War.

Between 1941 and 1945, Hitler was pummeled on comic book covers by everyone from Captain America to Wonder Woman. Take That, Adolf! is an oversized compilation of more than 500 stunningly restored comics covers published during World War II, featuring America’s greatest super-villain. From Superman and Daredevil to propaganda and racism, Take That, Adolf! is a fascinating look at how legendary creators such as Joe Simon, Jack Kirby, Alex Schomburg, Will Eisner, and Lou Fine entertained millions of kids on the home front and buoyed the spirits of GIs fighting overseas by using Adolf Hitler as a punching bag.

Baghdad, 2003. The reign of Saddam Hussein is over. The Americans are in command. And no one is in control. Former cop turned military contractor Christopher Henry knows that better than anyone. HeÕs in the country to train up a new Iraqi police force, and one of his recruits has just been murdered. With civil authority in tatters and dead bodies clogging the streets, Chris is the only person in the Green Zone with any interest in finding out who killed him-and why. ChrisÕ inquiry brings him first to Sofia, an American-raised Iraqi who now sits on the governing council, and then to Nassir, a grizzled veteran of SaddamÕs police force-and probably the last real investigator left in Baghdad. United by death but divided by conflicting loyalties, the three must help each other navigate the treacherous landscape of post-invasion Iraq in order to hunt down the killers. But are their efforts really serving justice-or a much darker agenda? Inspired by his real-life experiences as a CIA operations officer in Iraq, writer Tom King (BATMAN) teams with artist Mitch Gerads to deliver a wartime crime thriller like no other in THE SHERIFF OF BABYLON VOL. 1: BANG. BANG. BANG., collecting issues #1-6 of their groundbreaking Vertigo series.

"Famed German fighter pilot Hans von Hammer has learned his lesson all too well, in countless battles high above the blasted fields of World War I Europe. Feared by his own men almost as much as he is hated by the Allies, Rittmeister von Hammer wages a lonely war from the cockpit of his crimson Fokker triplane, struggling to fight with honor amid the savagery of modern combat. But honor can be an expensive luxury in the unforgiving skies where the slightest mistake can bring a swift and merciless death-- a fate that will, inevitably, claim even the Hammer of Hell himself!"--P. [4] of cover.

Examining how stories of conflict have been told in comics down the years, this book covers everything from EC Comics depictions of the US Civil War to Joe Saccos reportage on modern, assymmetric, conflicts. Comics from the First and Second World Wars are put in context, with their propaganda- driven plotlines and enemy-bashing superheroes, but the book also covers rebellious, anti-war, underground comix, horror comics, investigative journalism and more thoughtful mainstream developments such as Charleys War. War Comics: A Graphic History exposes this fascinating genre in all its many forms.

Chronicles the creation and evolution of the comic book industry, covering the working conditions, partnerships, and behind-the-scenes battles that shaped the formative decades of the genre.