This book fits the era of Obama and financial meltdown. It contains essays by mostly young architects who have gone grass roots to work with people, materials, and building types way off radar for earlier generations of architects. There is an eye-opening essay on bamboo. Jean Chae discusses her work using materials form Home Depot to build communal buildings in villages of Central America. Balkrishna Doshi introduces a "housing development" that its inhabitants, following a few guidelines, built from debris. The point throughout is a reversal of the usual flow of power and ideas. The architects have all endeavored to learn from people who, if noticed by mainstream authorities, have had buildings imposed on them. 175 illustrations

Discusses efforts to create perfect societies by such individuals as: Ann Lee and Joseph Meacham and the Shakers, Christian Metz and the Amana Colonies, George Rapp and the Harmony Society, Robert Owen and New Harmony, George Ripley and Brook Farm, John Humphrey Noyes and Oneida, and Katherine Tingley and the Point Loma community.

A fascinating exploration of the urbanism at the heart of Utopian thinking The vision of Utopia obsessed the nineteenth-century mind, shaping art, literature, and especially town planning. In City of Refuge, Michael Lewis takes readers across centuries and continents to show how Utopian town planning produced a distinctive type of settlement characterized by its square plan, collective ownership of properties, and communal dormitories. Some of these settlements were sanctuaries from religious persecution, like those of the German Rappites, French Huguenots, and American Shakers, while others were sanctuaries from the Industrial Revolution, like those imagined by Charles Fourier, Robert Owen, and other Utopian visionaries. Because of their differences in ideology and theology, these settlements have traditionally been viewed separately, but Lewis shows how they are part of a continuous intellectual tradition that stretches from the early Protestant Reformation into modern times. Through close readings of architectural plans and archival documents, many previously unpublished, he shows the network of connections between these seemingly disparate Utopian settlements—including even such well-known town plans as those of New Haven and Philadelphia. The most remarkable aspect of the city of refuge is the inventive way it fused its eclectic sources, ranging from the encampments of the ancient Israelites as described in the Bible to the detailed social program of Thomas More's Utopia to modern thought about education, science, and technology. Delving into the historical evolution and antecedents of Utopian towns and cities, City of Refuge alters notions of what a Utopian community can and should be.

A study of British and American Utopian writing of the 1800s in the context of developments in real architectural, political, and cultural life. The book studies utopian visions published in the UK and the USA in the 1800s by writers such Robert Owen, James Silk Buckingham, Edward Bellamy, and William Morris.

Visionaries of all ages and places have pursued Utopias, dreaming impossible dreams of starting over in new communities fashioned more closely to their ideals. In Visions of Utopia, John Egerton traces the fascinating history of the experimental communities founded by such groups in Tennessee. He focuses in particular on three extraordinary colonies of the 19th century, each of them widely known in its time: Nashoba, and interracial settlement near Memphis in 1825; Rugby, an English cooperative community on the Cumberland Plateau in 1880; and Ruskin, a socialist community in Dickson County in 1894. John Egerton is a native Southerner - A Georgian by birth, a Kentuckian in his childhood and youth, a Floridian during the early 1960's, and a Tennessean since 1965. He is a grandson of one of the English colonists who started the Rugby settlement in 1880. As a journalist and author, he has written articles on a variety of subjects for more than twenty magazines, and has published two books about the South: A Mind to Stay Here (1970) and The Americanization of Dixie (1974).

The Last Utopians delves into the biographies of four key figures--Edward Bellamy, William Morris, Edward Carpenter, and Charlotte Perkins Gilman--who lived during an extraordinary period of literary and social experimentation. The publication of Bellamy's Looking Backward in 1888 opened the floodgates of an unprecedented wave of utopian writing. Morris, the Arts and Crafts pioneer, was a committed socialist whose News from Nowhere envisions a workers' Arcadia. Carpenter boldly argued that homosexuals constitute a utopian vanguard. Gilman, a women's rights activist and the author of "The Yellow Wallpaper," wrote numerous utopian fictions, including Herland, a visionary tale of an all-female society. These writers, Robertson shows, shared a belief in radical equality, imagining an end to class and gender hierarchies and envisioning new forms of familial and romantic relationships. They held liberal religious beliefs about a universal spirit uniting humanity. They believed in social transformation through nonviolent means and were committed to living a simple life rooted in a restored natural world. And their legacy remains with us today, as Robertson describes in entertaining firsthand accounts of contemporary utopianism, ranging from Occupy Wall Street to a Radical Faerie retreat.

Throughout Nanjing’s history, writers have claimed that its spectacular landscape of mountains and rivers imbued the city with “royal qi,” making it a place of great political significance. City of Virtues examines the ways a series of visionaries, drawing on past glories of the city, projected their ideologies onto Nanjing as they constructed buildings, performed rituals, and reworked the literary heritage of the city. More than an urban history of Nanjing from the late 18th century until 1911 — encompassing the Opium War, the Taiping occupation of the city, the rebuilding of the city by Zeng Guofan, and attempts to establish it as the capital of the Republic of China — this study shows how utopian visions of the cosmos shaped Nanjing’s path through the turbulent 19th century.