In July 1956, Marilyn Monroe arrived in London—on honeymoon with her husband Arthur Miller—to make The Prince and the Showgirl with Sir Laurence Olivier. It was meant to be a happy time . . . "I am dying to walk bare-headed in the rain. I think England sounds adorable.”—Marilyn Monroe Marilyn would work during the day at Pinewood Studios, in Iver Heath, while Arthur would write. Then, in the evening, the couple would be able to relax together in their private English country cottage. But the cottage was a mansion, in Englefield Green, and Marilyn, used to living in tiny hotel rooms and apartments, felt herself being watched. She was, by several of owner Lord Drogheda's servants, who were selling stories to the papers. And when filming began, all did not go as hoped. Over time, Marilyn grew to hate Olivier; the feeling was mutual. Marilyn found herself a curiosity for the frequently hostile British press. She took solace in bike rides in Windsor Great Park, in small acts of kindness from members of the public, and in a growing fascination with Queen Elizabeth, whom she longed to meet—and eventually did.

'England? It seemed to be raining the whole time . . . Or maybe it was me' MARILYN MONROE In July 1956, Marilyn Monroe arrived in London, on honeymoon with her husband Arthur Miller, to make The Sleeping Prince (later released as The Prince and the Showgirl) with Laurence Olivier. When the couple arrived at London Airport, they were looking forward to a peaceful stay. Marilyn would work during the day at Pinewood Studios, while Arthur would write. Then, in the evening, the couple would be able to relax together in their private English country cottage. It didn't quite turn out that way. The 'cottage' was actually a mansion, which belonged to Lord Drogheda, the managing director of the Financial Times. Raised in tiny hotel rooms and apartments, Marilyn felt herself being watched. She was, by Lord Drogheda's servants, who were selling stories to the papers. When filming began, it was a disaster. Director Joshua Logan had written to Olivier, offering advice on how to handle Marilyn as an actress, but Olivier ignored him. Instead, he condescended to her in his introduction to the cast, pooh-poohed her views on acting, and dismissed her stage-fright as an inconvenience. Marilyn grew to hate Olivier with a passion; the feeling was mutual. Marilyn found herself torn between settling into married life, being a curiosity for the frequently hostile British press, and her work on The Prince and the Showgirl. She took solace in small acts of kindness from members of the public, and a new fascination with Queen Elizabeth. Marilyn made a point of adopting some of the Queen's favourite brands, buying gloves from Cornelia James, perfume from Floris, and switching from Chanel No. 5 to Yardley's Lavender. Marilyn made a point of asking the film's PR manager to add a royal meeting to her schedule, but each day Olivier would delete the request. Michelle Morgan describes Marilyn's trip to late-1950s' Britain in evocative detail, exploring the making of the film alongside the film star's troubled private life and her quest to meet the Queen.

Given as a Christmas present to Marilyn Monroe, Maf the dog provides keen insight into the world of the Hollywood starlet during the last two years of her life.

In July 1956, Marilyn Monroe arrived in London—on honeymoon with her husband Arthur Miller—to make The Prince and the Showgirl with Sir Laurence Olivier. It was meant to be a happy time . . . "I am dying to walk bare-headed in the rain. I think England sounds adorable.”—Marilyn Monroe Marilyn would work during the day at Pinewood Studios, in Iver Heath, while Arthur would write. Then, in the evening, the couple would be able to relax together in their private English country cottage. But the cottage was a mansion, in Englefield Green, and Marilyn, used to living in tiny hotel rooms and apartments, felt herself being watched. She was, by several of owner Lord Drogheda's servants, who were selling stories to the papers. And when filming began, all did not go as hoped. Over time, Marilyn grew to hate Olivier; the feeling was mutual. Marilyn found herself a curiosity for the frequently hostile British press. She took solace in bike rides in Windsor Great Park, in small acts of kindness from members of the public, and in a growing fascination with Queen Elizabeth, whom she longed to meet—and eventually did.

The daughter of acting teachers Lee and Paula Strasberg discusses her relationship with Marilyn Monroe when the screen idol came to New York to study with her parents

As the plump sausages were beginning to brown, there was a knock on the door.Chicago Mob Boss Sam Giancana showed no fear as he turned back the double locks on the heavy steel door of his fortress like home that protected him from the outside world. Sam looked his old friend Johnny Roselli in the eye and invited him in. The men kissed on the cheek, exchanged pleasantries and shared a laugh. ThenMooney, as Johnny affectionately called Sam, heard the sausages sizzling in their pan and ran back to the stove to keep them from burning. While he was rolling them over, Johnny quietly crept up behind him and placed the muzzle of a .22 caliber handgun equipped with a silencer at the base of his skull and said Sam, this is for Marilyn. Sam hesitated a moment as he tended to the sausages. A split second passed. In that moment, an image of Marilyn Monroe, the quintessential Hollywood Goddess, platinum blond bombshell, orphaned child, cheesecakepin up girl, fantasy lover to thousands of men, supposed tragic suicide victim and lover of President John F. Kennedy and his brother Bobby, filled Sams head. Then Johnny pulled the trigger.

A collection of whimsical true encounters between famous and infamous individuals describes the unlikely meetings of Marilyn Monroe with Frank Lloyd Wright, Michael Jackson with Nancy Reagan, and Sigmund Freud with Gustav Mahler.