I am but a flower withering in the soil in which I have been planted......... Rose Stanley does not seem to fit into her prominent family with their lavish style and high society galas. She does not care to marry the wealthy Astor Boyle that her mother has chosen for her. She would much rather be in the kitchen up to her elbows in flour learning how to cook or down at the old slave quarters teaching a young mute boy the gift of communication. She sees nothing wrong with spending time with a boy she has befriended, even if he is just a stable boy. Her idea of happiness was much different from her mothers But, there is a secret at the Plantation. A deep, dark secret being kept from Rose. Some seem to hate her for it, some will do anything to protect her from it, but it seems to surround her. What will happen when the secret is revealed and what will be found Where the Rose Petals Fall...?

David Barnato was born in England in 1942 of Irish, Scottish, Welsh and English ancestry. He attended King James The First., school in Newport, Isle of Wight. After extensive travelling around the world he started and sold several businesses including a publishing company, insurance brokerage and fi nally a debt advisory service based in a remote Scottish castle. Rather than retire completely, he and his wife Jane decided to retire to South Africa and buy a farm and grow olives. Despite fires and floods David and Jane won a silver award for their olive oil, but sadly Jane suffered strokes and died of a heart attack in 2010. David’s passions are his five dogs, several of whom were rescued. He is also a great fan of opera and loves blues, especially when sung by Bessie Smith. He is now a full time writer. When the Jacaranda Petals Fall, is David’s first novel.

On the heels of the successful Lifetime TV version of Flowers in the Attic comes the TV movie tie-in edition of Petals On the Wind, the second book in the captivating Dollanganger saga. Forbidden love comes into full bloom. For three years they were kept hidden in the eaves of Foxworth Hall, their existence all but denied by a mother who schemed to inherit a fortune. For three years their fate was in the hands of their righteous, merciless grandmother. They had to stay strong...but in their hopeless world, Cathy and her brother Christopher discovered blossoming desires that tumbled into a powerful obsession. Now, with their frail sister Carrie, they have broken free and scraped enough together for three bus tickets and a chance at a new life. The horrors of the attic are behind them...but they will carry its legacy of dark secrets forever.

A much-anticipated debut collection from one of Canada’s most promising emerging poets Pebble Swing earns its title from the image of stones skipping their way across a body of water, or, in the author’s case, syllables and traces of her mother tongue bouncing back at her from the water’s reflective surface. This collection is about language and family histories. It is the author’s attempt to piece together the resonant aftermath of the Chinese Cultural Revolution, which stole the life of her paternal grandmother. As an immigrant whose grasp of Mandarin is fading, Wang explores absences in her caesuras and fragmentation—that which is unspoken, but endures. The poems in this collection also trace the experiences of a young poet who left home at seventeen to pursue writing; the result is a series of city poetry infused with memory, the small joys of Vancouver’s everyday, environmental politics, grief and notions of home. While the poetics of response are abundant in the collection—with poems written to Natalie Lim and Ashley Hynd—the last section of the book, "Thirteen Ghazals and Anti-Ghazals after Phyllis Webb," forges a continued response to Phyllis Webb on Salt Spring Island, and innovates within the possibilities of the experimental ghazal form.