"I write hungry sentences," Natalie Diaz once explained in an interview, "because they want more and more lyricism and imagery to satisfy them." This debut collection is a fast-paced tour of Mojave life and family narrative: A sister fights for or against a brother on meth, and everyone from Antigone, Houdini, Huitzilopochtli, and Jesus is invoked and invited to hash it out. These darkly humorous poems illuminate far corners of the heart, revealing teeth, tails, and more than a few dreams. I watched a lion eat a man like a piece of fruit, peel tendons from fascia like pith from rind, then lick the sweet meat from its hard core of bones. The man had earned this feast and his own deliciousness by ringing a stick against the lion's cage, calling out Here, Kitty Kitty, Meow! With one swipe of a paw much like a catcher's mitt with fangs, the lion pulled the man into the cage, rattling his skeleton against the metal bars. The lion didn't want to do it— He didn't want to eat the man like a piece of fruit and he told the crowd this: I only wanted some goddamn sleep . . . Natalie Diaz was born and raised on the Fort Mojave Indian Reservation in Needles, California. After playing professional basketball for four years in Europe and Asia, Diaz returned to the states to complete her MFA at Old Dominion University. She lives in Surprise, Arizona, and is working to preserve the Mojave language.

WINNER OF THE 2021 PULITZER PRIZE IN POETRY FINALIST FOR THE 2020 NATIONAL BOOK AWARD FOR POETRY Natalie Diaz’s highly anticipated follow-up to When My Brother Was an Aztec, winner of an American Book Award Postcolonial Love Poem is an anthem of desire against erasure. Natalie Diaz’s brilliant second collection demands that every body carried in its pages—bodies of language, land, rivers, suffering brothers, enemies, and lovers—be touched and held as beloveds. Through these poems, the wounds inflicted by America onto an indigenous people are allowed to bloom pleasure and tenderness: “Let me call my anxiety, desire, then. / Let me call it, a garden.” In this new lyrical landscape, the bodies of indigenous, Latinx, black, and brown women are simultaneously the body politic and the body ecstatic. In claiming this autonomy of desire, language is pushed to its dark edges, the astonishing dunefields and forests where pleasure and love are both grief and joy, violence and sensuality. Diaz defies the conditions from which she writes, a nation whose creation predicated the diminishment and ultimate erasure of bodies like hers and the people she loves: “I am doing my best to not become a museum / of myself. I am doing my best to breathe in and out. // I am begging: Let me be lonely but not invisible.” Postcolonial Love Poem unravels notions of American goodness and creates something more powerful than hope—in it, a future is built, future being a matrix of the choices we make now, and in these poems, Diaz chooses love.

The date is 4 Jaguar 1 Monkey 1 House; November 25th 2012, by the old reckoning. The Aztec Empire rules the world, in the name of Quetzalcoatl – the Feathered Serpent – and his brother gods. The Aztec reign is one of cruel and ruthless oppression, fuelled by regular human sacrifice. In the jungle-infested city of London, one man defies them: the masked vigilante known as the Conquistador. Then the Conquistador is recruited to spearhead an uprising, and discovers the terrible truth about the Aztecs and their gods. The clock is ticking. Apocalypse looms, unless the Conquistador can help assassinate the mysterious, immortal Aztec emperor, the Great Speaker. But his mission is complicated by Mal Vaughn, a police detective who is on his trail, determined to bring him to justice.

Gary Jennings's Aztec is the extraordinary story of the last and greatest native civilization of North America. Told in the words of one of the most robust and memorable characters in modern fiction, Mixtli-Dark Cloud, Aztec reveals the very depths of Aztec civilization from the peak and feather-banner splendor of the Aztec Capital of Tenochtitlan to the arrival of Hernán Cortás and his conquistadores, and their destruction of the Aztec empire. The story of Mixtli is the story of the Aztecs themselves---a compelling, epic tale of heroic dignity and a colossal civilization's rise and fall. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Rich in mythology and art, the Aztec civilization dominated central Mexico during the fourteenth, fifteenth, and sixteenth centuries. This handsome volume contains 42 pages of authentic Aztec designs derived from ceramics, statues, altars, shields, books, and other priceless artifacts. Gods, rulers, warriors, slaves, animals, and activities both secular and sacred are brilliantly rendered by Wilson G. Turner, a skilled artist/archaeologist and a specialist in pre-Columbian archaeology. Brief captions identify each image. Artists, designers, and illustrators will find in Aztec Designs a wealth of ideas and inspiration for a myriad of projects. Colorists will enjoy adding their own conceptions of color to these ancient motifs.

Mexico, 1517. The Aztec capital is awash with fear and rumors. A strange figure has been seen running through the streets. A being with the face of a snake, his body covered with glittering green plumage: Quetzalcoatl---the Feathered Serpent. Is it an omen? Or is it the god himself, come to warn of impending disaster? Yaotl, the chief minister's slave, has more immediate matters to worry about than omens and portents. Engaged in a desperate search for his son, he's on the run from his vengeful master, the all-powerful Lord Feathered-in-Black. If the chief minister catches him, Yaotl can expect a grisly fate. Attempting to escape his master's bloodthirsty warriors, Yaotl stumbles upon a dismembered, unrecognizable corpse. As he pieces together the clues to who the dead man was and how he died, Yaotl finds himself drawn into an affair of greed, jealousy, and lust among the ancient, secretive society of the feather workers, the Aztecs' foremost craftsmen. And, as he is to discover, the answers to those clues will provide the key to the search for his son. But before he can solve the mystery, Yaotl will need his wits about him simply to stay alive---for Lord Feathered-in-Black and his henchmen are never far away.... "An exhilarating, fast-paced tale . . . plenty of plot, well-rounded characters, and some black humor to make this second book a delight." ---Historical Novels Review

Works of fiction the length of Facebook status updates: “Just because a story is short, even really, really short, doesn’t mean it can’t contain multitudes.” —The New York Times Book Review Alternately surreal, funny, ominous, and lyrical, Lou Beach’s 420 Characters offers an experience as dazzling as any in contemporary fiction. Revealing worlds of meaning in single paragraphs, these crystalline miniature stories that began as Facebook status updates mark a new turn in an acclaimed artist and illustrator’s career. This ebook edition has been enhanced with original collages by the author and with exclusive audio of fifteen stories brilliantly read by legendary rock musician Dave Alvin, Golden Globe–winning actor Ian McShane, and Academy Award winner Jeff Bridges. “A tiny book filled with tiny stories . . . Tragic, absurd, and sweet by turns, each snip of a story is a gem, able to hold its own against more standard-length fare.” —Flavorwire, A Must-Read Pick