*Finalist for the Charlotte Mew Prize These poems have an incredibly beautiful and painful landscape. The body becomes the field splayed open, as does memory, as does love, as does language. The imagery of the body is sensual and electric and you can feel the speaker risking so much as they turn from one line to another. -Natalie Diaz, judge of the Charlotte Mew Prize Hillary Brown's When She Woke She Was an Open Field are poems written on the surface of the body to be felt in the reverberations of our bones. They are necessary poems written in these times to remind us of our humanity. This is the perilous work of poetry. They are not easy to read and even more difficult to write. These are poems of unflinching bravery, full of complications and difficult truths. -Truong Tran "Remember your landmarks," writes Hilary Brown, whose poems are at once lyric imperatives and stirring invocations, all of them asking us to reckon with the body of our landscape and vice versa. When She Woke She Was an Open Field arrives with a fresh and clear voice that invites its reader to remember they are always already a viewer, a visitor, a voyeur, too. Brown writes the best kind of short poem-careful in its lyricism and reckless with imagistic surprise-& this collection is nothing if not a memorable landmark. -Meg Day "Cleave" means both to cut something in half and to hold fast to a body or object we hold dear. Hillary Brown's poems investigate the remade female self after brain surgery: an operation that cleaves her vision of herself and the world, but also allows her to imagine a self more fully cleaved to the world she inhabits, where the tongue becomes a "prickly pear/ blossom open/ for rain," and any anonymous young woman can still "be fearless, full to bursting, free." -Paisley Rekdal Hilary Brown is one of those poets who doesn't look away. Who invites you to stare and meets your eyes with her own always steady gaze-even when the world is unsteady, full of loss and all the slow death capitalism has on offer. These poems provide something else, aching bright and sharp. They sing the queer body, the disabled body. They know about not having enough to eat, about country roads, about church and how to live through it. These poems know, most of all, "There's power in there, holding / the discomfort of it close." -Stephanie Young

Bellwether Prize winner Hillary Jordan’s provocative new novel, When She Woke, tells the story of a stigmatized woman struggling to navigate an America of a not-too-distant future, where the line between church and state has been eradicated and convicted felons are no longer imprisoned and rehabilitated but chromed—their skin color is genetically altered to match the class of their crimes—and then released back into the population to survive as best they can. Hannah is a Red; her crime is murder. In seeking a path to safety in an alien and hostile world, Hannah unknowingly embarks on a path of self-discovery that forces her to question the values she once held true and the righteousness of a country that politicizes faith.

It is 1915 in the sleepy hamlet of Sweet Shrub. Lucy Richards has a full and busy life. Then Lucy finds out that the town hides tensions and unrest that will result in tragedy.

Martha Gellhorn was one of the first—and most widely read—female war correspondents of the twentieth century. She is best known for her fearless reporting in Europe before and during WWII and for her brief marriage to Ernest Hemingway, but she was also an acclaimed novelist. In 1938, before the Munich pact, Gellhorn visited Prague and witnessed its transformation from a proud democracy preparing to battle Hitler to a country occupied by the German army. Born out of this experience, A Stricken Field follows a journalist who returns to Prague after its annexation and finds her efforts to obtain help for the refugees and to convey the shocking state of the country both frustrating and futile. A convincing account of a people under the brutal oppression of the Gestapo, A Stricken Field is Gellhorn’s most powerful work of fiction. “[A] brave, final novel. Its writing is quick with movement and with sympathy; its people alive with death, if one can put it that way. It leaves one with aching heart and questing mind.”—New York Herald Tribune “The translation of [Gellhorn’s] personal testimony into the form of a novel has . . . force and point.”—Times Literary Supplement

A lass begging to marry him might top the list of “oddest things to happen,” but Chief Adam Macquarie is desperate. And no matter how much he hates to do it, he’s not above lying to get what he wants. Starting with the fact that he just omitted the truth about the situation back at his home—where there are no women and only a handful of other people. Because he has a secret need for a wife himself, one she won’t be too happy about when she finds out. Lark Montgomerie is thrilled the brawny chief agrees to save her from her drunken father’s machinations of wedding her off to the first fool that agrees. He’s easy on the eyes and no one can be worse than her current options. Now a new life awaits her, on an exciting Scottish isle no less, and nothing will dampen her spirits. That is, until she arrives in her new homeland and realizes more than a few things are amiss... Each book in the Brothers of Wolf Isle series is STANDALONE: * The Highlander’s Unexpected Proposal * The Highlander's Pirate Lass * The Highlander’s Tudor Lass * The Highlander's Secret Avenger

Find refuge and wisdom with a student of Thich Nhat Hanh in the pages of this poignant poetry collection that speaks to the heart of overcoming life’s adversities, Zen style This profound poetry collection, written by a disciple of Zen Master Thich Nhat Hanh, charts a journey from turmoil to tranquility. In this deeply personal work, Sister Dang Nghiem, known for her insightful and compassionate teachings, unveils a journey of transformation and healing that bridges two pivotal phases of her life: the years prior to her monastic ordination and the profound insights gained thereafter. This unique compilation, divided into two distinct parts, illustrates Sister Dang Nghiem's evolution not just as a poet but as a spiritual practitioner. The first half, spanning 1989-1999, offers a glimpse into her pre-monastic life, filled with yearnings for reconciliation and liberation yet entangled in suffering and attachments. The latter half, encompassing her writings from 2000 to 2023, reflects a stark transformation, imbued with the wisdom and tranquility of her Zen practice. Not just a display of poetic prowess, but also a testament to Sister Dang Nghiem's resilience and spiritual growth, these poems resonate with honesty and vulnerability, providing readers with a candid testament to the life-altering power of healing through mindfulness and deep community. The River in Me offers a path toward inner peace and wholeness for those navigating the complexities of life and is an essential read for anyone seeking solace and understanding. Includes 17 black and white photographs prior to and after monastic ordination.