In When We Were Eve, Colleen Mitchell draws on the creation story in Genesis to show women God's gracious plan for their whole being: body and soul in harmony with themselves, others, creation and their Creator. Through her own story and those of other women, she explores the many ways women struggle with their bodies and the way a biblical understanding of what it means to be a woman can bring them peace and joy.

On a winter night long ago, a baby boy was born in a stable with only the animals to witness his arrival. But it wasn’t just the cows and donkeys and soft little lambs who were present. Smaller, less loved creatures were there, too: the snake, the scorpion, the cockroach, and others. Lyrically written by Eve Bunting and luminously illustrated by Wendell Minor, this beautiful book offers a unique and moving perspective on the Christmas story. It reminds us that all God’s creatures, both great and small, celebrated the arrival of the Christ child.

"We need a real Adam and Eve if we are to make sense of the Bible and of life," argues C. John Collins. Examining the biblical storyline as the worldview story of the people of God, Collins shows how that story presupposes a real Adam and Eve and how the modern experience of life points to the same conclusion. Applying well-informed critical thinking to common theological and scientific questions, Collins asserts the importance of a real man at the beginning in God's plan for creation, a plan that includes "redemption" for all people since sin entered the world. Did Adam and Eve Really Exist? addresses both biblical and Jewish texts and contains extensive appendices to examine how the material in Genesis relates to similar material from Mesopotamian myths. Collins's detailed analysis of the relevant texts will instill confidence in readers that the traditional Christian story equips them better than any alternatives to engage the life that they actually encounter in the modern world.

The swooning Victorian ladies and the 1950s housewives genuinely needed to be liberated. That much is indisputable. So, First-Wave feminists held rallies for women's suffrage. Second-Wave feminists marched for Prohibition, jobs, and abortion. Today, Third-Wave feminists stand firmly for nobody's quite sure what. But modern women--who use psychotherapeutic antidepressants at a rate never before seen in history--need liberating now more than ever. The truth is, feminists don't know what liberation is. They have led us into a very boring dead end. Eve in Exile sets aside all stereotypes of mid-century housewives, of China-doll femininity, of Victorians fainting, of women not allowed to think for themselves or talk to the men about anything interesting or important. It dismisses the pencil-skirted and stiletto-heeled executives of TV, the outspoken feminists freed from all that hinders them, the brave career women in charge of their own destinies. Once those fictionalized stereotypes are out of the way--whether they're things that make you gag or things you think look pretty fun--Christians can focus on real women. What did God make real women for?

From the author of the twenty-five-million-copy bestseller The Shack comes a captivating new novel destined to be one of the most talked-about books of the decade. Eve is a bold, unprecedented exploration of the Creation narrative, true to the original texts and centuries of scholarship—yet with breathtaking discoveries that challenge traditional beliefs about who we are and how we’re made. Eve opens a refreshing conversation about the equality of men and women within the context of our beginnings, helping us see each other as our Creator does—complete, unique, and not constrained by cultural rules or limitations. When a shipping container washes ashore on an island between our world and the next, John the Collector finds a young woman inside—broken, frozen, and barely alive. With the aid of Healers and Scholars, John oversees her recovery and soon discovers that her genetic code connects her to every known race. No one would guess what her survival will mean… No one but Eve, Mother of the Living, who calls her “daughter” and invites her to witness the truth about her own story—indeed, the truth about us all. As The Shack awakened readers to a personal, non-religious understanding of God, Eve will free us from faulty interpretations that have corrupted human relationships since the Garden of Eden. Thoroughly researched and exquisitely written, Eve is a masterpiece that will inspire readers for generations to come.

Do women and men have different intellectual, spiritual, moral, or emotional capacities? Over the centuries, women have read and interpreted the story of Eve, scrutinizing the details of the text to discern God's word for them. Biblical scholar Amanda Benckhuysen traces the history of women's interpretation of Genesis 1-3, allowing the voices of women to speak of Eve's story and its implications for life today.

“The Graces demands to be read twice: The first time for the suspense; the second for the subtleties you missed initially.” —The New York Times Book Review Everyone loves the Graces. Fenrin, Thalia, and Summer Grace are attractive, rich, and glamorous, and they’ve cast a spell over their high school—and their entire town. They’re also rumored to have powerful connections all over the world. If you’re not in love with one of them, you want to be one of them. This is especially true for River, the new girl at school. River’s different from the rest of the horde that both revere and fear the Grace family. She’s dark, aloof, and just maybe . . . magical. And she wants to be a Grace more than anything. But what the Graces don’t know is that River’s presence in their town is no accident. The first rule of witchcraft is that if you want something bad enough, you can get it . . . no matter who has to pay. “A teenage girl becomes obsessed with a family of reputed witches . . . vivid . . . powerful.” —Kirkus Reviews (starred review) “Eve conjures up an intriguing vision of small-town mystique, with the Grace family depicted as unknowable and otherworldly—the mystery of whether magic is at play hangs over much of the story—and self-involved, obsessive River’s less-than-trustworthy narration adds to the air of uncertainty.” —Publishers Weekly