The spellbinding and revealing chronicle of Nazi-occupied Paris. On June 14, 1940, German tanks entered a silent and nearly deserted Paris. Eight days later, France accepted a humiliating defeat and foreign occupation. Subsequently, an eerie sense of normalcy settled over the City of Light. Many Parisians keenly adapted themselves to the situation-even allied themselves with their Nazi overlords. At the same time, amidst this darkening gloom of German ruthlessness, shortages, and curfews, a resistance arose. Parisians of all stripes -- Jews, immigrants, adolescents, communists, rightists, cultural icons such as Colette, de Beauvoir, Camus and Sartre, as well as police officers, teachers, students, and store owners -- rallied around a little known French military officer, Charles de Gaulle. When Paris Went Dark evokes with stunning precision the detail of daily life in a city under occupation, and the brave people who fought against the darkness. Relying on a range of resources -- memoirs, diaries, letters, archives, interviews, personal histories, flyers and posters, fiction, photographs, film and historical studies -- Rosbottom has forged a groundbreaking book that will forever influence how we understand those dark years in the City of Light.

“Anne Sebba has the nearly miraculous gift of combining the vivid intimacy of the lives of women during The Occupation with the history of the time. This is a remarkable book.” —Edmund de Waal, New York Times bestselling author of The Hare with the Amber Eyes New York Times bestselling author Anne Sebba explores a devastating period in Paris's history and tells the stories of how women survived—or didn’t—during the Nazi occupation. Paris in the 1940s was a place of fear, power, aggression, courage, deprivation, and secrets. During the occupation, the swastika flew from the Eiffel Tower and danger lurked on every corner. While Parisian men were either fighting at the front or captured and forced to work in German factories, the women of Paris were left behind where they would come face to face with the German conquerors on a daily basis, as waitresses, shop assistants, or wives and mothers, increasingly desperate to find food to feed their families as hunger became part of everyday life. When the Nazis and the puppet Vichy regime began rounding up Jews to ship east to concentration camps, the full horror of the war was brought home and the choice between collaboration and resistance became unavoidable. Sebba focuses on the role of women, many of whom faced life and death decisions every day. After the war ended, there would be a fierce settling of accounts between those who made peace with or, worse, helped the occupiers and those who fought the Nazis in any way they could.

NEW YORK TIMES BESTSELLER • GOOD MORNING AMERICA BUZZ PICK • “A total departure for the author of The Paris Wife, McLain’s emotionally intense and exceptionally well-written thriller entwines its fictional crime with real cases.”—People (Book of the Week) NAMED ONE OF THE BEST BOOKS OF THE YEAR BY MARIE CLAIRE • “The kind of heart-pounding conclusion that thriller fans crave . . . In the end, a book full of darkness lands with a message of hope.”—The New York Times Book Review “This mystery will keep you guessing, and stay with you long after you finish. Dive in.”—Daily Skimm Anna Hart is a seasoned missing persons detective in San Francisco with far too much knowledge of the darkest side of human nature. When tragedy strikes her personal life, Anna, desperate and numb, flees to the Northern California village of Mendocino to grieve. She lived there as a child with her beloved foster parents, and now she believes it might be the only place left for her. Yet the day she arrives, she learns that a local teenage girl has gone missing. The crime feels frighteningly reminiscent of the most crucial time in Anna’s childhood, when the unsolved murder of a young girl touched Mendocino and changed the community forever. As past and present collide, Anna realizes that she has been led to this moment. The most difficult lessons of her life have given her insight into how victims come into contact with violent predators. As Anna becomes obsessed with saving the missing girl, she must accept that true courage means getting out of her own way and learning to let others in. Weaving together actual cases of missing persons, trauma theory, and a hint of the metaphysical, this propulsive and deeply affecting novel tells a story of fate, necessary redemption, and what it takes, when the worst happens, to reclaim our lives—and our faith in one another.

'I had thought that for me there could never again be any elation in war. But I had reckoned without the liberation of Paris - I had reckoned without remembering that I might be a part of that richly historic day. We were in Paris on the first day - one of the great days of all time.' (Ernie Pyle, US war correspondent) The liberation of Paris was a momentous point in twentieth-century history, yet it is now largely forgotten outside France. Eleven Days in August is a pulsating hour-by-hour reconstruction of these tumultuous events that shaped the final phase of the war and the future of France, told with the pace of a thriller. While examining the conflicting national and international interests that played out in the bloody street fighting, it tells of how, in eleven dramatic days, people lived, fought and died in the most beautiful city in the world. Based largely on unpublished archive material, including secret conversations, coded messages, diaries and eyewitness accounts, Eleven Days in August shows how these August days were experienced in very different ways by ordinary Parisians, Resistance fighters, French collaborators, rank-and-file German soldiers, Allied and French spies, the Allied and German High Commands. Above all, it shows that while the liberation of Paris may be attributed to the audacity of the Resistance, the weakness of the Germans and the strength of the Allies, the key to it all was the Parisians who by turn built street barricades and sunbathed on the banks of the Seine, who fought the Germans and simply tried to survive until the Germans finally surrendered, in a billiard room at the Prefecture of Police. One of the most iconic moments in the history of the twentieth century had come to a close, and the face of Paris would never be the same again.

In June of 1940, when Paris fell to the Nazis, Hitler spent a total of three hours in the City of Light—abruptly leaving, never to return. To this day, no one knows why. Kate Rees, a young American markswoman, has been recruited by British intelligence to drop into Paris with a dangerous assignment: assassinate the Führer. Wrecked by grief after a Luftwaffe bombing killed her husband and infant daughter, she is armed with a rifle, a vendetta, and a fierce resolve. But other than rushed and rudimentary instruction, she has no formal spy training. Thrust into the red-hot center of the war, a country girl from rural Oregon finds herself holding the fate of the world in her hands. When Kate misses her mark and the plan unravels, Kate is on the run for her life—all the time wrestling with the suspicion that the whole operation was a set-up. New York Times bestselling author Cara Black is at her best as she brings Occupation-era France to vivid life in this masterful, pulse-pounding story about one young woman with the temerity—and drive—to take on Hitler himself. *Features an illustrated map of 1940s Paris as full color endpapers.

In May and June 1940 almost four million people fled Paris and its suburbs in anticipation of a German invasion. On June 14, the German Army tentatively entered the silent and eerily empty French capital. Without one shot being fired in its defence, the Occupation of Paris had begun. When Paris Went Dark tells the extraordinary story of Germany's capture and Occupation of Paris, Hitler's relationship with the City of Light, and its citizens' attempts at living in an environment that was almost untouched by war, but which had become uncanny overnight. Beginning with the Phoney War and Hitler's first visit to the city, acclaimed literary historian and critic Ronald Rosbottom takes us through the German Army's almost unopposed seizure of Paris, its bureaucratic re-organization of that city, with the aid of collaborationist Frenchmen, and the daily adjustments Parisians had to make to this new oppressive presence. Using memoirs, interviews and published eye-witness accounts, Rosbottom expertly weaves a narrative of daily life for both the Occupier and the Occupied. He shows its effects on the Parisian celebrity circles of Pablo Picasso, Simone de Beauvoir, Colette, Jean Cocteau, and Jean-Paul Sartre, and on the ordinary citizens of its twenty arrondissements. But Paris is the protagonist of this story, and Rosbottom provides us with a template for seeing the City of Light as more than a place of pleasure and beauty.

On June 14, 1940, German tanks rolled into a silent and deserted Paris. Eight days later, a humbled France accepted defeat along with foreign occupation. The only consolation was that, while the swastika now flew over Paris, the City of Light was undamaged. Soon, a peculiar kind of normality returned as theaters, opera houses, movie theaters and nightclubs reopened for business. This suited both conquerors and vanquished: the Germans wanted Parisians to be distracted, while the French could show that, culturally at least, they had not been defeated. Over the next four years, the artistic life of Paris flourished with as much verve as in peacetime. Only a handful of writers and intellectuals asked if this was an appropriate response to the horrors of a world war. Alan Riding introduces us to a panoply of writers, painters, composers, actors and dancers who kept working throughout the occupation. Maurice Chevalier and Édith Piaf sang before French and German audiences. Pablo Picasso, whose art was officially banned, continued to paint in his Left Bank apartment. More than two hundred new French films were made, including Marcel Carné’s classic, Les Enfants du paradis. Thousands of books were published by authors as different as the virulent anti-Semite Céline and the anti-Nazis Albert Camus and Jean-Paul Sartre. Meanwhile, as Jewish performers and creators were being forced to flee or, as was Irène Némirovsky, deported to death camps, a small number of artists and intellectuals joined the resistance. Throughout this penetrating and unsettling account, Riding keeps alive the quandaries facing many of these artists. Were they “saving” French culture by working? Were they betraying France if they performed before German soldiers or made movies with Nazi approval? Was it the intellectual’s duty to take up arms against the occupier? Then, after Paris was liberated, what was deserving punishment for artists who had committed “intelligence with the enemy”? By throwing light on this critical moment of twentieth-century European cultural history, And the Show Went On focuses anew on whether artists and writers have a special duty to show moral leadership in moments of national trauma.