Just what happened when the Time Machine returned? Having acquired a device for themselves, the brutish Morlocks return from the desolate far future to Victorian England to cause mayhem and disruption. But the mythical heroes of Old England have also returned, in the hour of the country's greatest need, to stand between England and her total destruction. Finally back in print, this mind-blowing steampunk sequel to H.G. Wells' The Time Machine is a classic example of the steampunk subgenre.

All sleepers will adore Buglette—a tidy little bug by day, a messy little sleeper at night. That's when she tosses and turns and kicks and flips while she dreams of doing BIG things like building mountains and kicking balls over the moon. Her quirky habit annoys her family—after all, what if her messy sleeping wakes the scary crow?—until her big dreams help her to save the day. Whimsical watercolor illustrations of a ladybug family and an endearing story about being different, dreaming big, and learning to be brave will appeal to children with wild imaginations—messy sleepers or not.

Science fiction-roman. En engelsk videnskabsmand opfinder en maskine, med hvilken han kan rejse i tiden

In recent years there has been an explosion of interest in the art and culture of the Harlem Renaissance. Yet this significant collection is the first definitive edition of Harlem Renaissance stories by women. The writers include Gwendolyn Bennett, Jessie Redmon Fauset, Angelina Weld Grimk , Zora Neale Hurston, Nella Larsen, Alice Dunbar-Nelson, and Dorothy West. Published originally in periodicals such as The Crisis, Fire , and Opportunity, these twenty-seven stories have until now been virtually unavailable to readers. These stories are as compelling today as they were in the 1920s and 1930s. In them, we find the themes of black and white racial tension and misunderstanding, economic deprivation, passing, love across and within racial lines, and the attempt to maintain community and uplift the race. Marcy Knopf's introduction surveys the history of the Harlem Renaissance, the periodicals and books it generated, and describes the rise to prominence of these women writers and their later fall from fame. She also includes a brief biography of each of the writers. Nellie Y. McKay's foreword analyzes the themes and concerns of the stories.

Love and Mr Lewisham is a 1900 novel set in the 1880s by H. G. Wells. It was among his first fictional writings outside the science fiction genre. Wells took considerable pains over the manuscript and said that the writing was an altogether more serious undertaking than I have ever done before. He later included it in a 1933 anthology, Stories of Men and Women in Love. Events in the novel closely resemble events in Wells's own life. According to Geoffrey H. Wells: "referring to the question of autobiography in fiction, H. G. Wells has somewhere made a remark to the effect that it is not so much what one has done that counts, as where one has been, and the truth of that statement is particularly evident in this novel Both Mr Lewisham and Mr Wells were at the age of eighteen, assistant masters at country schools, and that three years later both were commencing their third year at The Normal School of Science, South Kensington, as teachers in training under Thomas Henry Huxley. The account of the school, of the students there and of their social life and interests, may be taken as true descriptions of those things during the period 1883-1886.

Robert Darvel, a young and penniless French engineer at the turn of the twentieth century, is an amateur astronomer obsessed with the planet Mars. Transported by a combination of science and psychic powers to Mars, Robert must navigate the dangers of the Red Planet while trying to return to his fiancée on Earth. Through his travels, we discover that Mars can not only support life but is also home to three different types of vampires. This riveting combination of science fiction and the adventure story provides a vivid depiction of an imagined Mars and its strange, unearthly creatures who might be closer to earthly humans than we would care to believe. Originally published in French as two separate volumes, translated as The Prisoner of the Planet Mars (1908) and The War of the Vampires (1909), this vintage work is available to English-language audiences unabridged for the first time and masterfully translated by David Beus and Brian Evenson.