Teen Instagram sensation and author of Light Filters In @poeticpoison returns with a second collection of short, powerful poems about love, forgiveness, self-discovery, and what it’s like living after a hard-fought battle with depression, in the vein of poetry collections like Milk and Honey and the princess saves herself in this one. In her second book of poetry, Instagram sensation Caroline Kaufman—known as @poeticpoison—explores the shock, wonder, and beauty of an uncertain future. When the World Didn’t End is a vivid account of trying to find a path forward while reckoning with the pain of the past, embracing imperfection, and unlearning the language of self-criticism. It’s an ode to the awkward silence between goodbye and hanging up, to hearts that continue to beat after they’re broken, to the empty spaces that depression leaves behind. With vulnerability and insight, this powerful collection of short poems holds up a mirror to the doubt and longing inside us all. This collection features completely new material plus some fan favorites from Caroline’s account. Filled with haunting, spare pieces of original art, When the World Didn’t End will thrill existing fans and newcomers alike. so, what now? how will you make the most of it? how will you live the life you never thought you’d get the chance to see?

In the vein of poetry collections like Milk and Honey and Adultolescence, this compilation of short, powerful poems from teen Instagram sensation @poeticpoison perfectly captures the human experience. In Light Filters In, Caroline Kaufman—known as @poeticpoison—does what she does best: reflects our own experiences back at us and makes us feel less alone, one exquisite and insightful piece at a time. She writes about giving up too much of yourself to someone else, not fitting in, endlessly Googling “how to be happy,” and ultimately figuring out who you are. This collection features completely new material plus some fan favorites from Caroline's account. Filled with haunting, spare pieces of original art, Light Filters In will thrill existing fans and newcomers alike. it’s okay if some things are always out of reach. if you could carry all the stars in the palm of your hand, they wouldn’t be half as breathtaking

It was the 1950s, a time of calm, a time when all things were new and everything seemed possible. A few years before, a noble war had been won, and now life had returned to normal. For one little boy, however, life had become anything but "normal." To all appearances, he and his family lived an almost idyllic life. The father was a respected professor, the mother a witty and elegant lady, someone everyone loved. They were parents to three bright, smiling children: two boys and a girl. They lived on a sunny street in a small college town nestled neatly in a leafy valley. They gave parties, hosted picnics, went to church—just like their neighbors. To all appearances, their life seemed ideal. But it was, in fact, all appearances. Lineage, tradition, making the right impression—these were matters of great importance, especially to the mother. But behind the facade this family had created lurked secrets so dark, so painful for this one little boy, that his life would never be the same. It is through the eyes of that boy—a grown man now, revisiting that time—that we see this seemingly serene world and watch as it slowly comes completely and irrevocably undone. Beautifully written, often humorous, sometimes sweet, ultimately shocking, this is a son's story of looking back with both love and anger at the parents who gave him life and then robbed him of it, who created his world and then destroyed it. As author Lee Smith, who knew this world and this family, observed, "Alcohol may be the real villain in this pain-permeated, exquisitely written memoir of childhood—but it is also filled with absolutely dead-on social commentary of this very particular time and place. A brave, haunting, riveting book."

A breathtakingly original novel about love and destruction, from an award-winning Australian children’s author.

In this immersive, spell-binding memoir, an acclaimed screenwriter tells the story of her childhood growing up with the infamous Lyman Family cult—and the complicated and unexpected pain of leaving the only home she’d ever known On January 5, 1975, the world was supposed to end. Under strict instructions, six-year-old Guinevere Turner put on her best dress, grabbed her favorite toy, and waited with the rest of her community for salvation—a spaceship that would take them to live on Venus. But the spaceship never came. Guinevere did not understand that her family was a cult. She spent most of her days on a compound in Kansas, living apart from her mother with dozens of other children who worked in the sorghum fields and roved freely through the surrounding pastures, eating mulberries and tending to farm animals. But there was a dark side to this bucolic existence. Guinevere was part of the Lyman Family, a secluded cult spearheaded by Mel Lyman, a self-proclaimed savior, committed to isolation from a World he declared had lost its way. When Guinevere caught the attention of Jessie, the woman everyone in the Family called the Queen, her status was elevated—suddenly she was traveling with the inner circle among communities in Los Angeles, Boston, and Martha’s Vineyard. But before long, the life Guinevere had known ended. Her mother, from whom she had been separated since age three, left the Family with another disgraced member, and Guinevere and her four-year-old sister were forced to leave with them. Traveling outside the bounds of her cloistered existence, Guinevere was thrust into public school for the first time, a stranger in a strange land wearing homemade clothes, and clueless about social codes. Now out in the World she’d been raised to believe was evil, she faced challenges and horrors she couldn’t have imagined. Drawing from the diaries that she kept throughout her youth, Guinevere Turner’s memoir is an intimate and heart-wrenching chronicle of a childhood touched with extraordinary beauty and unfathomable ugliness, the ache of yearning to return to a lost home—and the slow realization of how harmful that place really was.

The American debut of a bestselling Israeli novel about a man who crosses into another world for the sake of love.

Wan-To was the oldest and must powerful intelligence in the universe, a being who played with star systems as a child plays with marbles. Matter occupied so tiny a part of his vast awareness that humans were utterly beneath his notice. The colonists of Newmanhome first suffered the effects of Wan-To's games when their planet's stars began to shift, the climate began to cool down, and the colony was forced into a desperate struggle to survive. Viktor Sorricaine was determined to discover what force had suddenly sent his world hurtling toward the ends of the universe. And the answer was something beyond the scope of his imagination -- even if he lived for 4000 years...