How long did the guillotine's blade hang over the heads of French criminals? Was it abandoned in the late 1800s? Did French citizens of the early days of the twentieth century decry its brutality? No. The blade was allowed to do its work well into our own time. In 1974, Hamida Djandoubi brutally tortured 22 year-old Elisabeth Bousquet in an apartment in Marseille, putting cigarettes out on her body and lighting her on fire, finally strangling her to death in the Provencal countryside where he left her body to rot. In 1977, he became the last person executed by guillotine in France in a multifaceted case as mesmerizing for its senseless violence as it is though-provoking for its depiction of a France both in love with and afraid of The Foreigner. In a thrilling and enlightening account of a horrendous murder paired with the history of the guillotine and the history of capital punishment, Jeremy Mercer, a writer well known for his view of the underbelly of French life, considers the case of Hamida Djandoubi in the vast flow of blood that France's guillotine has produced. In his hands, France never looked so bloody...

How long did the guillotine’s blade hang over the heads of French criminals? Was it abandoned in the late 1800s? Did French citizens of the early days of the twentieth century decry its brutality? No. The blade was allowed to do its work well into our own time. In 1974, Hamida Djandoubi brutally tortured 22 year-old Elisabeth Bousquet in an apartment in Marseille, putting cigarettes out on her body and lighting her on fire, finally strangling her to death in the Provencal countryside where he left her body to rot. In 1977, he became the last person executed by guillotine in France in a multifaceted case as mesmerizing for its senseless violence as it is though-provoking for its depiction of a France both in love with and afraid of The Foreigner. In a thrilling and enlightening account of a horrendous murder paired with the history of the guillotine and the history of capital punishment, Jeremy Mercer, a writer well known for his view of the underbelly of French life, considers the case of Hamida Djandoubi in the vast flow of blood that France's guillotine has produced. In his hands, France never looked so bloody...

The Man Who Thought He Was Napoleon is built around a bizarre historical event and an off-hand challenge. The event? In December 1840, nearly twenty years after his death, the remains of Napoleon were returned to Paris for burial—and the next day, the director of a Paris hospital for the insane admitted fourteen men who claimed to be Napoleon. The challenge, meanwhile, is the claim by great French psychiatrist Jean-Étienne-Dominique Esquirol (1772–1840) that he could recount the history of France through asylum registries. From those two components, Laure Murat embarks on an exploration of the surprising relationship between history and madness. She uncovers countless stories of patients whose delusions seem to be rooted in the historical or political traumas of their time, like the watchmaker who believed he lived with a new head, his original having been removed at the guillotine. In the troubled wake of the Revolution, meanwhile, French physicians diagnosed a number of mental illnesses tied to current events, from “revolutionary neuroses” and “democratic disease” to the “ambitious monomania” of the Restoration. How, Murat asks, do history and psychiatry, the nation and the individual psyche, interface? A fascinating history of psychiatry—but of a wholly new sort—The Man Who Thought He Was Napoleon offers the first sustained analysis of the intertwined discourses of madness, psychiatry, history, and political theory.

The day of 9 Thermidor (27 July 1794) is universally acknowledged as a major turning-point in the history of the French Revolution. Maximilien Robespierre, the most prominent member of the Committee of Public Safety, was planning to destroy one of the most dangerous plots that the Revolution had faced.

This book recounts the dramatic true story of the Discalced Carmelite nuns of Compiègne, martyred during the French Revolution's "Great Terror," and known to the world through their fictional representation in Gertrud von Le Fort's Song at the Scaffold and Francis Poulenc's Dialogues of the Carmelites. At the height of the French Revolution's "Great Terror," a community of sixteen Carmelite nuns from Compiègne offered their lives to restore peace to the church and to France. Ten days after their deaths by the guillotine, Robespierre fell, and with his execution on the same scaffold the Reign of Terror effectively ended. Had God thus accepted and used the Carmelites' generous self-gift? Through Gertrud von Le Fort's modern novella, Song at the Scaffold, and Francis Poulenc's famed opera, Dialogues of the Carmelites, (with its libretto by Georges Bernanos), modern audiences around the world have become captivated by the mysterious destiny of these Compiègne martyrs, Blessed Teresa of St. Augustine and her companions. Now, for the first time in English, William Bush explores at length the facts behind the fictional representations, and reflects on their spiritual significance. Based on years of research, this book recounts in lively detail virtually all that is known of the life and background of each of the martyrs, as well as the troubled times in which they lived. The Compiègne Carmelites, sustained by their remarkable prioress, emerge as distinct individuals, struggling as Christians to understand and respond to an awesome calling, relying not on their own strength but on the mercy of God and the guiding hand of Providence. The book includes an index and 15 photos.

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"In this wickedly humorous book, Geoffrey Abbott describes the effectiveness of instruments of torture and reveals the macabre origins of familiar phrases such as 'gone west' or 'drawn a blank'. Covering everything from the preparation of the victim to the disposal of the body 'What a Way to Go' is everything you ever wanted to know about the ultimate penalty--and a lot you never thought to ask."--Publisher's description