#1 New York Times bestselling author Lisa Gardner unites three of her most beloved characters—Detective D D Warren, Flora Dane, and Kimberly Quincy—in a twisty new thriller, as they investigate a mysterious murder from the past . . . which points to a dangerous and chilling present-day crime. FBI Special Agent Kimberly Quincy and Sergeant Detective D D Warren have built a task force to follow the digital bread crumbs left behind by deceased serial kidnapper Jacob Ness. When a disturbing piece of evidence is discovered in the hills of Georgia, they bring Flora Dane and true-crime savant Keith Edgar to a small town where something seems to be deeply wrong. What at first looks like a Gothic eeriness soon hardens into something much more sinister . . . and they discover that for all the evil Jacob committed while alive, his worst secret is still to be revealed. Quincy and DD must summon their considerable skills and experience to crack the most disturbing case of their careers—and Flora must face her own past directly in the hope of saving others.

A coming-of-age story about learning to celebrate yourself -- and teaching the world to recognize you, too -- perfect for fans of R. J. Palacio's Wonder! "This glimpse into the world of a young autistic girl is astonishingly insightful and honest. Tally's struggles to 'fit in' are heart-wrenching, and her victories are glorious." -- Ann M. Martin, Newbery Honor and New York Times bestselling author of Rain ReignThings Tally is dreading about sixth grade:-- Being in classes without her best friends-- New (scratchy) uniforms-- Hiding her autismTally isn't ashamed of being autistic -- even if it complicates life sometimes, it's part of who she is. But this is her first year at Kingswood Academy, and her best friend, Layla, is the only one who knows. And while a lot of other people are uncomfortable around Tally, Layla has never been one of them . . . until now.Something is different about sixth grade, and Tally now feels like she has to act "normal." But as Tally hides her true self, she starts to wonder what "normal" means after all and whether fitting in is really what matters most.Inspired by young coauthor Libby Scott's own experiences with autism, this is an honest and moving middle-school story of friends, family, and finding one's place.

Six went in…only one came out. The Standedge Tunnel, the longest canal tunnel in England, has become one of the rural village of Marsden’s main tourist attractions. Now it’s also a crime scene. Six students went into the tunnel on a private boat. Two and a half hours later, the boat reappeared at the other end of the tunnel carrying only one of the students, Matthew. He had been knocked unconscious and has no memory of what took place in the tunnel. The police suspect he killed his friends, hid the bodies and later moved them to an undisclosed location. But sitting in a cell awaiting trial, Matthew maintains his innocence. When Matthew contacts a famous author asking him for help in return for information he claims to possess about the author’s long-lost wife, it’s an offer that can’t be refused. But before the author can prove Matthew’s innocence, he must first answer a far more unusual question: How did five bodies disappear into thin air?

From Trisha Sakhlecha, Can You See Me Now? is a gripping psychological suspense thriller about a young Indian woman, now a government minister, whose past secrets are about to reverberate into the present and shatter her life. Perfect for fans of Lisa Jewell and Erin Kelly. 'Deceptively clever' – Sunday Times 'Stunningly original . . . The ending will astound you'– Lesley Kara, author of The Rumour Fifteen years ago, three sixteen-year-old girls meet at Wescott, an exclusive private school in India. Two, Sabah and Noor, are the most popular girls in their year. One, Alia, is a new arrival from England, who feels her happiness depends on their acceptance. Before she knows it, Sabah and Noor’s intoxicating world of privilege and intimacy opens up to Alia and, for the first time, after years of neglect from her parents, she feels she is exactly where, and with whom, she belongs. But with intimacy comes jealousy, and with privilege, resentment, and Alia finds that it only takes one night for her bright new world to shatter around her. Now Alia, a cabinet minister in the Indian government, is about to find her secrets have no intention of staying buried . . .

Now You See Me is the first in the Lacey Flint series, followed by Dead Scared and Lost. "Bolton is changing the face of crime fiction—if you only read one crime novel this year, make it this." —Tess Gerritsen on Now You See Me "Really special: multi-layered and sophisticated, but tough too." —Lee Child on Now You See Me One night after interviewing a reluctant witness at a London apartment complex, Lacey Flint, a young detective constable, stumbles onto a woman brutally stabbed just moments before in the building's darkened parking lot. Within twenty-four hours a reporter receives an anonymous letter that points out alarming similarities between the murder and Jack the Ripper's first murder—a letter that calls out Lacey by name. If it's real, and they have a killer bent on re-creating London's bloody past, history shows they have just five days until the next attempt. No one believes the connections are anything more than a sadistic killer's game, not even Lacey, whom the killer seems to be taunting specifically. However, as they investigate the details of the case start reminding her more and more of a part of her past she'd rather keep hidden. And the only way to do that is to catch the killer herself. Fast paced and completely riveting, S. J. Bolton's Now You See Me is a modern gothic novel that is nothing less than a masterpiece of suspense fiction. A Kirkus Reviews Best of 2011 Mysteries title and one of Library Journal's Best Mystery Books of 2011.

Being Invisible Is Nick Dunill's M.O. For nineteen years, he's been "the one who disappears" to his disapproving, Midwestern family. And now in New York City, a metropolis of anonymity built on not making eye contact, he feels right at home. Walking the streets of the Village, sneaking into dive bars, cleaning apartments, and trying to co-exist in a cramped apartment with his three roommates, Nick's trying to find his way without doing anything to put his wounded heart at risk, all the while wondering, "Does anything last?" But Nick's vanishing act is about to be challenged in ways he never dreamed. Little by little, he's being forced into the land of the living--into relationships and opportunities, love and sex, truth and acceptance, into the heartbreaking secrets of his past and the hopeful chances of his future. And the more visible Nick becomes, the more he realizes that in life and love, disappearing is not an option. . . "A book to get lost in."–Bay Area Reporter on Someone Like You "Funny and touching with wonderful characters."–The Texas Triangle on He's The One "A charming, humorously appealing tale."–Publishers Weekly on It Had To Be You Timothy James Beck is the author of Someone Like You, I'm Your Man, He's the One, and It Had to Be You. He divides his time between California, Texas, and New York, where he's hard at work on his next novel.

In the 1960s and 1970s, an American professor of Soviet economics forayed on his own in the Soviet Union, bought the work of underground “unofficial” artists, and brought it out himself or arranged to have it illegally shipped to the United States. Norton Dodge visited the apartments of unofficial artists in at least a dozen geographically scattered cities. By 1977, he had a thousand works of art. His ultimate window of interest involved the years from 1956 to 1986, and through his established contacts he eventually acquired another eight thousand works—by far the largest collection of its kind. John McPhee investigates Dodge’s clandestine activities in the service of dissident Soviet art, his motives for his work, and the fates of several of the artists whose lives he touched. The Ransom of Russian Art is a suspenseful, chilling, and fascinating report on a covert operation like no other. It offers unprecedented insight into Soviet culture at the brink of the Union’s collapse.