What do you get when you mix nine parts of speech, one great writer, and generous dashes of insight, humor, and irreverence? One phenomenally entertaining language book. In his waggish yet authoritative book, Ben Yagoda has managed to undo the dark work of legions of English teachers and libraries of dusty grammar texts. Not since School House Rock have adjectives, adverbs, articles, conjunctions, interjections, nouns, prepositions, pronouns, and verbs been explored with such infectious exuberance. Read If You Catch an Adjective, Kill It and: Learn how to write better with classic advice from writers such as Mark Twain (“If you catch an adjective, kill it”), Stephen King (“I believe the road to hell is paved with adverbs”), and Gertrude Stein (“Nouns . . . are completely not interesting”). Marvel at how a single word can shift from adverb (“I did okay”), to adjective (“It was an okay movie”), to interjection (“Okay!”), to noun (“I gave my okay”), to verb (“Who okayed this?”), depending on its use. Avoid the pretentious preposition at, a favorite of real estate developers (e.g., “The Shoppes at White Plains”). Laugh when Yagoda says he “shall call anyone a dork to the end of his days” who insists on maintaining the distinction between shall and will. Read, and discover a book whose pop culture references, humorous asides, and bracing doses of discernment and common sense convey Yagoda’s unique sense of the “beauty, the joy, the artistry, and the fun of language.”

Sample Text

Geese to a Poor Market is a geographic slice of Americana with an ensemble cast of crooks, moonshiners, preachers, lawyers, and odd-ball characters. It has one leg that wants to boogie and the other firmly planted on a pew.

This book, which was first published in 1925, is a transcription of an informal account by Katy Leary of her thirty years’ service to the household of Samuel Langhorne Clemens (1835-1910), the 19th century American writer, humourist, entrepreneur, publisher and lecturer, better known by his pen name Mark Twain, who became world-famous for novels such as Adventures of Tom Sawyer (1876) and its sequel, Adventures of Huckleberry Finn (1885). It was Mark Twain who suggested that the faithful Katy tell the world all she knew about him. Her reminiscences were locked away in her memory until Miss Mary Lawton, who had known Mr. and Mrs. Clemens for many years, persuaded Katy to reveal them. Katy Leary began to talk and, pencil in hand, Miss Lawton recorded while the old servant poured forth the inimitable words in which she related many a chapter as yet unknown to those outside the family circle. A fascinating read.

America's most influential writing teacher offers an engaging and practical guide to effective short-form writing. In How to Write Short, Roy Peter Clark turns his attention to the art of painting a thousand pictures with just a few words. Short forms of writing have always existed-from ship logs and telegrams to prayers and haikus. But in this ever-changing Internet age, short-form writing has become an essential skill. Clark covers how to write effective and powerful titles, headlines, essays, sales pitches, Tweets, letters, and even self-descriptions for online dating services. With examples from the long tradition of short-form writing in Western culture, How to Write Short guides writers to crafting brilliant prose, even in 140 characters.

When you Read Like a Writer (RLW) you work to identify some of the choices the author made so that you can better understand how such choices might arise in your own writing. The idea is to carefully examine the things you read, looking at the writerly techniques in the text in order to decide if you might want to adopt similar (or the same) techniques in your writing. You are reading to learn about writing. Instead of reading for content or to better understand the ideas in the writing (which you will automatically do to some degree anyway), you are trying to understand how the piece of writing was put together by the author and what you can learn about writing by reading a particular text. As you read in this way, you think about how the choices the author made and the techniques that he/she used are influencing your own responses as a reader. What is it about the way this text is written that makes you feel and respond the way you do?

An ancient war. A long-told prophecy. A cursed inheritance. If you were destined to die, how would you choose to live? Join Elena as she finds herself in the middle of a Greek myth and an ancient war between gods, in a world where the old myths are real and human belief has the power to alter the divine! *Finalist - Readers' Favorite Book Awards