Therapist Abraham shows how art can provide people with Alzheimer's disease a way to express their thoughts and emotions, when they can no longer communicate well verbally and words have lost their meaning. Abraham believes it is our moral obligation to provide elders with this tool, lest they be prematurely deemed beyond interaction. The confidence and self-esteem of elders--and that of the people who love them --can be bolstered by art therapy. And this is the first work demonstrating that art is not just busy work for those with Alzheimer's, but a profound and symbolic method allowing them to communicate. This work includes more than 70 drawings and paintings by people with Alzheimer's, and case histories of the men and women who created the artworks. Art activities, with a significant therapeutic relationship, can especially increase quality of life for people with Alzheimer's, particularly during the seven-year relatively stable period of the illness. Psychologists, social workers, occupational therapists and health care workers will also find this work especially valuable and insightful.

NEW YORK TIMES BESTSELLER • REESE’S BOOK CLUB PICK • “Delightful . . . [a] captivating and slyly subversive fictional paean to the real women whose work on the Oxford English Dictionary went largely unheralded.”—The New York Times Book Review “A marvelous fiction about the power of language to elevate or repress.”—Geraldine Brooks, New York Times bestselling author of People of the Book Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the Scriptorium, an Oxford garden shed in which her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Young Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word bondmaid flutters beneath the table. She rescues the slip and, learning that the word means “slave girl,” begins to collect other words that have been discarded or neglected by the dictionary men. As she grows up, Esme realizes that words and meanings relating to women’s and common folks’ experiences often go unrecorded. And so she begins in earnest to search out words for her own dictionary: the Dictionary of Lost Words. To do so she must leave the sheltered world of the university and venture out to meet the people whose words will fill those pages. Set during the height of the women’s suffrage movement and with the Great War looming, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. Inspired by actual events, author Pip Williams has delved into the archives of the Oxford English Dictionary to tell this highly original story. The Dictionary of Lost Words is a delightful, lyrical, and deeply thought-provoking celebration of words and the power of language to shape the world. WINNER OF THE AUSTRALIAN BOOK INDUSTRY AWARD

Examines the hidden history through which the Oxford English Dictionary came into being in a study that traces the personal battles involved in chronicling an ever-changing language.

In Speaking Christian, acclaimed Bible scholar Marcus Borg, author of Meeting Jesus Again for the First Time, argues that the very language Christians use has become dangerously distilled, distorted, and disconnected from the beliefs which once underpinned it. Stating a case that will resonate with readers of N. T. Wright’s Simply Christian, Borg calls for a radical change to the language we use to invoke our beliefs—the only remedy that will allow the Church's words to once again ring with truth, power, and hope.

Wherever you go in the English-speaking world, there are linguistic riches from times past awaiting rediscovery. All you have to do is choose a location, find some old documents, and dig a little. In The Disappearing Dictionary, linguistics expert Professor David Crystal collects together delightful dialect words that either provide an insight into an older way of life, or simply have an irresistible phonetic appeal. Like a mirror image of The Meaning of Liff that just happens to be true, The Disappearing Dictionary unearths some lovely old gems of the English language, dusts them down and makes them live again for a new generation. dabberlick [noun, Scotland] A mildly insulting way of talking about someone who is tall and skinny. 'Where's that dabberlick of a child?' fubsy [adjective, Lancashire] Plump, in a nice sort of way. squinch [noun, Devon] A narrow crack in a wall or a space between floorboards. 'I lost sixpence through a squinch in the floor'.

From bestselling Landmarks author Robert Macfarlane and acclaimed artist and author Jackie Morris, a beautiful collection of poems and illustrations to help readers rediscover the magic of the natural world.

From the author of Eating the Sun, an artistic collection of more than 50 drawings featuring unique, funny, and poignant foreign words that have no direct translation into English Did you know that the Japanese language has a word to express the way sunlight filters through the leaves of trees? Or that there’s a Finnish word for the distance a reindeer can travel before needing to rest? Lost in Translation brings to life more than fifty words that don’t have direct English translations with charming illustrations of their tender, poignant, and humorous definitions. Often these words provide insight into the cultures they come from, such as the Brazilian Portuguese word for running your fingers through a lover’s hair, the Italian word for being moved to tears by a story, or the Swedish word for a third cup of coffee. In this clever and beautifully rendered exploration of the subtleties of communication, you’ll find new ways to express yourself while getting lost in the artistry of imperfect translation.