'A masterpiece' - Times 'Any new novel by the great Kim Stanley Robinson is always an event and Red Moon doesn't disappoint' - Independent 'Sci-fi fans will love the detail and the optimism about humanity's future in space' - Wall Street Journal IT IS THIRTY YEARS FROM NOW, AND WE HAVE COLONISED THE MOON. American Fred Fredericks is making his first trip, his purpose to install a communications system for China's Lunar Science Foundation. But hours after his arrival he witnesses a murder and is forced into hiding. It is also the first visit for celebrity travel reporter Ta Shu. He has contacts and influence, but he too will find that the moon can be a perilous place for any traveller. Finally, there is Chan Qi. She is the daughter of the Minister of Finance, and without doubt a person of interest to those in power. She is on the moon for reasons of her own, but when she attempts to return to China in secret, the events that unfold will change everything - on the moon, and on Earth. Red Moon is a magnificent novel of space exploration and political revolution from New York Times bestselling author Kim Stanley Robinson. Novels by Kim Stanley Robinson: Icehenge The Memory of Whiteness A Short, Sharp Shock Antarctica The Years of Rice and Salt Galileo's Dream 2312 Shaman Aurora New York 2140 Red Moon

It begins in 1964 with the sudden and unexpected death of Sergai Korolev, the man who ran the Soviet Space Program. Young Yuri Ribko, an engineering student working for one of the Korolev's bureaus, is either fortunate or unfortunate to have an uncle who is a high ranking member of State security. Yuri's uncle recruits him to spy within the Bureau, to assist in identifying possible threats to the Space Program. In return, Yuri is set on a fast-track of promotion, from engineering assistant to cosmonaut. From the earliest work on Russia's lunar lander, through a devastating string of exploding launch vehicles and deadly landings, Red Moon gives us an insider's view of Russia's gallant but doomed Moon Shot. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

". . .There will be signs in the sun, in the moon, and in the stars. . .Now when these things begin to happen, look up and lift up your heads, because your redemption draws near." Luke 21:25a, 28 It is rare that Scripture, science, and history align with each other, yet the last three series of Four Blood Moons have done exactly that. Are these the "signs" that God refers to in His Word? If they are, what do they mean?What is their prophetic significance?

"WHEN THE MOON TURNS TO BLOOD is a harrowing and fascinating tale of apocalyptic obsession and murder. Leah Sottile leads us down every head-shaking twist and turn of the case, an expert guide to the dark tributaries of religious extremism that run closer to the American mainstream than we'd ever like to believe."―Jess Walter, American author of Ruby Ridge On the heels of the sensational murder trial and shocking verdict, WHEN THE MOON TURNS TO BLOOD examines the culture of end times paranoia and a trail of mysterious deaths surrounding former beauty queen Lori Vallow and her husband, grave digger turned doomsday novelist, Chad Daybell. When police in Rexburg, Idaho perform a wellness check on seven J.J. Vallow and his sister, sixteen-year-old Tylee Ryan, both children are nowhere to be found. Their mother, Lori Vallow, gives a phony explanation, and when officers return the following day with a search warrant, she, too, is gone. As the police begin to close in, a larger web of mystery, murder, fanaticism and deceit begins to unravel. Vallow's case is sinuously complex. As investigators prod further, they find the accused Black Widow has an unusual number of bodies piling up around her. WHEN THE MOON TURNS TO BLOOD tells a gripping story of extreme beliefs, snake oil prophets, and explores the question: if it feels like the world is ending, how are people supposed to act?

Award-winning author Benjamin Percy presents an explosive and deeply layered literary thriller set in the American West. They live among us. They are our neighbors, our mothers, our lovers. They change. When government agents kick down Claire Forrester's front door and murder her parents, Claire realizes just how different she is. Patrick Gamble was nothing special until the day he got on a plane and hours later stepped off it, the only passenger left alive, a hero. Chase Williams has sworn to protect the people of the United States from the menace in their midst, but he is becoming the very thing he has promised to destroy. So far, the threat has been controlled by laws and violence and drugs. But the night of the red moon is coming, when an unrecognizable world will emerge...and the battle for humanity will begin.

If it had been up to Jon, he never would have left Crystal City. But the Fen children had finally broken through the city walls. And the Okalian way would survive only if some of the Okalians survived. So Jon sets out into a strange new world. He's been told to find the Ancient Land, where Okalian civilization began. But he hasn't been told of the horrors he will have to face in the cold Wilderness in order to get there. Now he must face the fact that everything he's been taught might be a lie -- a lie he must face for everything to survive.

In this new collection of her provocative essays on Third World art and culture, Trinh Minh-ha offers new challenges to Western regimes of knowledge. Bringing to her subjects an acute sense of the many meanings of the marginal, she examines topics such as Asian and African texts, the theories of Barthes, questions of spectatorship, the enigmas of art, and the perils of anthropology. When the Moon Waxes Red is an extended argument against reductive analyses, even those that appear politically adroit. The multiply-hyphenated peoples of color are not simply placed in a duality between two cultural heritages; throughout, Trinh describes the predicament of having to live "a difference that has no name and too many names already." She argues for multicultural revision of knowledge so that a new politics can transform reality rather than merely ideologize it. By rewriting the always emerging, already distorted place of struggle, such work seeks to "beat the master at his own game."