nemesis and I never forget. This is what you risk when you deny an intelligent but psychologically fragile child the attention she craves.

In this probing look at Alfred Döblin's 1929 novel Berlin Alexanderplatz and the stories of W. G. Sebald, Redeeming Words offers a philosophical meditation on the power of language in literature. David Kleinberg-Levin draws on the critical theory of Benjamin and Adorno; the idealism and romanticism of Kant, Hegel, Hölderlin, Novalis, and Schelling; and the nineteenth- and twentieth-century thought of Nietzsche, Heidegger, and Derrida. He shows how Döblin and Sebald—writers with radically different styles working in different historical moments—have in common a struggle against forces of negativity and an aim to bring about in response a certain redemption of language. Kleinberg-Levin considers the fast-paced, staccato, and hard-cut sentences of Döblin and the ghostly, languorous, and melancholy prose fiction of Sebald to articulate how both writers use language in an attempt to recover and convey this utopian promise of happiness for life in a time of mourning.