A thrilling and moving adventure story about evacuees in World War Two, perfect for readers of Goodnight Mister Tom 'A compelling heart-warming story about three children in the Second World War - I loved it.' Jacqueline Wilson When war breaks out in September 1939, Laura, Andy and Tim Clark are evacuated to the countryside. The Colonel's comfortable home in Dorset is a huge contrast to their cramped terraced house in London, where their loving parents struggle to put the next meal on the table. Though unused to having children around, the Colonel proves to be a kind and generous, if gruff, guardian until a terrible turn of events means the kids must move on. When they discover they are to live with Miss Justworthy, who is rumoured to feed her evacuees on cat food, Andy insists they can't risk staying. He persuades his sensible older sister and their little brother that they must run away, back to London and their mum. The children are shocked to see London now pitted with craters and ruined buildings. And no sooner have they stepped off the train than the skies are lit by searchlights and filled with the crack of bombs and the glow of fires. How will they be able to find their mum in the middle of an air raid? A brilliantly page-turning read from the author of Ballet Shoes, based on her own real-life experience in the Second World War. Perfect for any child interested in wartime and classic adventure stories.

Caught in their motorboat the Sleuth by a sudden storm at sea, Frank and Joe Hardy are relieved to see the lights of a yacht. But their SOS ignored. The shrill sound of a siren fills the night air and moments later a helicopter drops an object alongside the Sleuth: a wallet containing two thousand dollars! The next day, a truck carrying a shipment of high-powered rifles has been stolen. These two apparently unconnected events are clues in a tangle of mystery which turns out to be one of the detective brothers’ most exciting adventures.

The work of writing closed captions for television and DVD is not simply transcribing dialogue, as one might assume at first, but consists largely of making rhetorical choices. For Sean Zdenek, when captioners describe a sound they are interpreting and creating contexts, they are assigning significance, they are creating meaning that doesn t necessarily exist in the soundtrack or the script. And in nine chapters he analyzes the numerous complex rhetorical choices captioners make, from abbreviating dialogue so it will fit on the screen and keep pace with the editing, to whether and how to describe background sounds, accents, or slurred speech, to nonlinguistic forms of sound communication such as sighing, screaming, or laughing, to describing music, captioned silences (as when a continuous noise suddenly stops), and sarcasm, surprise, and other forms of meaning associated with vocal tone. Throughout, he also looks at closed captioning style manuals and draws on interviews with professional captioners and hearing-impaired viewers. Threading through all this is the novel argument that closed captions can be viewed as texts worthy of rhetorical analysis and that this analysis can lead the entertainment industry to better standards and practices for closed captioning, thereby better serve the needs of hearing-impaired viewers. The author also looks ahead to the work yet to be done in bringing better captioning practices to videos on the Internet, where captioning can take on additional functions such as enhancing searchability. While scholarly work has been done on captioning from a legal perspective, from a historical perspective, and from a technical perspective, no one has ever done what Zdenek does here, and the original analytical models he offers are richly interdisciplinary, drawing on work from the fields of technical communication, rhetoric, media studies, and disability studies."